38,685 research outputs found
Digitized material from "'Shin shinfujin' kaisetsu, sōmokuji, sakuin"
No full textTables of contents and author index for the eight-volume set Shin shin fujin.The Mellon Foundation - Council on East Asian Libraries Innovation Grants for East Asian Librarian
Poetry Reading: Sun Yung Shin
No full textJoin us for a poetry reading by Minnesota Book Award winner Sun Yung Shin and discussion on what sanctuary means for the Twin Cities.
The event is co-sponsored with the St. Thomas English Department.
Sun Yung Shin is the editor of A Good Time for the Truth: Race in Minnesota and the author of two previous poetry/essay collections—Rough, and Savageand Skirt Full of Black (both from Coffee House Press). She is also the co-editor of Outsiders Within: Writing on Transracial Adoption, and the author of bilingual illustrated book for children Cooper’s Lesson. She has received artist grants from the Bush Foundation, the Minnesota State Arts Board, the McKnight Foundation, and the Jerome Foundation. She is teaching or has taught at St. Catherine University, Hamline University, Macalester College, the University of Minnesota, the Perpich Center for Arts Education, Intermedia Arts, Minneapolis public schools, and the Loft Literary Center
Shin, Sang J.
No full textAlso available as a printed booklet and from the Dean of Faculty website https://theuniversityfaculty.cornell.edu/Memorial Statement for Sang J. Shin, who died in 2018. The memorial statements contained herein were prepared by the Office of the Dean of the University Faculty of Cornell University to honor its faculty for their service to the university
Sun Yung Shin Reading & Conversation
No full textSun Yung Shin was born in Seoul, Korea and was raised in the Chicago area. She is a poet, writer, and cultural worker. She is the editor of What We Hunger For: Refugee and Immigrant Stories on Food and Family (2021) and of A Good Time for the Truth: Race in Minnesota, author of poetry collections The Wet Hex; Unbearable Splendor (finalist for the 2017 PEN USA Literary Award for Poetry, winner of the 2016 Minnesota Book Award for poetry); Rough, and Savage; and Skirt Full of Black (winner of the 2007 Asian American Literary Award for poetry), co-editor of Outsiders Within: Writing on Transracial Adoption, and author of bilingual illustrated book for children Cooper’s Lesson. She lives in Minneapolis where she co-directs the community organization Poetry Asylum with poet Su Hwang
Living Shin
No full textIn this chapter, the author reflects on the ways that living Shin has enriched her work as a university professor, professional dancer, choreographer, and human being. She first talks about her history in somatic modalities of Ideokinesis, Laban, Keleman, and Hanna Somatics, along with their relation to Shin Somatics and how this work has benefited her professionally and personally. She then describes her applications of somatic knowledge to dance pedagogy, creating choreography, and the teaching and practice of yoga, healing, and wellness at Eastwest Somatics Institute. She also discusses her personal transformative somatic experiences and concludes by sharing key findings and insights that ground her in living Shin.</p
Shin-au-av and The Flood
No full textPaiute; UteOne day when the sea was angry, Shin-au-av shot it with an arrow and it burst into many small pieces. It then flooded the land until Shin-au-av and his companions almost starved to death
An interview with Naomi L. Shin
No full textNaomi L. Shin is an Associate Professor of Linguistics and Hispanic Linguistics at the University of New Mexico. Her primary interests include child language acquisition, bilingualism, language contact, and sociolinguistics. Her research focuses on patterns of morphosyntactic variation, examining how these patterns are acquired during childhood and how they change in situations of language contact. Her articles have appeared in journals such as Journal of Child Language, Cognitive Linguistics, International Journal of Bilingualism, Language Acquisition, Language Variation and Change, Language in Society, Foreign Language Annals, Spanish in Context, Studies in Hispanic and Lusophone Linguistics, and International Journal of the Sociology of Language. She is the co-author of Gramática Española: Variación Social, which explores grammar in a way that emphasizes the social underpinnings of language.Website: http://www.unm.edu/~naomishin/index.htm
An interview with Naomi L. Shin
No full textNaomi L. Shin is an Associate Professor of Linguistics and Hispanic Linguistics at the University of New Mexico. Her primary interests include child language acquisition, bilingualism, language contact, and sociolinguistics. Her research focuses on patterns of morphosyntactic variation, examining how these patterns are acquired during childhood and how they change in situations of language contact. Her articles have appeared in journals such as Journal of Child Language, Cognitive Linguistics, International Journal of Bilingualism, Language Acquisition, Language Variation and Change, Language in Society, Foreign Language Annals, Spanish in Context, Studies in Hispanic and Lusophone Linguistics, and International Journal of the Sociology of Language. She is the co-author of Gramática Española: Variación Social, which explores grammar in a way that emphasizes the social underpinnings of language.Website: http://www.unm.edu/~naomishin/index.htm
Yoon-Shik Shin and J. Stuart Bolton work in laboratory
No full textPurdue mechanical engineering doctoral student Yoon-Shik Shin and J. Stuart Bolton, a professor of mechanical engineering, work on a system that measures how much sound a typical computer fan makes. The research, based at Purdue's Ray W. Herrick Laboratories, aims to reduce noisy office and home environments where audio-visual and information technology equipment is used.College of Engineering
Shin-hanga and Sosaku-hanga
No full textabstract: The early to mid 20th century saw the rise of two woodblock print movements, shin-hanga and sosaku-hanga. Both movements involved changes in style and production in a time of changing landscapes and tastes. Increased industrialization and greater international contact impacted both movements, while an awareness of a market abroad and embracing modern art sensibilities defined shin- hanga and sosaku-hanga respectively. Ten prints by 6 sosaku-hanga artists and 4 shin-hanga artists demonstrate the conventions and variations of their respective styles. A close analysis of two prints applies the history of Japan and printmaking to two prints from different movements. A catalogue of all ten prints provides a brief overview of works in relation to their historical influences. Comparisons with the ukiyo-e prints from earlier Japan create a greater understanding of the shin-hanga prints discussed, while the lives of the artists themselves help elucidate readings of sosaku-hanga prints. Analyzing the work of sosaku-hanga artist Shiko Munakata demonstrates the tension that results from the combination of modern art and traditional craft that inform the perspectives of artists in that movement. A print by Takahashi Shotei reveals shin-hanga's approach to portraying modernizing Japan. Both movements addressed changes in Japanese society and formed relationships with the international art community
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