1,721,113 research outputs found
Laurence Olivier, un actor de teatro en el cine
Cabrera Infante, G. (1992). Laurence Olivier, un actor de teatro en el cine. Nosferatu. Revista de cine. (8):28-31. https://riunet.upv.es/handle/10251/40806.Importación Masiva2831
The Effect of Short Planning Horizon on Intertemporal Consumption Choices
Experiments on intertemporal consumption typically show that
people have difficulties in optimally solving such problems. Previous studies have
focused on contexts in which agents are faced with risky future incomes and have to
plan over long horizons. We present an experiment comparing decision making under
certainty, risk and ambiguity, over a shorter life-cycle.
Results show that behaviour in the ambiguity treatment is markedly different than in the
risk condition and it is characterized by a significant pattern of
under-consumption
Comparing behavior under risk and under ambiguity in a lifecycle experiment
Experiments on intertemporal consumption typically show that people have difficulties in optimally solving such problems. Previous studies have focused on contexts in which agents are faced with risky future incomes and have to plan over long horizons. We present an experiment comparing decision making under certainty, risk, and ambiguity, over a shorter lifecycle. Results show that behavior in the ambiguity treatment is markedly different than in the risk condition and it is characterized by a significant pattern of under-consumption
Are groups better planners than individuals? An experimental analysis
We present the results of an experiment comparing group and individual planning in the domain of lifecycle consumption/saving decisions. Individual decision making is compared to two group treatments, which differ based on the presence of a rematching rule. We find that individuals and groups differ in how they solve the intertemporal consumption problem, but not in how they improve their consumption planning within a sequence. Individuals’ performance improves across sequences, groups without rematching perform approximately the same, while groups with rematching do significantly worse. Our main finding is that while groups perform better than individuals in the first sequence, this difference seems to disappear in the second lifecycle. Results show that in the second sequence groups in the rematching treatment deviate substantially more from optimum than groups that are left stable across sequences
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Nonzero Positive Solutions of Elliptic Systems with Gradient Dependence and Functional BCs
We discuss, by topological methods, the solvability of systems of second-order elliptic differential equations subject to functional boundary conditions under the presence of gradient terms in the nonlinearities. We prove the existence of nonnegative solutions and provide a non-existence result. We present some examples to illustrate the applicability of the existence and non-existence results
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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