1,894 research outputs found
The Rizzi-Happy-Haus
No full textExteriorThe Rizzi-Happy-HausSilkscreens; Recycled materialsOffice buildingAmerican Pop ArtHappy RIZZI HouseDesigned for 2000 Exp
The Rizzi-Happy-Haus
No full textExteriorThe Rizzi-Happy-HausSilkscreens; Recycled materialsOffice buildingAmerican Pop ArtHappy RIZZI HouseDesigned for 2000 Exp
The Rizzi-Happy-Haus
No full textExteriorThe Rizzi-Happy-HausSilkscreens; Recycled materialsOffice buildingAmerican Pop ArtHappy RIZZI HouseDesigned for 2000 Exp
The Rizzi-Happy-Haus
No full textExteriorThe Rizzi-Happy-HausSilkscreens; Recycled materialsOffice buildingAmerican Pop ArtHappy RIZZI HouseDesigned for 2000 Exp
L'eretico della sinistra. Bruno Rizzi elitista democratico
No full textBruno Rizzi (March 20, 1901—January 13, 1977) was an Italian unorthodox political theorist. Born in Porto Mantovano, he joined the Italian Socialist Party in 1918 but among others, left in 1921 to be among the founders of the Communist Party of Italy (PCI) in 1921. He left the PCI in 1930.
Due to persecution by the Fascist regime, Rizzi emigrated to France. During the later 1930s he intervened in the debates involving Leon Trotsky, James Burnham and Yvan Craipeau concerning the nature of the Soviet Union. His most important work, La Bureaucratisation du Monde ("Bureaucratisation of the World"), was published in Paris in 1939
Eusebius on Constantine and Nicaea: Intentions and Omissions
No full textThis article is dedicated to illuminating problems associated with one of the main sources of the history of the early church up to the time of the First Ecumenical Council — The Church History and the Life of the Emperor Constantine — both written by Eusebius of Pamphilus. The author points to the fact that these works have little to say about the theological disputes which were part and parcel of the First Ecumenical Council. Eusebius, instead, fills his account with details of the disputes concerning the date of the celebration of Easter. The arian controversies which dominate the pages of the works of other early Church Fathers are passed over in silence by Eusebius. Researchers have concluded that this was precisely the intention of Eusebius since he himself belonged to the party which sympathized with the heretic Arius. The author of this article attempts to refute this argument and offers another explanation. The author points out that Eusebius always devotes special attention to events and functions organized by Constantine. These events and activities are described by Eusebius in a way which deliberately excludes theological controversies. The author concludes that Eusebius, like Constantine himself, 28 М. Рицци. Евсевий о Константине и Никейском соборе: намерения и умолчания deliberately avoids mentioning the theological disputes since both considered them of relatively little importance and that their solution should be reserved to the narrow circle of intellectuals among the early churchmen. Eusebius thought that the conservation of ecclesiastical peace and unity was of primary importance for all his fellow bishop
La sostenibile leggerezza della pietra. Dall’architettura rupestre alla progettazione biofila
No full textThis contribution reflects on a broader field of investigation, developed through the activities of the Nature City LAB at the University of Basilicata, with particular reference to the research on biophilic design conducted by the author and the team she coordinates. Specifically, a trajectory is outlined below that explores the relationship between the urban ecosystem, architecture, and stone. Taking the Sassi of Matera as a privileged observation point, this exploration is oriented towards defining a perspective situated in a field of research-action defined by a double binomial: rock habitat/sustainability, biophilic design/regeneration
Atlas of canine and feline peripheral blood smears /
No full text"An illustrated guide to the morphology of blood cells, Atlas of Canine and Feline Peripheral Blood Smears covers patient assessment for common hematologic disorders and diseases in dogs and cats. Over 1,000 full-color photomicrographs depict abnormalities within each blood cell line, with multiple pictures of each morphologic abnormality and variations in their appearance. Written by pathology experts Amy Valenciano, Rick Cowell, Theresa Rizzi, and Ronald Tyler, this concise reference will enhance your skills as you interpret blood smears and recognize hematological cellular response to inflammation, infection, and toxicity."--Provided by publisher.Includes bibliographical references and index.Online resource; title from e-book title screen (ScienceDirect platform, viewed August 18, 2016)."An illustrated guide to the morphology of blood cells, Atlas of Canine and Feline Peripheral Blood Smears covers patient assessment for common hematologic disorders and diseases in dogs and cats. Over 1,000 full-color photomicrographs depict abnormalities within each blood cell line, with multiple pictures of each morphologic abnormality and variations in their appearance. Written by pathology experts Amy Valenciano, Rick Cowell, Theresa Rizzi, and Ronald Tyler, this concise reference will enhance your skills as you interpret blood smears and recognize hematological cellular response to inflammation, infection, and toxicity."--Provided by publisher.General assessment -- Red blood cells -- White blood cells -- Platelets -- Hematopoietic neoplasia -- Extracellular organisms.Produced by the publisher.Held by CAPER-BC, Langara College.Elsevie
Modern art and the making of a French republican imaginary, 1919-1940
No full textDefence date: 24 February 2021Examining Board: Professor Laura Lee Downs (European University Institute); Professor Ann Thomson (European University Institute); Professor Kevin Passmore (Cardiff University); Professor Béatrice Joyeux-Prunel (Université de Genève)Winner of the 2022 James Kaye Memorial Prize for the Best Doctoral Thesis in History and Visuality.Recent scholarship on the interwar French art milieu has overcome, on the one hand, ethnonationalism as the main interpretive framework for examining the relationship between art and politics and, on the other, a celebratory narrative that made Paris the liberal and democratic interwar art centre. Building on these recent studies, my thesis aims to reassess the nexus between art and politics in interwar France. I do this by asking what kind of Republican imaginaries were created in the modern art promoted by public institutions. In order to answer this question, the thesis builds on a second, recent body of scholarship that re-examines French politics and Republican political culture through new lenses. This work highlights the polysemic and plastic nature of Republican ideology, the variety of stances contained within Republicanism, and hence the existence of different and competing understandings of the French Republic. By delving into four case studies, namely the Musée des écoles étrangères, the Musée de Grenoble, the tapestries realised at the Manufacture des Gobelins and the mural art projects financed by the state in the late 1930s, the thesis demonstrates that the modern art promoted by public institutions engendered political imaginaries that testify to the simultaneous existence of conservative, liberal, civic or communitarian, that is, local Republics. While making modern art the bearer of competing views on the French Republic in the 1920s and 1930s, the imaginaries that were created by modern art institutions and practices mythologised Republican universalism. Yet, these imaginaries revealed all the ambiguity contained in France’s universalistic project. At a time marked by the never-ending bellicosity that ensued from the First World War and the political and economic crises of the 1930s, the imaginaries created by modern art thus gave birth to a Republican visual politics. As the thesis argues, this Republican visual politics had a sociopolitical meaning. Modern art, especially figurative art, created imaginaries that could confront, above all, the interwar crisis of the Republic and its universalism, and the crisis in social and political representations that stemmed from the political turmoil and instability of the interwar years
Artist’s colour rendering of HDR scenes in 3-D Mondrian colour-constancy experiments
No full textThe presentation provides an update on ongoing research using three-dimensional Colour Mondrians. Two still life arrangements comprising hand-painted coloured blocks of 11 different colours were subjected to two different lighting conditions of a nearly uniform light and directed spotlights. The three-dimensional nature of these test targets adds shadows and multiple reflections, not found in flat Mondrian targets. Working from exactly the same pair of scenes, an author painted them using watercolour inks and paints to recreate both LDR and HDR Mondrians on paper. This provided us with a second set of appearance measurements of both scenes. Here we measured appearances by measuring reflectances of the artist's rendering. Land's Colour Mondrian extended colour constancy from a pixel to a complex scene. Since it used a planar array in uniform illumination, it did not measure the appearances of real life 3-D scenes in non-uniform illumination. The experiments in this paper, by simultaneously studying LDR and HDR renditions of the same array of reflectances, extend Land's Mondrian towards real scenes in non-uniform illumination. The results show that the appearances of many areas in complex scenes do not correlate with reflectance
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