1,725,547 research outputs found
Interview with Jonathan G. Lebedoff
No full textAnn Pflaum interviews the Honorable Jonathan G. Lebedoff, who speaks about his experiences as a student a the University during the 1960s.Lebedoff, Jonathan G.; Pflaum, Ann M.. (1999). Interview with Jonathan G. Lebedoff. Retrieved from the University Digital Conservancy, https://hdl.handle.net/11299/48311
jonathan-g/urban_water_conservation: Published version
No full textThis is the published version of the code for the article
Kesler, Jonathan G. (FA 201)
Full text linkFinding aid and full-text scan of paper (Click on “Additional Files” below) for Folklife Archives Project 201. Paper: Day of Disaster: Brandenburg, Kentucky, and the Tornado of April 3, 1974, written by Western Kentucky University folk studies student Jonathan G. Kesler, about the tornado that wreaked death and destruction on Bradenburg, Meade County, Kentucky, on 3 April 1974
jonathan-g/private_governance_framework_si: Resubmitted revised manuscript
No full textSubmitted revised manuscript to ERSS
Boyd County - Jonathan G Peebles and Coal Tender
No full textThe Jonathan G Peebles and Coal Tender, circa 1920s. The engineer is George Bell.https://scholarworks.moreheadstate.edu/sprague_photo_collection/1054/thumbnail.jp
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Bitácora
Full text linkFil: Gamarra L., Jonathan G.. Universidad de San Andrés. Escuela de Negocios; Argentina
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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