1,721,017 research outputs found
Performance of butt strap joints for marine applications
No full textThe use of adhesive as a structural fastener is progressively taking place in shipbuilding. However, a series of issues needs to be looked at such as ageing and influence of the tolerance in the adhesive application in order to enhance the knowledge of this technology and reinforce its use in this industry. This paper hence presents the work carried out on butt strap adhesive joints bonding metallic adherends. The influence of adhesive thickness under different ageing conditions on the performance of the joints was investigated. Finite element analysis was carried out to model the joint behaviour taking into account geometric non-linear effects to explain the mechanisms leading to failure. Different failure modes were identified, depending on the level of adhesive thickness. The finite element analysis confirms experimental observations that failure initiated at the horizontal adhesive free surface. Accelerated ageing of the joints suggests interfacial degradation at the steel interface at the edges of the joint overlap
Le maschere grottesche del Macbeth: Jarry e Ionesco
No full textIn questo capitolo del libro, l’autrice individua una precisa genealogia che lega il Macbeth shakespeariano, l’Ubu Re di Jarry e il Macbett di Ionesco. È qui dimostrata la natura grottesca di queste moderne versioni del capolavoro shakespeariano sul “potere” ed è indagata la dimensione figurativa di tali opere
Préclin (E.) & Jarry (E.). Les luttes politiques et doctrinales aux XVIIe et XVIIIe siècles
No full textAndriessen J. Préclin (E.) & Jarry (E.). Les luttes politiques et doctrinales aux XVIIe et XVIIIe siècles. In: Revue belge de philologie et d'histoire, tome 35, fasc. 3-4, 1957. pp. 898-901
Préclin (E.) & Jarry (E.). Les luttes politiques et doctrinales aux XVIIe et XVIIIe siècles
No full textAndriessen J. Préclin (E.) & Jarry (E.). Les luttes politiques et doctrinales aux XVIIe et XVIIIe siècles. In: Revue belge de philologie et d'histoire, tome 35, fasc. 3-4, 1957. pp. 898-901
Do sentido ao sensório: Jarry e Artaud, dois visionários do teatro
Full text linkInvestiga-se a contribuição de dois visionários das vanguardas do final do século XIX, e da primeira metade do século XX, Jarry e Artaud, e de como elementos do teatro de Jarry estão semeados no pensamento Artaudiano. Das marionetes aos manequins, Jarry e Artaud redefinem um novo paradigma de uso da voz. A partir de um estudo comparativo dos textos de Jarry e Artaud, a pesquisa analisa as concepções teatrais de ambos, apontando os elementos relativos ao uso da voz na cena. Conclui-se que diversas das ideias que Jarry formula a partir da sua paixão pela marionete, encontram ressonância no pensamento de Artaud. Em Jarry, a busca por um teatro abstrato, o leva a idealizar um ator-máscara com uma voz-máscara. Em Artaud, a sua busca o leva a um teatro metafísico, onde a atuação se torna encarnada e a voz encantatória. Ambos rompem com a voz do teatro realista que é pura semântica, e reivindicam uma voz sonora, musical e rítmica
4054. Jarry (E.), Les origines de la domination française à Gênes, Paris, 1896
No full text4054. Jarry (E.), Les origines de la domination française à Gênes, Paris, 1896. In: Molinier Auguste. Les Sources de l'histoire de France - Des origines aux guerres d'Italie (1494). IV. Les Valois, 1328-1461. Paris : A. Picard et fils, 1904. p. 224
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
La narrazione parodistica della civiltà tecnologica in Jarry e in Savinio
No full textLa macchina non ha cambiato la vita umana solo sul piano pratico, ma ha influenzato anche l'immaginario collettivo. Strettamente legato allo sviluppo della meccanizzazione, l'uso e il significato del verbo "funzionare" si estende ad altri ambiti della vita umana. L'organizzazione sociale, la storia, il linguaggio e persino il corpo umano, a causa della loro complessità, assomigliano sempre più a macchine. Analizziamo esempi di uomo-macchina nella narrazione di Alfred Jarry e Alberto Savinio. Entrambi, usando l'umorismo, rifiutano una mitologia della modernità tecnica
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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