1,721,135 research outputs found
James Carpenter
No full textPortrait of James Carpenter, football player from Diamond Hill Junior High. Published in Fort Worth Star-Telegram evening edition November 6, 1951.https://mavmatrix.uta.edu/specialcollections_startelegram1950s/15447/thumbnail.jp
James Carpenter
Full text linkJames Carpenter (jacket, red shirt) is shown behind his car, as a male student worker loads boxes from Carpenter\u27s trunk onto a book truck.https://scholarsjunction.msstate.edu/ua-photo-collection/4861/thumbnail.jp
James Carpenter: Light in the Public Realm
No full textArchitecture Fall 2010 Lecture Series - October 12, 2010 at Slocum Hall. James Carpenter studied architecture and sculpture at the Rhode Island School of Design. Previously, he worked for 10 years as a consultant with Corning Glass. Through his NYC firm, James Carpenter Design Associates, he has developed unique award-winning architectural projects and structural designs employing glass, steel, wood and composites for a variety of works, including museums, university buildings, commercial office towers and cultural facilities
James Carpenter Senior Recital, Program, 2013
No full textProgram for the April 21, 2013 senior recital and lecture of James Carpenter, titled "The Bel Canto Myth: The Journey of the Tenor Voice in the 19th Century.
UA37/9 Faculty Personal Papers James Carpenter
Full text linkSeries consists of letters received by James Carpenter during his tenure as director of the Training School at Western Kentucky University. The letters reflect his work with local school districts, the Kentucky Education Association, Phi Delta Kappa and colleagues at WKU. Mr. Carpenter filed these letters in reverse chronological order in notebooks. That order has been maintained. Also included is the 1966 report by Paz Ramos entitled The Internship Program in College Administration at Western Kentucky State College
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
James Carpenter, Lubbock; Paul Simon, Detroit; Dick Everett, San Diego, and Bob Brawner with J. T. Elliott
No full textGlider Model Fliers - Signing up for glider model competition Thursday at Will Rogers Memorial Coliseum, left to right, James Carpenter, Lubbock; Paul Simon, Detroit; Dick Everett, San Diego, and Bob Brawner, Phoenix, Arizona with J. T. Elliott, aviation metalsmith 2nd class, holding retriever balloons, and other officials, Jim Clem, Dallas; Lieutenant Commander M. R. Ball, Fort Worth; Ernest Donohoo, Dallas, and Richard Mossoney, Detroit, helping the contestants.https://mavmatrix.uta.edu/specialcollections_startelegram1950s/13844/thumbnail.jp
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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