507 research outputs found
Historias de Amato en la obra médico-legal del cirujano Juan Fragoso
No full textProducción CientíficaLas noticias biográficas acerca del toledano Juan Fragoso (ca. 1530-1597) son muy escasas. Apenas se ha avanzado sobre los datos proporcionados hace cincuenta años por Gómez-Menor (1969), en su trabajo sobre los médicos toledanos del siglo XVI, donde sacaba a la luz documentos procedentes de diversos archivos. En él publicó la escritura de la dote del matrimonio de Fragoso con Luisa de Torres, acaecido en 1558, y del montante de esta, considerable para la época, así como de los datos acerca del ajuar, puede deducirse que pertenecía a una familia de mercaderes toledanos de clase media, concretamente era hijo de la pareja formada por Diego de San Vicente e Inés de Zamora. No se ha podido comprobar, en cambio, la hipótesis de Maximiano Lemos que hace un siglo apuntaba a la ascendencia portuguesa de Fragoso y que han seguido otros estudiosos del otro lado de la frontera y de esta, ya que este apellido portugués se repite en los nombres de estudiantes de medicina de la Universidad de Salamanca a lo largo del siglo XVI. Sin embargo está claro que Juan Fragoso se formó en la Universidad de Alcalá, pues este era el centro al que acudían de manera natural los oriundos de la diócesis de Toledo. Aunque en la lista de graduados no figure su naturaleza (Alonso Muñoyerro, 248), en ella se graduó como bachiller en Medicina en 1552. La teoría de su posible origen lusitano, que el apellido no desmiente, suele ir unida, y casi condicionada, a la del origen judeo-converso. [Texto extraído del artículo de Ana Isabel Martín Ferreira].Ministerio de Economía, Industria y Competitividad (FFI2017-82381-P
Neosporose em bovinos de carne
No full textCom o presente trabalho descreve-se a actividade sanitária e clínica efectuada nas espécies pecuárias, acompanhada pela estagiária no decurso do estágio do domínio fundamental do Mestrado Integrado em Medicina Veterinária da Universidade de Évora. O estágio decorreu ao longo de quatro meses, sob co-orientação do Médico Veterinário Dr. Luís Fragoso, no ADS Baixo Tejo e na empresa Luso-Pecus Lda. sediada no Porto Alto.
O presente relatório encontra-se dividido em duas partes. Na primeira parte, é apresentada a descrição da casuística clínica e sanitária efectuada ao longo do estágio. Na segunda parte do relatório, após a descrição de alguns agentes abortivos em bovinos, é apresentada como monografia, uma revisão sobre a Neosporose Bovina que antecede a exposição de um caso clínico acompanhado durante o estágio; ### ABSTRACT: Though the present work one relates the sanitary and clinical activity performed around the cattle breeding species, attended by the author in course of the traineeship of the essential domination of the integrated master’s degree in Veterinary Medicine at the University of Évora. The trainee happened along four months, under the co-orientation of the Veterinary doctor Luis Fragoso in the ADS Baixo Tejo and in the company Luso-Pecus Lda. placed in Porto Alto. The present report is divided into two parts. Along the first part is presented the report of the clinical and health casuistry during the traineeships.
Along the second part of the report after the description of some ethiological agents of abortion in cattle, is presented as monograph, a revision about Bovine Neosporosis that preced the exposition of a clinical case attended during the traineeship
O mar na obra escultórica de João Fragoso
No full textThe purpose of this study is to create a small monographic note concerning the life and poetry of the sculptor João Fragoso. In this context, it tries to give special emphasis to the Sea, constant theme of these works, which seems to emerge as a consequence of the reality experienced by the author, to remaining as an analogy of the human existential dimension. Starting from the Portuguese sea, Fragoso aims to achieve a deeper and more generalized scale, expressed in his sculpture, validating it as true Work of Art: timeless and universal.
For this, we analyze some of the works corresponding to the three stylistic phases that this sculptor ran through, in particular: figurative, abstract and minimal, resulting from the poetic to do so remains a reflection of the different languages as well as techniques and materials used. Additionally it also seeks to determine the set of sculptural and poetic references, related work as public ordering, and teaching activity exerted by João Fragoso in Fine - Arts of Lisbon, as fundamental elements for this investigation. João Fragoso was a Portuguese sculptor of the "second generation" of statuary, in the 30s, reaching special national and international recognition for his abstract work, under a poetic feature of author between 1954 and 1958, in which João Fragoso explores the maritime theme, linked to culture and national tradition, as a figurative, symbolic and evocative element and transcendent transfiguration of human existential spac
O mar na obra escultórica de João Fragoso
No full textThe purpose of this study is to create a small monographic note concerning the life and poetry of the sculptor João Fragoso. In this context, it tries to give special emphasis to the Sea, constant theme of these works, which seems to emerge as a consequence of the reality experienced by the author, to remaining as an analogy of the human existential dimension. Starting from the Portuguese sea, Fragoso aims to achieve a deeper and more generalized scale, expressed in his sculpture, validating it as true Work of Art: timeless and universal.
For this, we analyze some of the works corresponding to the three stylistic phases that this sculptor ran through, in particular: figurative, abstract and minimal, resulting from the poetic to do so remains a reflection of the different languages as well as techniques and materials used. Additionally it also seeks to determine the set of sculptural and poetic references, related work as public ordering, and teaching activity exerted by João Fragoso in Fine - Arts of Lisbon, as fundamental elements for this investigation. João Fragoso was a Portuguese sculptor of the "second generation" of statuary, in the 30s, reaching special national and international recognition for his abstract work, under a poetic feature of author between 1954 and 1958, in which João Fragoso explores the maritime theme, linked to culture and national tradition, as a figurative, symbolic and evocative element and transcendent transfiguration of human existential spac
O mar na obra escultórica de João Fragoso
No full textThe purpose of this study is to create a small monographic note concerning the life and poetry of the sculptor João Fragoso. In this context, it tries to give special emphasis to the Sea, constant theme of these works, which seems to emerge as a consequence of the reality experienced by the author, to remaining as an analogy of the human existential dimension. Starting from the Portuguese sea, Fragoso aims to achieve a deeper and more generalized scale, expressed in his sculpture, validating it as true Work of Art: timeless and universal.
For this, we analyze some of the works corresponding to the three stylistic phases that this sculptor ran through, in particular: figurative, abstract and minimal, resulting from the poetic to do so remains a reflection of the different languages as well as techniques and materials used. Additionally it also seeks to determine the set of sculptural and poetic references, related work as public ordering, and teaching activity exerted by João Fragoso in Fine - Arts of Lisbon, as fundamental elements for this investigation. João Fragoso was a Portuguese sculptor of the "second generation" of statuary, in the 30s, reaching special national and international recognition for his abstract work, under a poetic feature of author between 1954 and 1958, in which João Fragoso explores the maritime theme, linked to culture and national tradition, as a figurative, symbolic and evocative element and transcendent transfiguration of human existential spac
O fundo António de Lima Fragoso na Biblioteca Geral da Universidade de Coimbra
No full textAntónio de Lima Fragoso, pianista e compositor, morreu aos 21 anos deixando uma expressiva obra musical que, apesar de naturalmente incompleta, é considerada cultural e historicamente relevante e de elevado valor artístico musical. Com o apontamento de alguns dados crono-biográficos de António Fragoso, apresenta-se uma descrição do Fundo doado à BGUC em 2014 pela família, que compreende o espólio musical e literário do compositor, incluindo correspondência, já devidamente organizado e incorporado no acervo musical e musicológico da BGUC.</jats:p
O fundo António de Lima Fragoso na Biblioteca Geral da Universidade de Coimbra
No full textAntónio de Lima Fragoso, Portuguese pianist and composer, died at the age of 21 leaving an expressive musical work of high musical value which, although unfinished, is considered an important moment in the history of Portuguese music. With biographical data referring to António Fragoso, this article provides a description of the family archive donated to BGUC by his family in 2014, in particular of the composer’s personal papers, including his musical works and correspondence, properly organised and incorporated into the BGUC’s manuscript and musical Fund.António de Lima Fragoso, pianista e compositor, morreu aos 21 anos deixando uma expressiva obra musical que, apesar de naturalmente incompleta, é considerada cultural e historicamente relevante e de elevado valor artístico musical. Com o apontamento de alguns dados crono-biográficos de António Fragoso, apresenta-se uma descrição do Fundo doado à BGUC em 2014 pela família, que compreende o espólio musical e literário do compositor, incluindo correspondência, já devidamente organizado e incorporado no acervo musical e musicológico da BGUC
A technical investigation of an oil painting on copper support, including a study on consolidants for treatment
No full textPaper submitted to e-conservation Journal: Maria Leonor Oliveira, Leslie Carlyle, Sara Fragoso, Isabel Pombo Cardoso and João Coroado, “Investigations into paint delamination and consolidation of an oil painting on copper support”.This thesis is divided into two parts. Part 1 focuses on the technical study of an undated oil painting on copper. The painting, which depicts the Biblical scene ‘The Visitation’, arrived at the laboratory in poor condition, with severe active flaking which has resulted in extensive paint losses.
Part 2 investigates the range of consolidants available to treat flaking paint, and the experiments carried out to determine the suitability of a selection of these. The literature on oil paintings on copper and on consolidants used in their treatment is scarce. Based on the few articles that exist, an empirical pilot study was made of the following synthetic polymers: Paraloid B-67, Paraloid B-44, Regalrez 1094, Paraloid B-72, Mowilith 20, Beva 371b, and Laropal A 81. From these, the last four were selected for a more detailed investigation focused on their interaction with copper, specifically concerning the diffusion of copper ions into the polymeric matrices. This is a topic of interest due to descriptions in the literature of metal particles acting as catalysts in polymer degradation processes.
Rutherford Backscattering Spectroscopy (RBS) was chosen to investigate this subject on a series of copper coupons coated with the four polymers. Due to beam damage of the coatings during analysis, the results were inconclusive. SEM/EDS was used to complement the information from RBS, but did not detect the presence of copper in samples from the same films, either indicating that these polymers and copper do not interact; or that the time for the accelerated ageing of the samples was too short.
Nonetheless, the material study of the painting in Part 1 successfully established a date range for the painting, and new insights into substances which appear to result from interactions between the copper support and the pictorial layers were found
Clínica e cirurgia em animais de companhia
No full textDescrito ao longo deste relatório, o estágio curricular decorreu no período de 18 de Agosto de 2014 a 18 de Janeiro de 2015, no Hospital Veterinário do Restelo, sob a orientação científica da Dra. Maria Margarida Fragoso Costa, docente na Universidade de Évora, e do Dr. Diogo Magno, subdiretor clínico do Hospital Veterinário do Restelo.
Este relatório foi realizado no âmbito da conclusão do Mestrado Integrado em Medicina Veterinária, encontrando-se dividido em duas partes. A primeira parte deste relatório é referente à casuística acompanhada no decorrer do estágio, e a segunda é constituída por uma revisão bibliográfica subordinada ao tema “bypass ureteral subcutâneo na ureterolitíase felina”, seguida da exposição de um caso clínico e a discussão do mesmo.
O bypass ureteral subcutâneo é uma técnica intervencionista imagiológica relativamente recente e surge como alternativa aos tratamentos cirúrgicos convencionais na ureterolitíase felina; Abstract:
Clinical and Small Animal Surgery
Exposed in this curriculum report, the traineeship has taken place between August 18th of 2014 and January 18th of 2015, in a veterinary hospital called Hospital Veterinário do Restelo, under the scientific orientation of Doctor Maria Margarida Fragoso Costa, professor at Évora University, and Doctor Diogo Magno, sub-director of Hospital Veterinário do Restelo.
The curriculum report was elaborated to complete the Veterinary Medicine master’s degree. This report is divided in two parts: in the first chapter is described the casuistry followed during the traineeship; and the second part consists of a literature review on the subject “subcutaneous ureteral bypass for feline ureterolithiasis” with the exposure of a clinical case and its discussion.
The subcutaneous ureteral bypass is an imaging interventional technique relatively recent and it’s an alternative to conventional surgical treatments of feline ureterolithiasis
Modelação do sucesso desportivo : perfil morfo-funcional dos praticantes portugueses de surf
No full textMestrado em Treino do Jovem AtletaObjectivos
O presente estudo visa estabelecer o perfil morfo-funcional dos praticantes portugueses de surf através de variáveis morfológicas e de aptidão física.
Metodologia
Estudamos uma amostra composta por 23 praticantes portugueses de surf do género masculino, 11 praticantes competidores classificados no top 30 do circuito nacional open e/ou top 5 regional (2002) e 12 praticantes não competidores / surf recreacional, com uma média de idades de (28,96 4,15) anos e com tempo médio de prática de (14,70 4,06) anos. Determinamos o perfil morfológico (Fragoso & Vieira, 2000) e de Aptidão Física (Microfit FAZ-2 e Ariel Performance Analysis System 4). Utilizou-se o SPSS para o Windows (15) e aplicou-se a estatística descritiva, análise da variância bem como a análise da função discriminante entre os grupos investigados.
Conclusões
Os resultados obtidos permitem concluir que: os surfistas competidores apresentam valores inferiores de massa corporal, estatura, altura sentado, envergadura e adiposidade subcutânea com diferenças estatisticamente significativas ao nível das pregas subescapular e midaxilar, e valores superiores, com significado estatístico, ao nível do perímetro crural; O somatótipo dos praticantes de surf é mesomorfo equilibrado sem diferenças significativas entre grupos; A aptidão física dos surfistas competidores apresenta genericamente melhores resultados, com significado estatístico nas provas de flexibilidade, resistência aeróbia e pressão arterial sistólica. Nas restantes provas não foram encontradas diferenças entre os grupos
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