1,725,203 research outputs found
Ivan V. Turchaninov photograph
No full textCarte de visite of General Ivan V. Turchaninov, who served with the Union Army during the Civil War. Born to a Cossack family in Russia, Turchaninov fought at Huntsville, Chattanooga, and Chickamauga. He is most remembered for the infamous "Rape of Athens" where he permitted his troops to plunder a town whose citizens had participated in a previous defeat. While condemned, his actions presaged the "total war" tactics of Sherman and Grant later in the war
N.E. Hansen and Ivan V. Michurin in Russia in 1934
No full textN.E. Hansen meeting Ivan V. Michurin, a Russian horticulturalist, at his orchard in Russi
N.E. Hansen and Ivan V. Michurin in Russia in 1934
No full textN.E. Hansen and Ivan V. Michurin, a Russian horticulturalist, looking at a field notebook at his orchard in Russi
N.E. Hansen and Ivan V. Michurin in Russia in 1934
No full textN.E. Hansen meeting Ivan V. Michurin, a Russian horticulturalist, at his orchard in Russiahttps://openprairie.sdstate.edu/dc_Hansen/1142/thumbnail.jp
Ivan V. Kireevsky and his lessons for contemporary philosophy
No full textIn his later writings, the Russian Slavophile philosopher Ivan V. Kireevsky gives an outline of the positive Christian philosophy. Its prerequisite is the spiritual integrity of the comprehending mind that enables one to acquire the adequate cognitive access to reality as a whole. Spiritual integrity originates in the Eastern historical type, whereas the Western type is marked by the lack of spiritual unity and the dominance of formal reasoning that distorts the apprehension of reality. Spiritual integrity is only possible on the grounds of the Orthodox Christian faith that opens to the person the genuine communion with God. However, in his works Ivan V. Kireevsky does not mention any specifi cally Christian subject (such as original sin and redemption). Besides, his typological approach to history and his central philosophical concepts (such as spiritual integrity and faith) display some rather serious shortcomings. Nevertheless, the positive Christian philosophy of Ivan V. Kireevsky still has a potential for further constructive development, but this would require a careful refi nement of its theoretical foundations and central concepts
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Method interstripation of the functions for processing aerospace sensing and its application in seismic tomography
Get PDFSergienko Ivan V. Method interstripation of the functions for processing aerospace sensing and its application in seismic tomography / Ivan V. Sergienko, Oleg M. Lytvyn, Oleg O. Lytvyn // Інформатика та системні науки (ІСН-2015): матеріали VI Всеукраїнської науково-практичної конференції за міжнародною участю, (м. Полтава, 19–21 берез. 2015 р.). – Полтава: ПУЕТ, 2015
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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