1,722,414 research outputs found
Jones v Kernott [2011] UKSC 53, Supreme Court
No full textEssential Cases: Land Law provides a bridge between course textbooks and key case judgments. This case document summarizes the facts and decision in Jones v Kernott [2011] UKSC 53, Supreme Court. The document also includes supporting commentary from author Aruna Nair.</p
Jones, V J, VX58234
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/396013Surname: JONES. Given Name(s) or Initials: V J. Military Service Number or Last Known Location: VX58234. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 46303.231255
Item: [2016.0049.28306] "Jones, V J, VX58234
Jones v. Mayer Revisited, Symposium: New Strategies in Fair Housing
Full text linkThis article revisits Jones v. Mayer. Jones v. Mayer, decided by the U.S. Supreme Court in 1968, was the first Supreme Court case to rule that the Civil Rights Act of 1866--which guarantees the same right of all citizens to inherit, purchase, lease, sell, hold, and convey real and personal property as is enjoyed by white citizens--applies not only to actions of the state but also to private parties
Keri Lynne Jones Jones v. Cheryl Pike Barlow : Unknown
Full text linkJones v. Barlow, Case No. 20040932 Notice of Recently Issued Supplemental Authorit
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Jones, V W L, NX46076
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/395865Surname: JONES. Given Name(s) or Initials: V W L. Military Service Number or Last Known Location: NX46076. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 21627.231107
Item: [2016.0049.28158] "Jones, V W L, NX46076
Jones, V R A, QX17479
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/395914Surname: JONES. Given Name(s) or Initials: V R A. Military Service Number or Last Known Location: QX17479. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 26127.231156
Item: [2016.0049.28207] "Jones, V R A, QX17479
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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