342 research outputs found
Das Sibirien Helga Novaks
No full textDer vorliegende Artikel handelt von Helga Novaks, 1985 erschienener, Gedichtsammlung Legende Transsib. Neben der Vorgeschichte dieses Gedichtzyklus und dem unmittelbaren Auslöser seiner Niederschrift, liegt das Augenmerk vor allem auf den Vorstellungen, die Helga Novak mit Sibirien verband. Sibirien entwickelte sich zur „Leinwand“ auf die die deutsche Autorin sowohl ihre privaten als auch ihre politischen Träume und Sehnsüchte projizierte. Da sich die sowjetischen Behörden weigerten, ihr das für die ersehnte Reise nötige Visum auszustellen, eignete sich Novak das Land durch das Schreiben an. Die von Novak in ihrer Gedichtsammlung beschriebene Reise ist also imaginär. Die Dichterin verknüpft jedoch Phantasie mit Realität, indem sie Vorstellung und Erfindung mit historischen Daten und Landschaftsbeschreibungen, die sie Lehrbüchern, Atlanten und Prospekten entnimmt, vermengt.This essay examines the work "Legende Transsib", a collection of poems by Helga Novaks published in 1985. Together with the background history of this cycle of poems and the principal trigger for their writing, the emphasis lies especially on the ideas that Helga Novak associated with Siberia. Siberia developed into a ‘canvas’ on which the German author projected both her private and her political dreams and aspirations. Since the Soviet authorities refused to grant her the necessary visa for her long awaited journey, Novak came closer to the country through her writing activity. Hence, it follows that the voyage described in her collection is imaginary. The poet however intermingles imagination with reality, considering that ideas and inventions are blended with historical data and landscape descriptions that she took from textbooks, atlases and brochures
Galleri Format Malmö. Boksamtal. Release of Semester by Helga Härenstam and Collecting I by Anna Strand, and conversation with Thomas Millroth, art historian, critic, curator, author. Both books are published by Sailor Press and designed by Matilda Plöjel
No full text21/5. 22. Galleri Format. Boksläpp för Semester av Helga Härenstam och Collecting I, av Anna Strand samt i samband med detta, ett publikt samtal om böckerna tillsammans med Thomas Millroth. Semester (Text och fotografi, Helga Härenstam) kom ut 2021 på förlaget Sailor Press (se: https://gup.ub.gu.se/publications/show/312642) . Semester har även tidigare visats som bok (och utställning) på Gathenhielmska villan i Göteborg samt på Godisfabriken (On Strange Tides/ GIBCA extended.) Boken mottog också Svensk bokkonst pris och har i samband med detta under 2022 ställts ut på Kungliga biblioteket, Stockholm och andra platser i Sverige och internationellt. Semester var även under 2022 del av utställningen ” Publicerad – en utställning om den fotografiska boken” på Alingsås Kulturhus: https://www.alingsaskulturhus.se/att-gora/publicerad-en-utstallning-om-den-fotografiska-boken Ett samarbete med Centrum för fotografi och Fotoförfattarna inom Svenska Fotografers Förbund som turnerar runt på bibliotek i Västra Götaland. Semester har omskrivits bland annat i Fotografisk tidskrift samt: https://www.verktidskrift.se/bilder-av-de-narmaste-mattias-lundblad Och http://howsoftthisprisonis.blogspot.com/2022/02/semester-helga-harenstam-sailor-press.html Semester har under 2022 presenterats i samband med artist talks/bokmässor mm på bland annat Fotobok GBG, Fotoboksfestivalen Stockholm och Polycopies i Paris, Landskrona foto
Helga M. Novaks Roman Im Schwanenhals – gelesen aus der Perspektive eines Zeitzeugen
No full textDer Autor hat Ähnliches wie Helga M. Novak 1956/1958 erlebt. Er vergleicht seine DDR-Erfahrungen mit denen der Dichterin, auch auf die Unterschiede verweisend.The author has experienced something similar to Helga M. Novak 1956/1958. He compares his GDR experience with that of the poet, also referring to differences
Helga M. Novak’s novel Im Schwanenhals – read from the perspective of a contemporary witness
No full textDer Autor hat Ähnliches wie Helga M. Novak 1956/1958 erlebt. Er vergleicht seine DDR-Erfahrungen mit denen der Dichterin, auch auf die Unterschiede verweisend.The author has experienced something similar to Helga M. Novak 1956/1958. He compares his GDR experience with that of the poet, also referring to differences
Realism and Reality in Helga Schubert, Helga Königsdorf and Monika Maron
No full textThis book analyses the neglected short prose of Helga Schubert, Helga Königsdorf and Monika Maron, concentrating on their pre-'Wende' writing. In addition to in-depth analysis of themes, the use and non-use of realism is examined. Each author is preoccupied with a stagnating society, but communicates differently. Schubert is covertly political, limiting herself to snapshots of life in the GDR. Königsdorf diagnosed society's illnesses as a distortion of values linked to industrialization and Maron consciously attacks the regime in her work, exposing the corruption of the State. By focusing on women, this study furthers the establishment of female writers in mainstream academic discourse, and reflects not just the women's political but also their philosophical and social approaches to life. Analysis of their short fiction provides a more complete overview of the authors' development, thereby complementing studies, of their novels
Helga Weissova-Hoskova's paintings in 1950s and 1960s
No full textThe thesis explores work of a painter Helga Hoskova Weissova with the emphasis on the period between 1950s and 1960s. In the introduction the author clarifies the discourse of the thesis including premises and propositions as well as a brief overview of issues related to the supporting materials and method of evaluation. Furthermore, themes and influences present in Helga Hoskova Weissova's main body of work are discussed. The author considers the experience of Holocaust to be the most significant turning point in her life which also had a transformative affect on her art work. The following chapters present in chronological order the distinct creative periods of Helga Hoskova Weissova's artwork starting with the 1950s up to the end of 1960s. The artist work culminates in the Calvary series in which the motives derived from the experience of Holocaust are noticeable along with the artistic influence of Emile Filla. As a synthesis of deep personal experience combined with Fila's influence, the Cavalry series represent an authentic and original work of art
Russula camarophylla Romagn.
No full textthe author describes and illustrates Russula camarophylla Romagn., the only species of the section Archaeinae known in France.l'auteur décrit et illustre Russula camarophylla Romagn., seule espèce appartenant à la section Archaeinae connue en France.Marxmüller Helga. Russula camarophylla Romagn.. In: Bulletin mensuel de la Société linnéenne de Lyon, 74ᵉ année, n°8, octobre 2005. Travaux mycologiques en hommage à Antoine Ayel. pp. 101-105
Computational tools for IBNR reserves calculation
No full textTitle: Computational tools for IBNR reserves calculation Author: Bc. Štěpán Gregor Department: Department of Probability and Mathematical Statistics Supervisor: Mgr. Helga Krafferová, UNIQA pojišťovna, a.s. Supervisor' s e-mail address: [email protected] Abstract: Technical provisions represent the liability of the insurance company to its clients. In this work we focus on the computational tools of incurred but not reported claims. The most popular calculation method is probably the chain-ladder method which will be in detail analyzed in this thesis. Finally, by applying the theory in this work we will demonstrate the calculation in the own developed software. Keywords: Insurance, IBNR reserve, chain-ladde
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