1,723,827 research outputs found
Reconciliation and resources: mineral rights and aboriginal land rights as property rights. by Jacob T. Levy
No full texttag=1 data=Reconciliation and resources: mineral rights and aboriginal land rights as property rights. by Jacob T. Levy
tag=2 data=Levy, Jacob T.
tag=3 data=Policy,
tag=4 data=10
tag=5 data=1
tag=6 data=Autumn 1994
tag=7 data=11-15.
tag=8 data=ABORIGINAL LAND RIGHTS
tag=10 data=The Australian mining industry and native title have, in an odd way, a common history. Both grow out of an abnormally great extension of Crown power, prerogative, and ownership.
tag=11 data=1994/6/5
tag=12 data=94/0329
tag=13 data=CABThe Australian mining industry and native title have, in an odd way, a common history. Both grow out of an abnormally great extension of Crown power, prerogative, and ownership
Speech Delivered by the Cabinet Sectetary for Ministry of Education, Science and Technology Prof. Jacob T. Kaimenyi, PHD, FICD, EBS, during the United States International University –Africa Students Center Groundbreaking Ceremony Held on Thursday, 5th February, 2015
No full textA speech delivered by the cabinet sectetary for Ministry Of Education, Science and Technology Prof. Jacob T. Kaimenyi, PHD, FICD, EBS, during the United States International University –Africa students’ center groundbreaking ceremony held on Thursday, 5th February, 2015
Data and code for "Optimizing early detection strategies: defining the effective attraction radius of attractants for emerald ash borer"
No full textThis zip folder contains the code and data necessary to reproduce the analyses from the associated paper.From the publication:
1. Adult emerald ash borers are attracted to green prism traps baited with the ash host volatile (3Z)-hexenol and the sex pheromone of emerald ash borer (3Z)-dodecen-12-olide [(3Z)-lactone]. Quantifying the heretofore unknown range of attraction of such traps would help optimize deployment strategies for early detection.
2. Examining trap captures of traps deployed in pairs at variable distances offers insight into the range of attraction. Recent work has shown the range of attraction can be estimated as half the intertrap distance at which trap catch begins to decrease, which should occur when proximate traps overlap their respective attractive ranges.
3. We illustrate estimation of the traps' attractive range for emerald ash borer using ninety-eight baited green prism traps deployed in pairs, one trap per tree, in an urban park in Saint Paul, Minnesota, USA in summer 2020.
4. We estimate attractive range by fitting a logistic model to trap catch data using Bayesian inferential methods and describe advantages thereof.
5. The attractive range of these baited traps was estimated to be between 16 -- 73m, with a median of 28m. We recommend that green prism traps baited with these semiochemicals be placed 25 - 35m apart near high-risk entry points.Minnesota Agricultural Experiment Station project MIN-17-095.Wittman, Jacob T; Silk, Peter; Parker, Katie; Aukema, Brian H. (2021). Data and code for "Optimizing early detection strategies: defining the effective attraction radius of attractants for emerald ash borer". Retrieved from the University Digital Conservancy, https://doi.org/10.13020/fgqp-nh70
Jacob T. Fisher's Quick Files
No full textThe Quick Files feature was discontinued and it’s files were migrated into this Project on March 11, 2022. The file URL’s will still resolve properly, and the Quick Files logs are available in the Project’s Recent Activity
Jacob T. Fisher's Quick Files
No full textThe Quick Files feature was discontinued and it’s files were migrated into this Project on March 11, 2022. The file URL’s will still resolve properly, and the Quick Files logs are available in the Project’s Recent Activity
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Partial Letter from Jacob T. Bowne (1890-1891?)
No full textSpringfield College faculty member Jacob T. Bowne sent this letter to an unknown recipient, likely between 1890 and 1891. Unfortunately, the first half of this letter is missing. The letter concerns Genzaburo Ishikawa’s application to the International YMCA Training School, now called Springfield College.For more information on J.T. Bowne, see https://springfield.as.atlas-sys.com/agents/people/15
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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