1,720,996 research outputs found
Compte-rendu de lecture de Gelézeau Valérie, Joinau Benjamin (Dir.), 2021, Faire du terrain en Corée du Nord
No full textCompte-rendu de lecture de Gelézeau Valérie, Joinau Benjamin (ss la dir.), 2021, Faire du terrain en Corée du NordCompte-rendu de lecture de Gelézeau Valérie, Joinau Benjamin (ss la dir.), 2021, Faire du terrain en Corée du Nor
Cho Dong-il, Daniel Bouchez, Histoire de la littérature coréenne des origines à 1919
No full textJoinau Benjamin. Cho Dong-il, Daniel Bouchez, Histoire de la littérature coréenne des origines à 1919. In: Cahiers d'Extrême-Asie, vol. 13, 2002. Moines, rois et marginaux. Études sur le bouddhisme médiéval japonais / Buddhist Priests, Kings and Marginals Studies on Medieval Japanese Buddhism pp. 497-499
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
부재한 이미지 : 마르그리트 뒤라스 <연인>의 해석
No full textInternational audienceCet article propose une nouvelle lecture de L’Amant, prix Goncourt et best-seller mondial de Marguerite Duras publié en 1984. L’œuvre de Duras, tout comme sa biographie qui en est indissociable, ont fait l’objet de nombreux ouvrages, thèses et articles. Cependant, si les analyses de romans comme Le Ravissement de Lol V. Stein ou de La Maladie de la mort sont nombreuses et célèbres (J. Lacan, M. Blanchot), les lectures critiques dédiées à L’Amant sont plus rares. Le genre autobiographique de cet ouvrage aura entraîné la critique dans une direction (trop) biographique centrée autour de la question de l’identité de l’amant éponyme. C’est cependant passer à côté de la complexité de cette œuvre capitale que de la réduire à un récit de vie. Comme toujours chez Duras, l’intime et le personnel servent de matériau pour une plongée dans les mystères indicibles de la psyché humaine. Duras cherche toujours à exprimer ce qu’il y a d’innommable dans le désir, dans la jouissance, dans la douleur. Paradoxe apparent qu’elle dépasse par un dispositif narratif plus complexe qu’il n’y paraît. Nous proposons ici, en appliquant à L’Amant les acquis de la critique durassienne, une herméneutique de ce roman au moyen d’une psychologie des profondeurs explorant les différents niveaux de sens de ce récit-palimpseste. Notre hypothèse propose l’inceste comme trope structurant en creux ce livre d’images écrites, images refoulées et fragmentées que l’écriture révèle indirectement.이 논문은 1984년 공쿠르 Goncourt상 수상으로 세계적인 베스트셀러작가가 된 마르그리트 뒤라스 Marguerite Duras의 소설 《L'Amant(연인)》에 대한 해석이다. 뒤라스의 작품, 그리고 이와 분리할 수 없는 그녀의 생애는 수많은 저서와 논문의 대상이 되었다. 그러나 《L'Amant》 에 대한 전문적인 비평적 해석은 드물다. 이 명작을 자전적 소설로 간주하고 단순 연애 이야기로 오해한다면, 이 작품이 갖는 복잡성을 놓치게 된다. 뒤라스 작품에서 친밀하고 개인적인 인생의 요소들은 늘 말로표현할 수 없는 인간 정신의 신비를 탐구하기 위한 자료가 된다. 이러한 모순은 복잡한 서사적 장치로 해소된다. 본 논문은 뒤라스에 대한비평적 연구의 최근 실적과 심층 심리학을 소설 《L'Amant》에 적용하여 근친상간 관계 중심으로 서술의 다양한 의미의 층을 파악하는 독창적인 해석을 하고자 한다
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