1,721,052 research outputs found
Ein Dialog mit Fallstricken. Jonas Grethlein vermutet, dass moderne Narratologie zur Analyse antiker Erzählformen vielleicht doch weniger taugt als angenommen.
No full textoai:elpub.bib.uni-wuppertal.de:duepublico_mods_00000865Rezension zu: Jonas Grethlein: Ancient Greek Texts and Modern Narrative Theory. Towards a Critical Dialogue. Cambridge: CUP 2023, viii + 199 S. GBP 22.99. ISBN 978100933959
Lessing's Laocoon and the 'as-if' of aesthetic experience
Full text linkIn this chapter Jonas Grethlein tackles the shared but distinct aesthetic mechanics of responding to narratives and pictures. After taking into account ‘deconstructionist’ readings of Laocoon, Grethlein argues that Lessing’s insights are fundamental for articulating how aesthetic experience works. Reformulating Lessing’s categories of temporal ‘poetry’ and spatial ‘painting’, while also concentrating on aesthetic response rather than formal medial difference, Grethlein renders Lessing’s essay into a guide for approaching the poles of what he labels ‘narratives’ and ‘pictures’. According to Grethlein, Lessing’s arguments concerning ‘poetry’ and ‘painting’ can help to advance a phenomenological argument about the ‘as if’ (in Kendall Walton’s terms) of aesthetic experience.</p
Jonas Grethlein & Antonios Rengakos (Ed.), Narratology and Interpretation. The Content of Narrative Form in Ancient Literature. Berlin-New York, W. de Gruyter, 2009 (Trends in Classics. Suppl., 4)
No full textDe Temmerman Koen. Jonas Grethlein & Antonios Rengakos (Ed.), Narratology and Interpretation. The Content of Narrative Form in Ancient Literature. Berlin-New York, W. de Gruyter, 2009 (Trends in Classics. Suppl., 4). In: L'antiquité classique, Tome 83, 2014. pp. 220-222
Jonas Grethlein & Antonios Rengakos (Ed.), Narratology and Interpretation. The Content of Narrative Form in Ancient Literature. Berlin-New York, W. de Gruyter, 2009 (Trends in Classics. Suppl., 4)
No full textDe Temmerman Koen. Jonas Grethlein & Antonios Rengakos (Ed.), Narratology and Interpretation. The Content of Narrative Form in Ancient Literature. Berlin-New York, W. de Gruyter, 2009 (Trends in Classics. Suppl., 4). In: L'antiquité classique, Tome 83, 2014. pp. 220-222
Zwischen Geschichtswissenschaft und Narratologie: Jonas Grethlein und Christopher B. Krebs über die Bedeutung und Komplexität von Zeit und Erzählung in antiken historischen Texten
Full text linkJonas Grethlein / Christopher B. Krebs (Hg.): Time and Narrative in Ancient Historiography. The ‘Plupast’ from Herodotus to Appian. Cambridge: University Press 2012. EUR 60,00 (USD 99,00). ISBN 978-1-107-00740-6 Der vorliegende Sammelband ist an der Schnittstelle von Geschichtswissenschaft und Narratologie einzuordnen. Die Altertumswissenschaftler Jonas Grethlein und Christopher B. Krebs beleuchten die Bedeutung von Zeit und Erzählung in der antiken Historiographie aus einem neuen Blickwinkel, dem des „Plupast“. Das Anliegen des Sammelbandes ist dabei ein Grundsätzliches: Vor dem Hintergrund der zeitlichen Komplexität antiker historischer Erzählungen geht es ihm darum, neue Erkenntnisse über die antike Geschichtsschreibung zu gewinnen. Zum Aufbau des Bandes: Nach einer allgemeinen Einführung der Herausgeber folgen beispielhafte Interpretationen antiker Autoren im Hinblick auf das Plupast. Das Spektrum der Analysen reicht dabei von Herodot über Thukydides, Xenophon, Sallust, Dionysios von Halikarnassos, Livius, Tacitus und Plutarch bis hin zu Appian
A ‘Metic’ Prometheus in Aristophanes’ Birds
No full textThis paper revisits the scene from Aristophanes’ Birds where Prometheus engages in political espionage against Zeus, acting at the behest of Peisetaerus, the founder of Cloudcuckooland. Disguised as a skiadēphoros — and thus effectively as a metic — Prometheus recalls the figure of Teukros, one of the metics who, under the immunity granted during the investigations into the profanation of the Mysteries and the mutilation of the Herms, played a key role in instigating numerous arrests and convictions. The scene with Prometheus thus evokes the witch-hunt-like atmosphere that gripped Athens following the impieties of 415 BCE, on the eve of the Sicilian expedition
[Reseña] Time and Narrative in Ancient Historiography: the 'Plupast' from Herodotus to Appian
No full textEs una reseña de la obra: Jonas Grethlein, Christopher B. Krebs (eds.), Time and Narrative in Ancient Historiography: the 'Plupast' from Herodotus to Appian. Cambridge y Nueva York: Cambridge University Press, 2012. Pp. x, 257. ISBN 978110700740
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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