1,721,134 research outputs found
John Talbot Interview, 1975
Get PDFJohn Talbot recalls working for Lee Newspapers in Montana as publisher of the Billings Gazette, then later for the Missoulian. He describes the transition in ownership when the Anaconda Company sold the Missoulian newspaper to Lee Newspapers.https://scholarworks.umt.edu/leenewspapersmontana_oralhistory/1030/thumbnail.jp
Venerable John Talbot: Some Genealogical Notes
No full textThe will of this martyr's father (John Talbot of Thorntonle Street, N.R. Yorks), to which reference has been made in a former article in this journal (Vol. II, p. 16), is printed in Surtees Soc., Vol. II; Wills and Inventories, pp. 369-371 (No. CCLXXX).</jats:p
A. J. Pollard, John Talbot and the War in France, 1427-1453
No full textGenet Jean-Philippe. A. J. Pollard, John Talbot and the War in France, 1427-1453. In: Annales. Économies, Sociétés, Civilisations. 42ᵉ année, N. 3, 1987. pp. 729-730
John Talbot Dillon’s letters (1781) and the Essai sur la littérature espagnole (1810) in the beginning of spanish literary historiography
Get PDFThomasina Ross advertía ya en 1823 que el Essai sur la littérature espagnole (1810), era un «gross plagiarism» de las Letters from an English traveller… (1781) de John Talbot Dillon. El presente artículo analiza la relación textual entre ambas obras, enmarcándolas en los orígenes de la historiografía literaria española. A través de una exploración de las diversas fuentes nacionales (en especial los Orígenes de Velázquez, 1754) y extranjeras utilizadas por Dillon y el autor del Essai, también se ofrecen conclusiones al respecto de: 1) cómo nacen y evolucionan las primeras historias de la literatura española en un constante diálogo que superó nuestras fronteras; 2) cómo a principios del XIX la imagen de España y su literatura vive un importante cambio en el que destacaron los viajeros británicos desde el último tercio del siglo XVIII, y el propio Dillon en particular.Thomasina Ross had already noticed in 1823 that the anonymous Essai sur la littérature espagnole (1810) was a «gross plagiarism» of John Talbot Dillon’s Letters from an English traveller… (1781). This article analyses the textual connection between both texts and it places them in the beginning of Spanish literary historiography. A research on the different national (particularly Velázquez’s Orígenes, 1754) and foreign sources used by Dillon and the Essai’s author is also delivered, presenting some conclusions regarding to: 1) the origin and evolution of the histories of Spanish literature in their transnational dialogue context; 2) the image of Spain and its literature in 18th-century Europe, and how it changes around the beginning of 19th century; a process in which English travellers ––and specially Dillon himself–– had an important impact from the 70s
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Letter, To: "Reverend Thomas C. Middleton O.S.A." From: John Talbot Smith, August 29, 1896.
No full textVariations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
LAS LETTERS DE JOHN TALBOT DILLON (1781) Y EL ESSAI SUR LA LITTÉRATURE ESPAGNOLE (1810) EN LOS INICIOS DE LA HISTORIOGRAFÍA LITERARIA ESPAÑOLA
No full textThomasina Ross had already noticed in 1823 that the anonymous Essai sur la littérature espagnole (1810) was a «gross plagiarism» of John Talbot Dillon’s Letters from an English traveller… (1781). This article analyses the textual connection between both texts and it places them in the beginning of Spanish literary historiography. A research on the different national (particularly Velázquez’s Orígenes, 1754) and foreign sources used by Dillon and the Essai’s author is also delivered, presenting some conclusions regarding to: 1) the origin and evolution of the histories of Spanish literature in their transnational dialogue context; 2) the image of Spain and its literature in 18th-century Europe, and how it changes around the beginning of 19th century; a process in which English travellers ––and specially Dillon himself–– had an important impact from the 70s.Thomasina Ross advertía ya en 1823 que el Essai sur la littérature espagnole (1810), era un «gross plagiarism» de las Letters from an English traveller… (1781) de John Talbot Dillon. El presente artículo analiza la relación textual entre ambas obras, enmarcándolas en los orígenes de la historiografía literaria española. A través de una exploración de las diversas fuentes nacionales (en especial los Orígenes de Velázquez, 1754) y extranjeras utilizadas por Dillon y el autor del Essai, también se ofrecen conclusiones al respecto de: 1) cómo nacen y evolucionan las primeras historias de la literatura española en un constante diálogo que superó nuestras fronteras; 2) cómo a principios del XIX la imagen de España y su literatura vive un importante cambio en el que destacaron los viajeros británicos desde el último tercio del siglo XVIII, y el propio Dillon en particular
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