1,720,960 research outputs found
Amirouche Aït Hamouda en el arte de Cheddani Yassine
No full textPresentación de Amirouche Aït Hamouda en el arte de Cheddani Yassine
Autobiografía personal y académica del jeque argelino Muḥammad al-Bašīr al-Ibrāhīmī (1889-1965)
No full textFrom the 1930s, the party of the association of Algerian Muslim scholars fought intellectually against the colonialism of the French metropole . After the death of the president of the party a president Aḥmad Ban Bādīs in April 16, 1940, Muḥammad El-Bašīr al-Ibrāhīmī continued his intellectual struggle by noting that the Algerian entity had an different identity that the French one. The text presented was written in Arabic by the own hand of al-Bašīr al-Ibrāhīmī. Like a brief autobiography, he presents his academic life from his childhood, formation and studies, to the creation of the Islamist reform movement in Algeria in 1940, and its history as well as his history and work in this movement.A partir de los años 1930, el partido de la Asociación de Ulemas Musulmanes Argelinos luchó intelectualmente contra el colonialismo de la metrópoli francesa. Después de la muerte del presidente del partido Aḥmad Ban Bādīs el 16 de abril de 1940, Muḥammad al-Bašīr al-Ibrāhīmī continuó esta lucha intelectual en favor de la lengua árabe y religiosa, por la islamización de la sociedad argelina. El texto sobre el que trabajamos fue escrito por la mano al-Bašīr al-Ibrāhīmī en lengua árabe, siendo su último artículo antes de su fallecimiento. En él nos presenta, a modo de breve repaso autobiográfico: su vida académica desde su infancia, formación y estudios, hasta la creación del movimiento islámico de reformismo en Argelia en 1940, así como su historia y participación en el mismo
La fundación de la Madrasa al-Adāb por la Asociación de ulemas musulmanes argelinos en la ciudad de Hennaya (Tremecén) en 1950
No full textCarta del miquilache Sidi Hasán (1786): edición y traducción
No full textNota de investigación dedicada a la edición, transcripción del texto árabe y traducción castellana del manuscrito de Sīdī Ḥasan, ministro de la marina a finales del siglo XVIII en la Regencia de Argel. Este estudio es de interés como muestra del uso de la lengua árabe en la época
William Marçais y su obra sobre el dialecto árabe hablado en Tremecén. Trascendencia para la historia de la dialectología de Argelia
No full textShort introduction to the life of the French Orientalist William Marçais and his works about the Arabic dialect of the region of Tlemcen, focusing attention on the contents of Le dialecte arabe parlé à Tlemcen. Grammaire, textes et glossaire (1902). We remark his pioneering career in the consolidation of the modern Algerian Dialectology.Breve presentación de la figura del arabista francés William Marçais y sus estudios sobre el dialecto árabe de Tremecén, estudiando el contenido de la obra Le dialecte arabe parlé à Tlemcen. Grammaire, textes et glossaire (1902) y su labor pionera en la constitución de una dialectología moderna argelina
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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