339 research outputs found
« Bez carja zemlja vdova » : Syncrétisme dans le Vremennik d'Ivan Timofeev
No full textTamara Kondratieva et Claudio-Sergio Ingerflom, "Bez Lsaria zemlia vdova". Syncretism in the Vremennik of Ivan Timofeev.
The Vremennik of Ivan Timofeev stands out against the sources of the Time of Troubles because of its efforts at conceptualizing. One term occurs throughout the narrative: "the earth". It refers both to Russia and to the other meaning it has in Russian culture : "Mother - damp earth" associated with, indeed identified to, the "native" mother and the Mother of God. The dynastic rupture, the civil war and the foreign intervention that followed have the same cause: before dying the last Riurikovich had not left in the womb of earth the embryo that was entitled to reign. The tsar is therefore the husband and the son of the same wife-mother. The non-fulfilment of the incest appears as a break of the natural order. To stress his idea, Timofeev resorts to a "parable": a rhetorical device destined to express the "truth". With the accession of Mikhail Romanov, accompanied by his mother, the widowhood of the earth is ended. The new tsar is then legitimate. Timofeev's work shows that the dvoeverie - intermingled paganism and Christianity - extended to the society as a whole, cannot be ignored by the historian of Russian politics.Tamara Kondratieva et Claudio-Sergio Ingerflom, « Bez carja zemlja vdova ». Syncrétisme dans le Vremennik d'Ivan Timofeev.
Parmi les sources du Temps ties Troubles, le Vremennik d'Ivan Timofeev se distingue par son effort de conceptualisation. Un terme est présent tout au long du récit : la « terre ». Il y renvoie à la fois à la Russie et aux autres signifiés qu'il possède dans la culture russe - la « Mère-terre humide », associée, voire identifiée, à la mère « natale » et à la Mère de Dieu. La rupture dynastique, la guerre civile et l'intervention étrangère qui s'ensuivent ont une même cause : avant de mourir, le dernier Rurikide n'a pas laissé clans le ventre de la terre l'embryon appelé à régner. Le tsar est donc l'époux et le fils de la même femme-mère. Le non-accomplissement de l'inceste apparaît comme la rupture de l'ordre naturel. Pour appuyer son propos, Timofeev s'exprime par « parabole », la figure rhétorique chargée de dire la « vérité ». Avec l'avènement de Michel Romanov accompagné de sa mère, la viduité de la terre prend fin. Le noveau tsar est dès lors légitime. L'œuvre de ce noble de service montre que la dvoeverie - paganisme et christianisme enchevêtrés - propre à l'ensemble de la société, ne peut pas être ignorée par l'historien de la politique russe.Ingerflom Claudio-Sergio, Kondratieva Tamara. « Bez carja zemlja vdova » : Syncrétisme dans le Vremennik d'Ivan Timofeev. In: Cahiers du monde russe et soviétique, vol. 34, n°1-2, Janvier-Juin 1993. Noblesse, État et société en Russie XVIe - début du XIXe siècle. pp. 257-265
Rescue-ICP trial
No full textTrial of Decompressive Craniectomy for Traumatic Intracranial Hypertension Peter J. Hutchinson, Angelos G. Kolias, Ivan S. Timofeev, Elizabeth A. Corteen, Marek Czosnyka, and other RESCUEicp Trial Collaborators N Engl J Med 2016; 375:1119-1130September 22, 2016DOI: 10.1056/NEJMoa160521
sj-pdf-1-jcb-10.1177_0271678X211042112 - Supplemental material for Focally administered succinate improves cerebral metabolism in traumatic brain injury patients with mitochondrial dysfunction
No full textSupplemental material, sj-pdf-1-jcb-10.1177_0271678X211042112 for Focally administered succinate improves cerebral metabolism in traumatic brain injury patients with mitochondrial dysfunction by Abdelhakim Khellaf, Nuria Marco Garcia, Tamara Tajsic, Aftab Alam, Matthew G Stovell, Monica J Killen, Duncan J Howe, Mathew R Guilfoyle, Ibrahim Jalloh, Ivan Timofeev, Michael P Murphy, T Adrian Carpenter, David K Menon, Ari Ercole, Peter J Hutchinson, Keri LH Carpenter, Eric P Thelin and Adel Helmy in Journal of Cerebral Blood Flow & Metabolism</p
Compte rendu de 'Evolyoutsiya postsovetskogo prostranstva: proshloe, nastoyashchee, budushchee'
No full textCompte rendu de l'ouvrage "Evolyoutsiya postsovetskogo prostranstva: proshloe, nastoyashchee, budushchee:khrestomatiya", dirigé par Ivan N. Timofeev and Timur A. Makhmutov, Moscow, RIAC, 2017, pp. 352, ISBN 978-5-6040387-0-
State Dilemmas in Contemporary World Order
No full textThe problems of the world order is often seen through the interaction of the leading centers of power. Nevertheless there is another approach, locating actorhood in the state, which forms the world order. State acts in international affairs, it has the right of legitimate violence, it also has the ability to concentrate the economic and human resources. Obviously, the nature of the state as part of the international system has an effect on the system itself, defining its key parameters. From that point of view, some questions arise: what happens to the state? What is the effect of its transformation on the contemporary world order? Why the state is changing? What hierarchy of states exists in the contemporary world order? The author proceed from the following theses. First, the nation state is no longer a universal formula of nation building. However, there is no balance between two key foundations of a legitimate order - fairness and efficiency. Second, the current world order is a mosaic of fundamentally different states. Each state is trying to find a formula for the combination of a fairness and efficiency. These formulas do not always coincide with each other, and it underlays the stability in international relations. Third, a small group of major powers still play the key role in the world order. The issue of sovereignty of many countries remains open. World order, as well as a state, is characterized by imbalance between equity and efficiency. The awaited harmony of these two principles may be spoofed again the triumph of efficiency oover justice -maintenance of order through the balance of power and a rigid hierarchy
Consensus-based recommendations for diagnosis and surgical management of cranioplasty and post-traumatic hydrocephalus from a European panel
No full texthttp://dx.doi.org/10.13039/100009006 Integra LifeScience
Techniques for Portraying a Main Character in Yakut Epic: Investigating Olonkho Texts of Nyurgun Bootur the Swift by P. Oyunsky and Kulun Kullustuur the Obstinate by I. Timofeev-Teploukhov
No full textIntroduction. The article examines Yakut heroic olonkho epics — Nyurgun Bootur the Swift by P. Oyunsky and Kulun Kullustuur the Obstinate by I. Timofeev-Teploukhov — for techniques employed to create portraits of main characters. According to N. Yemelyanov, the olonkho Kulun Kullustuur the Obstinate recorded from taleteller I. Timofeev-Teploukhov clusters with earliest patterns of archaic epic, while that of Yakut writer P. Oyunsky (Nyurgun Bootur the Swift) is the first literary adaptation of olonkho texts. The study attempts an insight into how and which particular portrayal techniques were used by P. Oyunsky and I. Timofeev-Teploukhov to depict main characters of theirs. The comparative approach to the narratives recorded in different periods shall make it possible to trace the use of portrayal techniques, which shall underline the unique artistic features characterizing each of the taletellers, and show how such portrayal patterns developed to gain deeper associative essentials in further olonkho texts. Goals. The study aims to identify some distinct features inherent to the techniques of creating main characters’ portraits in the olonkhos Nyurgun Bootur the Swift and Kulun Kullustuur the Obstinate, and outline ethnic specifics in portrayal characteristics. To facilitate this, the paper shall classify portrayals, articulate types of techniques and their functions in portraying a main character, identify stable formulas employed to depict heroes, determine specific features of portrayal as a key technique for the making of an epic hero. The work reviews the existing types of epic portraits, their functions and attributes, examines some visual means serving to unveil the images of main characters. Results. The study attests to the examined narratives are characterized by an increased stability of depictive portrayals with peripheral parts (artistic and emotional epithets) tending to vary. Each such depictive portrayal proves multifunctional, semantically wide, and technically relevant. The descriptions of the heroes’ appearances are somewhat idealized and rich in comparisons, repetitions, evaluative epithets. Portrayal agendas of P. Oyunsky vary through history and depend on actual artistic methods and style employed by the author who pays special attention to fictional details depicted in the context of folk traditions. The study of the techniques helps identify which innovative tools P. Oyunsky used when he was creating his Nyurgun Bootur the Swift
- …
