1,721,243 research outputs found

    Cadenet – Oppidum de Castellar

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    Identifiant de l'opération archéologique : 8237 Date de l'opération : 2007 - 2008 (FP) Inventeur(s) : Isoardi Delphine (AUT) ; Garcia Dominique (COL) ; Mocci Florence (CNRS) Les premières fouilles archéologiques sur l’oppidum du Castellar ont débuté en juin 2007, faisant suite à la campagne 2006 de relevé des vestiges du rempart (BSR PACA, 2006 : 216-217). La responsabilité administrative et scientifique a été confiée à Delphine Isoardi (doctorante, université de Provence sous la direction de..

    La déesse Dexiua du Castellar (Cadenet, Vaucluse). Confrontation des témoignages épigraphiques et des données archéologiques à l’occasion des premières fouilles

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    The site of Castellar (Cadenet, 84) is known at least since the eighteenth century through the discoveries he has delivered, especially the gallo-greek and latin inscriptions. The site still stands today with its fortification. Excavations have begun in 2007 : the site is a roman sanctuary established on an ancient oppidum. These excavations were an opportunity to resume the study of older discoveries and question them in the light of new data ground and comparisons provided by other sites.Le site du Castellar de Cadenet est connu depuis au moins le XVIIIe s., par les nombreuses découvertes qu’il a livrées, en particulier des inscriptions gallo-grecques et latines. Le site se distingue toujours aujourd’hui par son rempart. La reprise de fouilles à partir de 2007 sur ce sanctuaire établi sur un ancien oppidum a été l’occasion de reprendre l’étude des découvertes anciennes et de les interroger à la lumière des nouvelles données de terrain et des comparaisons fournies par d’autres sites.Golosetti Raphaël, Isoardi Delphine, Agusta-Boularot Sandrine. La déesse Dexiua du Castellar (Cadenet, Vaucluse). Confrontation des témoignages épigraphiques et des données archéologiques à l’occasion des premières fouilles. In: Revue archéologique de Narbonnaise, tome 43, 2010. pp. 109-125

    Bibliographie générale

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    Acconcia Valeria, « Il gruppo di lamine e bronzetti dalla collezione Prospero Sarti nel museo archeologico di Firenze », Rendiconti della Pontificia Accademia Romana di Archeologia, 68, 1995-1996, p. 265-290. Agusta-Boularot Sandrine, Golosetti Raphaël et Isoardi Delphine, « La déesse Dexiva du Castellar (Cadenet, 84). Confrontation des témoignages épigraphiques et des données archéologiques à l’occasion des premières fouilles », Revue Archéologique de Narbonnaise, 43, 2010, p. 109-126. Allai..

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Stockage céréalier et démographie ?

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    Histoire de la recherche archéologique en Ubaye. Des antiquaires du XVI e s. à l’archéologie contemporaine en Haute Provence

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    National audienceCette Histoire de la recherche archéologique en Ubaye est extraite du volume356 des Chroniques de Haute Provence, la revue de la Sociétéscientifique et littéraire des Alpes de Haute Provence, qui en coédite ce tiré à part avec Sabença de la Valeia.L’archéologue Delphine Isoardi l’a écrite dans le cadre du programme collectif de recherche (PCR) que le Service régional de l’archéologiedu ministère de la Culture et le Centre Camille Jullian de l’Université de Provence ont mis en place en Ubaye depuis 2001. Retrouver et faire la synthèse de tout ce qui a déjà été écrit sur un sujet scientifique est une forme désormais incontournable pour asseoir tout programme de recherche méthodique
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