1,720,965 research outputs found

    Assessing preparation of mainstream composition teachers working with multilingual writers

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    Research on multilingual writers in first-year composition classes in U. S. universities seems to overlook the issue of professional preparation of mainstream composition instructors who work with multilingual writers. Composition courses are commonly taught by teachers with no formal training in L2 writing pedagogy. Therefore, a better understanding of their professional preparation and needs will help composition programs develop adequate training and prepare instructors who are able to address linguistic and cultural needs of multilingual writers. In this study, a perception survey was completed by 34 instructors of mainstream first-year composition at a large research U.S. university. The participants had no formal training in L2 writing pedagogy. Responses reveal that most instructors acknowledged their lack of education and professional experience and generally felt ill equipped to work with multilingual writers. Conclusions discuss the need to strengthen professional development of mainstream composition instructors

    Teacher and student perspectives on the effectiveness of first-year composition in preparing L2 students for discipline-specific writing

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    The study described in this article was conducted to gather teachers’ and students’ perspectives about the effectiveness of a first-year composition course in preparing students for discipline-specific writing in college. Data were collected in a large research U.S. university through a student survey (n=32) and teacher interviews (n=5). The results show that the majority of the students and all instructors found the course effective and its assignments helpful in preparing students for writing in their university classes. In addition, all participated instructors also tried to improve the course by employing a variety of approaches and strategies, such as implementing assignments and skills generalizable across the disciplines, emphasizing the connection between general and discipline-specific writing, and encouraging students to do research on topics relevant to their fields of study. The article concludes with the recommendations on how to increase the effectiveness of first-year composition to better prepare students for their academic literacy experiences at the university

    INTESOL Mission

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    Information for Contributors

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    ITJ 2024 End Matter

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    ITJ 2024 Front Matter

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    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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