1,720,961 research outputs found
Postales Varelenses : identidades, patrimonios y conmemoraciones
Este libro compendia resultados del proyecto UNAJ-Investiga: “Argentinidad” y “varelidad”: La construcción de nacionalismos y localismos en conmemoraciones y patrimonios. Es el tercero presentado en la colección “Cuadernos de Investigación” que promueve la divulgación científica. El primero, sobre Bicentenarios de la Argentina (2018); el segundo, sobre Malvinas (2020 y 2022) y este, sobre identidades, memorias y patrimonios localizados en Florencio Varela (2024).Fil: Amati, Mirta. Universidad Nacional Arturo Jauretche. Instituto de Estudios Iniciales; Argentina.Fil: Ávila, Sebastián. Universidad Nacional Arturo Jauretche. Instituto de Estudios Iniciales; Argentina.Fil: Insua, Myrna. Universidad Nacional Arturo Jauretche. Instituto de Estudios Iniciales; Argentina.Fil: Galizio, Adriana. Universidad Nacional Arturo Jauretche. Instituto de Estudios Iniciales; Argentina.Fil: Kaplan, Laura Sabina. Universidad Nacional Arturo Jauretche. Instituto de Estudios Iniciales; Argentina.Fil: Kelly, Carolina. Universidad Nacional Arturo Jauretche. Instituto de Estudios Iniciales; Argentina.Fil: Ñañez, Guillermo. Universidad Nacional Arturo Jauretche. Instituto de Estudios Iniciales; Argentina.Fil: Estepa, Natalia. Universidad Nacional Arturo Jauretche; Argentina
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Reflexiones sobre el status de la palabra de los sobrevivientes en la construcción de la memoria de la violencia política y del terrorismo de Estado en la Argentina.
International audienc
Pablo, entre la tierra y el río
La Reconstrucción del retrato de Pablo Míguez de Claudia Fontes es una escultura emplazada en el Parque de la Memoria, espacio público ubicado en la costanera porteña, frente al Río de la Plata, erigido para conmemorar a los desaparecidos y asesinados por el terrorismo de Estado que asoló la Argentina desde mediados de los años 70 hasta el regreso de la democracia constitucional en diciembre de 1983. El interés que produce esta estatua se origina en que ella, más que cualquiera de las otras obras que forman parte del conjunto poli-escultural del Parque de la Memoria, se sitúa en el punto radical de fractura entre el reconocimiento y la sensibilidad del sentido que Gilles Deleuze atribuye a la génesis del acto de pensar y al pensamiento mismo: al “objeto del encuentro fundamental”. La Reconstrucción… no solo actúa como objeto de encuentro por su relación fáctica entre el río y la ciudad, sino que es el lugar mismo de creación del encuentro e irrumpe en el pensamiento cuando éste es incapaz de producir el reconocimiento del objeto del acto de pensar forzando de esta manera a que el mundo de lo sensible intervenga.La Reconstruction du portrait de Pablo Míguez de Claudia Fontes, est une sculpture installée dans le Parc de la Mémoire, espace public situé dans la rivière du fleuve de La Plata érigé pour commémorer les disparus et assassinés par le terrorisme d’Etat instauré en Argentine depuis la moitie des années 70 jusqu’au retour de la démocratie constitutionnelle le 10 décembre 1983. L’intérêt que porte cette sculpture plus que n’importe quelle autre de l’ensemble mémoriel poli-sculptural, est produit par le fait qu’elle se situe dans le point radical de fracture entre la reconnaissance de la disparition forcée de personnes et la sensibilité du sens à l’origine de la pensée qu’est-ce qu’un disparu. En termes de Gilles Deleuze, la Reconstruction est l’objet de la rencontre fondamentale ». Cela n’est pas une conséquence du fait qu’elle se trouve exactement entre la ville et le fleuve, premier espace de rencontre, sinon parce qu’elle est le lieu précis de création de la rencontre. La Reconstruction fait irruption dans la pensée de l’observateur lorsqu’elle est incapable de produire la reconnaissance de l’objet de la pensée faisant en sorte de cette manière que le monde du sensible intervienne pour compléter ou attribuer du sens au corps qu’elle représente.The Reconstruction of the Portrait of Pablo Míguez by Claudia Fontes is a sculpture located in the Parque de la Memoria, a public space located on the Buenos Aires waterfront, facing the Río de la Plata, erected to commemorate the disappeared and murdered by the State terrorism that Argentina ravaged from the mid-70s until the return of constitutional democracy in December 1983. The interest that this statue produces originates in that it, more than any of the other works that are part of the poly-sculptural set of the Park of Memory, is situated at the radical point of fracture between the recognition and sensitivity of the meaning that Gilles Deleuze gives to the genesis of the act of thinking and to thought itself: to the "object of the fundamental encounter". Reconstruction ... not only acts as an object of encounter because of its factual relationship between the river and the city, but it is the very place of creation of the encounter and bursts into thought when it is incapable of producing the recognition of the object of the act of thinking thus forcing the sensitive world to intervene
Pablo Miguez, entre la tierra y el río. El Río de la Plata anclaje memorial de la desaparición
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Dossier pédagogique autour des notions Lieux et formes du pouvoir/Voyage,parcours initiatique,exil
International audienc
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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