5,464 research outputs found
The Role of Evidence in Establishing Trust in Repositories
This article arises from work by the Digital Curation Centre (DCC) Working Group examining mechanisms to roll out audit and certification services for digital repositories in the United Kingdom. Our attempt to develop a program for applying audit and certification processes and tools took as its starting point the RLG-NARA Audit Checklist for Certifying Digital Repositories. Our intention was to appraise critically the checklist and conceive a means of applying its mechanics within a diverse range of repository environments. We were struck by the realization that while a great deal of effort has been invested in determining the characteristics of a 'trusted digital repository', far less effort has concentrated on the ways in which the presence of the attributes can be demonstrated and their qualities measured. With this in mind we sought to explore the role of evidence within the certification process, and to identify examples of the types of evidence (e.g., documentary, observational, and testimonial) that might be desirable during the course of a repository audit.
, Ross Laird
Ross Laird, PhD RCC is a clinical consultant focused on trauma, addictions, and social vulnerability. He is also a best-selling author, award-winning scholar and educator, and clinical supervisor for BC’s largest licensed non-profit program in addictions, trauma, and mental health. Dr. Laird focuses particularly on traumatized and marginalized client populations — those navigating homelessness, mental illness, and complex trauma — and provides professional development training for organizations that serve them: social service agencies, first responders, cultural groups, nonprofits, and educational institutions. He also works extensively with organizations in arts and culture and Indigenous communities to develop trauma-informed practices for cultural programming, museum exhibitions, and community initiatives
The Art Gallery of Hamilton : Seventy-Five Years (1914-1989)
Fox and Inglis document the history of the institution and the development and evolution of its permanent collection of painting and sculpture. Circa 150 bibl. ref
Gay, Ross : poetry reading; September 13th, 2019
Contents:
All tracks Poetry reading [complete]
Track 01 Introduction
Track 02 The Mark of Lights
Track 03 To My Best Friend’s Big Sister
Track 04 An Ode To Buttoning And Unbuttoning My Shirt
Track 05 The High-Five From Strangers Eccetera
Track 06 To the Fig Tree On 9th and Christian
Track 07 Cup Liking
Track 08 An Abundance of Public Toilets
Track 09 Opera Singer
Track 10 Catalog of Unabashed Gratitude
Track 11  Q&A
Digital Projects SAN: folder location for wav and mp3 files: J:\Elliston Working\9-13-2019 (Ross, Gay
Ross Gay, 36th Annual ODU Literary Festival
Ross Gay is the author of Against Which and Bringing the Shovel Down. His work has appeared in several literary journals, including American Poetry Review, The Sun, and Ploughshares. He is an orchardist and kettlebell instructor. He teaches at Indiana University and in the Drew University low-residency MFA program
Author interview: Q and A with Sonia Livingstone and Alicia Blum-Ross, authors of Parenting for a Digital Future
In this author interview, we speak to Sonia Livingstone and Alicia Blum-Ross about their new book, Parenting for a Digital Future, which draws on interviews and a national survey with UK parents to explore how hopes and fears about digital technologies are shaping parenting today
Letters and telegrams on Andrew Inglis Clark's resignation from the Braddon Ministry, Tasmania, 1897-8
Letters and telegrams on Andrew Inglis Clark's resignation from the Braddon Ministry, 1897-8, from A.H. Aspinall, E.N.C. Braddon, Gilbert E. Butler, William Cooke, P.O. Fysh, G. D'Emden, H.T. Gould, John Gunning, Charles W. Hazell, John Henry, Frederick Lodge, J.H. Macfarlane, Andrew Miller, F.J. Prichard, Richard Ross, W.H. Smith, F. Stephens, C.H. Talbot, Alfred A. Taylor, H. Thomas, G.J. Walford and J.N. Woolnough.
C4/C390 (1-22
Oxime based manganese molecular magnets
The synthesis and characterisation of a large family of hexametallic [MnIII
6] Single-Molecule Magnets with general formula [MnIII
6O2(R-sao)6(X)2(L)4-6] (where sao2- =
dianion of salicylaldoxime; R = H, Me, Et, Ph; X = O2CR' (R' = H, Me, Ph etc),
Hal , O2PHPh or O2P(Ph)2; L = solvent) are presented. Deliberate structural
distortions of the [Mn3O] trinuclear moieties within the complexes are used to tune
the observed magnetic properties. These findings highlight a qualitative magnetostructural
correlation whereby the type (anti- or ferromagentic) of each Mn2 pairwise
magnetic exchange is dominated by the magnitude of each individual Mn-N-O-Mn
torsion angle.
To shed further light on this intriguing family of nanomagnets, a large family of the
analogous “half” molecules has been synthesised and fully characterised. These
trimetallic [MnIII
3] complexes can be divided into three categories with general
formulae (type 1) [MnIII
3O(R-sao)3(X)(sol)3-4] (where R = H, Me, tBu; X = O2CR (R
= H, Me, Ph etc); sol = py and / or H2O), (type 2) [MnIII
3O(R-sao)3(X)(sol)3-5] (where
R = Me, Et, Ph, tBu; X = O2CR (R = H, Me, Ph etc); sol = MeOH, EtOH and / or
H2O), and (type 3) [MnIII
3O(R-sao)3(sol)3](XO4) (where R = H, Et, Ph, Naphth; sol =
py, MeOH, -pic, Et-py, tBu-py; X = Cl, Re). In the crystals the ferromagnetic
triangles are involved in extensive inter-molecular H-bonding which is clearly
manifested in the magnetic behaviour, producing exchange-biased SMMs. These
interactions can be removed by ligand replacement to give “simpler” SMMs.
The [MnIII
6] and [MnIII
3] molecular nanomagnets are then exploited as building
blocks to construct supramolecular architectures by means of host-guest interactions
and coordination driven self-assembly. A number of discrete and infinite
architectures based on the molecular triangle [Mn3] and various pyridyl-type ligands
were obtained and structurally and magnetically characterised
Richard Ross: Juvenile-in-Justice
Boston College Law School hosted Richard Ross, Distinguished Professor of Art, University of California at Santa Barbara, award-winning photographer and author of Juvenile-In-Justice. The event took place on March 24th in the Law School\u27s East Wing building.
The event, cosponsored by the Boston College Center for Human Rights and International Justice, the Boston College Arts and Social Responsibility Project, and the Citizens for Juvenile Justice (CFJJ) was closely connected to the release of two important reports on detention reform in Massachusetts that same week by CFJJ (www.cfjj.org). CFJJ advocates for a fair and effective Juvenile justice system in Massachusetts and is playing a significant role in raising the age of juvenile jurisdiction and in the Supreme Judicial Court decisions on finding life without parole unconstitutional for juveniles in MA.
Winner of the 2012 Best News and Documentary Photography Award from the American Society of Magazine Editors for a selection published in Harper\u27s Magazine, the photographs in Juvenile in Justice open our eyes to the world of the incarceration of American youth. The nearly 150 images in this book were made over 5 years of visiting more than 1,000 youth confined in more than 200 juvenile detention institutions in 31 states. These riveting photographs, accompanied by the life stories that these young people in custody shared with Ross, give voice to imprisoned children from families that have no resources in communities that have no power
Tumbled smooth by the rapids: Rediscovering and reconnecting in the wake of turbulence
Ross Laird, PhD RCC is a clinical consultant focused on trauma, addictions, and social vulnerability. He is also a best-selling author, award-winning scholar and educator, and clinical supervisor for BC’s largest licensed non-profit program in addictions, trauma, and mental health. Dr. Laird focuses particularly on traumatized and marginalized client populations — those navigating homelessness, mental illness, and complex trauma — and provides professional development training for organizations that serve them: social service agencies, first responders, cultural groups, nonprofits, and educational institutions. He also works extensively with organizations in arts and culture and Indigenous communities to develop trauma-informed practices for cultural programming, museum exhibitions, and community initiatives.presentationBetter Together Conferenc
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