1,721,937 research outputs found
Reappraisal and lectotypification of Justicia tanalensis S. Moore (Acanthaceae), rediscovered from central Madagascar more than 100 years since the last collection
Onjalalaina, Uy. E., Jiang, Hui, Rakotonasolo, Andrimalala R., Wanga, Vincent Okelo, Hu, Guang-Wan (2022): Reappraisal and lectotypification of Justicia tanalensis S. Moore (Acanthaceae), rediscovered from central Madagascar more than 100 years since the last collection. Phytotaxa 573 (2): 293-300, DOI: 10.11646/phytotaxa.573.2.9, URL: http://dx.doi.org/10.11646/phytotaxa.573.2.
FIGURE 4 in Reappraisal and lectotypification of Justicia tanalensis S. Moore (Acanthaceae), rediscovered from central Madagascar more than 100 years since the last collection
FIGURE 4. Geographic distribution of Justicia tanalensis.Published as part of Onjalalaina, Uy. E., Jiang, Hui, Rakotonasolo, Andrimalala R., Wanga, Vincent Okelo & Hu, Guang-Wan, 2022, Reappraisal and lectotypification of Justicia tanalensis S. Moore (Acanthaceae), rediscovered from central Madagascar more than 100 years since the last collection, pp. 293-300 in Phytotaxa 573 (2) on page 298, DOI: 10.11646/phytotaxa.573.2.9, http://zenodo.org/record/735002
Study on the Jiang-hui Activities of Yang-ming School in Ningguo Prefecture during the Late Ming Period
本文从社会史的角度,通过正史、地方文献、地方志和阳明学人文集等史料构建晚明宁国府阳明学讲会兴衰的历史图景。文章详细论述宁国府内各地重要讲会,同时填补了对宁国府宁国、旌德、南陵三地讲会的研究,进一步丰富南中地区阳明学讲会的研究。 宁国府的地理、人文因素,以及阳明重要弟子的接引,促成了阳明学在宁国府的发展,阳明学讲会也随之兴起。邹守益、欧阳德、王龙溪、罗近溪等重要阳明学人在不同时期适时出现,保证了宁国府阳明学讲会的持续发展;同时他们不同的思想和讲学风格,对宁国府讲会的形态及地位也有不同的作用。 1520—1627年间的宁国府阳明学讲会,因1570年代的禁讲学,划分为阳明重要弟子带领的初兴与鼎盛...From the perspective of social history, this essay construct the historical landscape of late Ming Yang-ming Jiang-hui activities in Ningguo prefecture, based on local documents, gazetteers and anthologies of Yang-ming school. Meanwhile,by the detailed description of various important Jiang-hui activities in different localities, especially in Ningguo, Jingde and Nanling, the essay represents an i...学位:历史学硕士院系专业:人文学院历史学系_中国古代史学号:1032006115012
FIGURE 2 in Reappraisal and lectotypification of Justicia tanalensis S. Moore (Acanthaceae), rediscovered from central Madagascar more than 100 years since the last collection
FIGURE 2. Lectotype (BM000931344) and syntype (BM000931369) of Justicia tanalensis S. Moore at herbarium BM. From https:// data.nhm.ac.uk/object/803a4bd7-8e42-4140-adf2-653f4786403c/1652572800000.Published as part of Onjalalaina, Uy. E., Jiang, Hui, Rakotonasolo, Andrimalala R., Wanga, Vincent Okelo & Hu, Guang-Wan, 2022, Reappraisal and lectotypification of Justicia tanalensis S. Moore (Acanthaceae), rediscovered from central Madagascar more than 100 years since the last collection, pp. 293-300 in Phytotaxa 573 (2) on page 296, DOI: 10.11646/phytotaxa.573.2.9, http://zenodo.org/record/735002
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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