1,721,172 research outputs found
The Digital Divide, Editura Polity Press, Cambridge, Regatul Unit, 2020. Jan van Dijk: The Digital Divide, Polity Press, Cambridge, UK, 2020. Jan Van Dijk
No full textThe Digital Divide is the result of 25 years of research in the field of digital division. It summarizes the latest studies from access to digital devices (first level of the digital divide), to digital skills and use (level II) and the results/benefits of using or not using digital (level III). The aim of the paper is to clarify the latest concepts on digital inequality and its relationship with social division. Jan van Dijk presents the theories underlying the spread of technology in society and the main directions of approach in recent studies, according to which the use of media technologies reduces social inequality, increases social inequality or has no effect on it
Gert-Jan van Dijk, Aesopica posteriora. Medieval and Modern Versions of Greek and Latin Fables, with a Preface by Francisco Rodriguez Adrados, Gênes, Università degli Studi di Genova (Dipartimento di Antichità, Filosofia e Storia), «Pubblicazioni dei D.AR.FI.CL.ET. », 2015
No full textVan Dijk Gert-Jan. Gert-Jan van Dijk, Aesopica posteriora. Medieval and Modern Versions of Greek and Latin Fables, with a Preface by Francisco Rodriguez Adrados, Gênes, Università degli Studi di Genova (Dipartimento di Antichità, Filosofia e Storia), «Pubblicazioni dei D.AR.FI.CL.ET. », 2015. In: Le Fablier. Revue des Amis de Jean de La Fontaine, n°26, 2015. Itinérances de la fable. pp. 229-231
Supplementary_data_table – Supplemental material for Magnetic resonance imaging in 30 cats with traumatic brain injury
No full textSupplemental material, Supplementary_data_table for Magnetic resonance imaging in 30 cats with traumatic brain injury by Abby Caine, Robert Brash, Luisa De Risio, Jan Van Dijk, Giunio Bruto Cherubini and Ruth Dennis in Journal of Feline Medicine and Surgery</p
History of the Graeco-Latin fable /
No full text"This edition has been revised and updated by the author and Gert-Jan van Dijk."Includes bibliographical references and indexes.v. 1. Introduction and, From the origins to to the Hellenistic age -- v. 2. The fable during the Roman Empire and in the Middle Ages -- v. 3. Inventory and documentation of the Graeco-Latin fable
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Deuren op slot
No full textThis issue contains and edited version of the Prize Winner's lecture 'Closing the doors' delivered by the Dutch criminologist Jan van Dijk at the Stockholm Criminology Symposium on June 12, 2012
Universiteit Stellenbosch Eerste Bofbalspan, 1950
No full textDonated by J.H. Neethling.Back row: Elmer Downes, Teddy Evans, Jan Pickard, Johan Goosen. Middle: D. Visser, Schalk van der Merwe, Mr. Jannie Kriger (coach), Jan van Dijk (captain), Tom Barry. Front: W. Laubscher.Sepia photograph depicting Stellenbosch University's first baseball team
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