1,721,307 research outputs found
Chiesa dei Ss. Ippolito e Cassiano (The Church SS Ippolito e Cassiano in Cassano Valcuvia)
No full textThe development of the town of Cassano door, unknown time, first to build a chapel, a church filiare then, the town center, the building, intended for the cult of Mary, is described during the visit of Bishop Diocesan Pastoral Feliciano Ninguarda : "Item in the Middle huius pages, pro COMMODIT incolarum, east extructum sacellum, seu oratorium B. Dicatum Mariae Virginia, eastern parvum penes quo cum bell tower, ubi ab rates annis not fuit celebratum, quia non est to formam decretorum extructum [...]» [... down in Annex more information]\u
1340-60, Maestro di Offida, Pedara di Roccafluvione, Santi Ippolito e Cassiano (NH 480)
No full textDate 1340 - 1360 Peintre M. di Offida Lieu de conservation Pedara di Roccafluvione (Ascoli Piceno), SS. Ippolito e Cassiano Technique Fresque Position dans l’œuvre entière Fragmen
Progetto all'Arco Felice di Cuma
No full textProgetto all'Arco Felice di Cuma, realizzato con M. Scagnol.
Il progetto è stato vincitore del concorso associato al Seminario Internazionale di progettazione pubblicato in F. IPPOLITO e P: MAISTO (a cura di ), Archeologia e Architettura, CLEAN edizioni, Napoli 1997, Isbn 888670125X, 978888670125
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
An unusual case of osteoblastoma of the femur
No full textThe authors report a rare case of osteoblastoma of the femur in a 3 year old girl. The case provided an interesting clinical history and, because of an earlier negative radiograph, enabled the length of time the tumour took to develop to be established
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