491,052 research outputs found
Rubaies of İbrahim Aczî kendî (The last 180 rubaies)
No full text1881-1965 yılları arasında Konya'da yaşayan İbrahim Aczî Kendî, Konya'nın XX. yüzyılda yetiştirdiği önemli şair, gazeteci, araştırmacı, yazar, mutasavvıf ve folklorculardandır. Konya'da öğretmenlik yapan İbrahim Aczî Kendî, Arapça ve Farsça öğrenerek kendini geliştirmiş, tasavvuf, edebiyat ve tarihle ilgili kitaplar hazırlamıştır. İbrahim Aczî Kendî'nin bizzat kendisinin kaleme aldığı, tek nüshası Yusuf Ağa Kütüphanesinde 10465/1 numara ile kayıtlı olan Devr-i Zaman adlı eseri, 360 Farsça rubâî ve bu rubâîlerin Osmanlı Türkçesiyle yazılmış açıklamalarından oluşmaktadır. Bu çalışmada İbrahim Aczî Kendî'nin hayatı incelenmiş, Devr-i Zaman adlı eserinde bulunan 360 rubâînin son 180 tanesi çalışılmıştır. Her bir rubâînin Farsça ana metinleri bilgisayar ortamına aktarılmış, bazen sadece tercüme, bazen de çeşitli açıklamalar içeren Osmanlı Türkçesiyle yazılan kısımlar ise latin harfleriyle aktarılmıştır. İbrahim Aczî Kendî, bu çalışmada ele alınan rubâîlerinde, genellikle ilahi aşk, toplumsal ahlâk, zamandan şikâyet, riya ve kibirden uzak durmanın gerekliliği gibi birçok konuya değinmiştir.İbrahim Aczî Kendî who lived the years between 1881 and 1965 in Konya is an important poet, a journalist, an investigate author, a mystic and a folklorist who raised by Konya in 20th century. İbrahim Aczî Kendi, worked as a tutor in Konya, improved himself by learning Arabian and Persian, prepared books about mysticism, literature and history. Devr-i zaman, which is written by İbrahim Aczî Kendî by himself and whose only transcript is registered with the number 104657/1 in Yusuf Ağa Library, is made of 360 Persian rubaies and their explanation which is written in Ottoman Turkish. In this study İbrahim Aczî Kendî's life and last 180 of 360 Persian rubaies are studied. Each of rubaies' Persian main texts are transferred to electronic environment. Parts that sometimes include translation, sometimes also include various types of explanations written Ottoman Turkish are transferred with Latin letters. İbrahim Aczî Kendî, rubaies that handled in this study, touches on many topics, such as sociel ethics, complaints about today's youht, hypocrisy and staying away from and arrogance
External interventions and the duration of civil wars
No full textThe authors combine an empirical model of external intervention, with a theoretical model of civil war duration. Their empirical model of intervention allows them to analyze civil war duration, using"expected"rather than"actual"external intervention as an explanatory variable in the duration model. Unlike previous studies, they find that external intervention is positively associated with the duration of civil war. They distinguish partial third-party interventions that extend the length of war, from multilateral"peace"operations, which have a mandate to restore peace without taking sides - and which typically take place at war's end, or at least when both sides have agreed to a cease-fire. In a future paper, the authors will examine whether partial third-party interventions - whatever their effect on a war's duration - increase the risk of war's recurrence. If that proves true, then even if interventions reduce the length of civil war, they may do so at the cost of further destabilizing the political system, and sowing the seeds of future rebellion.Children and Youth,Peace&Peacekeeping,Post Conflict Reconstruction,Post Conflict Reconstruction,International Affairs,Post Conflict Reconstruction,Social Conflict and Violence,Peace&Peacekeeping,Post Conflict Reconstruction,International Affairs
Çanakkale Seramik ve İbrahim Bodur
No full textAnkara : İhsan Doğramacı Bilkent Üniversitesi İktisadi, İdari ve Sosyal Bilimler Fakültesi, Tarih Bölümü, 2025.This work is a student project of the Department of History, Faculty of Economics, Administrative and Social Sciences, İhsan Doğramacı Bilkent University.The History of Turkey course (HIST200) is a requirement for all Bilkent undergraduates. It is designed to encourage students to work in groups on projects concerning any topic of their choice that relates to the history of Turkey. It is designed as an interactive course with an emphasis on research and the objective of investigating events, chronologically short historical periods, as well as historic representations. Students from all departments prepare and present final projects for examination by a committee, with 10 projects chosen to receive awards.Includes bibliographical references (pages 17-19).Çanakkale Seramik, 1957 yılında İbrahim Bodur tarafından Çan ilçesinde kurulmuştur. İbrahim Bodur kişisel, yerel değerlerini ve toplumsal sorumluluk bilincini hayatının her noktasında göstermiştir. İbrahim Bodur’un bu bilinci sayesinde sadece Çanakkale Seramik’in kurulup gelişmesine değil, aynı zamanda bölgesel kalkınmayı destekleyerek Türkiye’nin kalkınmasına; ilk seramik ihracatını yapmasıyla ve uluslararası iş birlikleriyle Türkiye sanayisinin gelişmesine öncülük etmiştir. İbrahim Bodur’un vizyonu, iş anlayışı ve değerleri sayesinde Çanakkale Seramik; savunma, kimya, makine gibi birçok alanda faaliyet veren Kale Grubu haline gelmiştir. Günümüzdeki faaliyetlerini sürdürülebilirlik bilinciyle yürüten Kale Grubu çevreye karşı olan duyarlılıklarını da projelerinde göstermektedir. Bunların yanı sıra kültürel, sosyal ve sanat alanında da kendilerini göstermektedirler. Kale Grubu’nun başkanlığı ve CEOCEO’luğu 2007 yılından beri İbrahim Bodur’un kızı olan Zeynep Bodur Okyay tarafından yapılmaktadır.Çanakkale Seramik established by İbrahim Bodur in 1957 in Çan. İbrahim Bodur has shown his responsibility against society and his values in every aspect of his life. Through his awareness, he contributed not only to the establishment and development of Çanakkale Seramik but also to the development of Turkey by supporting regional development. It pioneered the development of Turkish industry with its first ceramic export and international collaborations. Çanakkale Seramik became Kale Grubu, which operates various areas such as defense, chemistry, and machine thanks to İbrahim Bodur’s vision, values, and understanding of business. Kale Grubu carries out its projects with its awareness of sustainability, high lighting its environmental sensitivity. Besides, they execute projects in cultural, social, and art areas. Zeynep Bodur Okyay, the daughter of İbrahim Bodur, has been the president and the CEO of Kale Grubu since 2007.by İbrahim Mert Öztür
A conceptual framework for supporting gender inclusivity in games
No full textGender inclusivity in games is still exploratory and, despite an increase in games and gender research, many challenges remain in designing a more gender-inclusive game. This thesis addresses the problem of how to support gender inclusivity in games by combining theories in games and gender. Existing research in games and gender tend to focus on finding out how each gender plays and their preferences in games. However, there is little evidence that researchers have approached the issue of gender inclusivity in games with the intent of building a cohesive understanding of gender inclusivity in games and the relationships that exist between the different dimensions and components. Consequently, this research has developed a conceptual framework that supports gender inclusivity in games.A central contribution of this research is the development of a Gender Inclusivity Framework (GIF) to support an integrative approach to understanding and evaluating gender inclusivity in games. The framework enables understanding of the makeup of gender inclusivity in games and measures the level of gender inclusivity in games. Drawing upon established theories and prior research findings, the framework indicates that gender inclusivity in games can be determined by three dimensions: (1) gameplay, which relates to game behaviours; (2) content, which relates to aesthetics elements of a game; and (3) genre, which relates to types of games. Each dimension in the framework is divided into individual components that can be modified or further investigated in future studies. Each component in combination describes the dimension in terms that can be measured and evaluated in empirical studies. Hence, the combination of dimensions and components used to construct the framework provide the description of gender inclusivity in games, which in turn predicts the degree of gender inclusivity in games.An example of GIF application has been demonstrated through the development of a novel measuring instrument called Gender Inclusivity Rating Scale (GIRS) and through a series of experiments, the GIRS has been validated and used in a research scenario to investigate the differences in gender inclusivity in game component between a gamer's gender role orientations.This thesis presents a detailed discussion of the GIF development, validation and application. For researchers, the GIF provides a common framework in which to conceptualise their research and make it easier to see how individual variables fit into the larger picture. For game designers, the GIF enables deconstruction of the concept of gender inclusivity in games into smaller, conceptually distinct and manageable components to guide the design of gender inclusivity in games
Appropriate Similarity Measures for Author Cocitation Analysis
No full textWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Morphological and grammatical study of the fuctional derived nouns in the six anthologies by Sheikh Ibrahim Inyas / Ibrahim Shaaban
No full textThis research is a morphological, grammatical and analytical study on the multiplicity of the
scale of five derived nouns and their formulas as used in the six anthologies (dawawin) of
Senegalese Sheikh Ibrahim Inyas al-Kaulakhi, based on the chosen rulings, methods and context
used by the author of the six collections. The research focuses and discusses on the subject
noun, the accusative noun, the hyperbolic participles, the attributive participle,
comparative/superlative adjective, and their scales and formulas, both standard and nonstandard,
and the usage of their multiple meanings according to the methods employed in these
six dawawin, including infinitive and augmented noun of three or four lettered origin, with
grammatical rulings associated with alif and lam (al), as selected or chosen according to the
usage of Sheikh Ibrahim Inyas al-Kaulakhi. In order to find out the context of morphological and
grammatical methods, analyses were made that acquaint readers with the taste of Sheikh
Ibrahim's ability in applying morphological and grammatical rules. Through extrapolation, the
morphological and syntactic source of each derivative was separately traced in those six
dawawin. In reviewing the morphological and syntactic language of those derivatives, books and
the theories of ancient and modern linguists, according to consensus and contrast, were used in
shedding light on each derived noun by studying the ancient morphological and syntactic
sources according to the information and theories derived therefrom and made analysis
thereon. In this regard, a morphological or grammatical context was established using a
qualitative rather than quantitative approach based on which the research was conducted and
its structure, sections and chapters arranged accordingly, with clarification and detailed
analyses. Findings of this research have established the functioning of morphological structure
and scales of the five derived nouns as well as the semantic meaning, application and usage of
augmented derived nouns as dealt with in their grammatical rulings associated with the Arabic
definite article - alif and lam (al), to enable them function in the past, present and future tenses,
and what not. The research concluded with a revelation which is indicative of Sheikh Ibrahim
Inyas’ ability and mastery of morphological scales and grammatical expertise as though he lived
with and learnt from Khalil, Sibawayh, Ibn Jinni and Asma'i and their ilk
İbrahim Balaban’ın hayatı ve Türk resim sanatına katkıları
No full textThis work is a student project of the Department of History, Faculty of Economics, Administrative and Social Sciences, İhsan Doğramacı Bilkent University.Ankara : İhsan Doğramacı Bilkent Üniversitesi İktisadi, İdari ve Sosyal Bilimler Fakültesi, Tarih Bölümü, 2022.The History of Turkey course (HIST200) is a requirement for all Bilkent undergraduates. It is designed to encourage students to work in groups on projects concerning any topic of their choice that relates to the history of Turkey. It is designed as an interactive course with an emphasis on research and the objective of investigating events, chronologically short historical periods, as well as historic representations. Students from all departments prepare and present final projects for examination by a committee, with 10 projects chosen to receive awards.Includes bibliographical references (page 16).Türkiye’de resim sanatının 2. Dünya Savaşı sonrası gelişimi toplumcu gerçekçilik
akımının izlerini taşımaktadır. 1921 yılında doğan İbrahim Balaban ise çeşitli ideolojik
çatışmaların ve zorlu savaş koşullarının içinde büyüdü. 1940’larda girdiği cezaevinde Nâzım
Hikmet’in desteğiyle bir ressam olarak yetişti ve toplumcu gerçekçi akımın etkisinde eserler
üretti. Resimlerinde köy yaşantısını deneyimleriyle harmanladı ve yoksulluğu, halk
hikayelerini, efsaneleri kendine özgü çizim teknikleriyle aktardı. Eserleri hem bir eleştiriydi
hem de o döneme ışık tutan birer belgeydi. 1960 sonrası yazdığı anı kitapları ile de resimlerine
etkileri görülen deneyimlerini aktardı. Bu araştırmada, İbrahim Balaban’ın yazmış olduğu
çeşitli anı kitaplarından faydalanılarak Nâzım Hikmet ile geçirdiği yılların sanatına olan etkisi
incelendi. Kendi eserlerine olan bakış açısı dikkate alınarak ve resimlerin ardındaki anılar
keşfedilerek sanatçının gelişimi anlatıldı. Aynı zamanda kendisi gibi ressam olan oğlu Hasan
Nazım Balaban ile yapılan röportaj aracılığıyla özel hayatı ve sanatçı kimliğinin dışavurumu
incelendi. İbrahim Balaban’ın Türk resim sanatına yıllar boyu hem sergileriyle hem de sanat
görüşüyle katkı sağlamış olması ve sanat anlayışını içinde bulunduğu zorlu koşullara,
eleştirilere rağmen geliştirmesi, Türkiye’de resim anlayışının gelişmesi açısından önemlidir.The development of painting in Turkey after World War II carried the traces of the social
realism movement. Born in 1921, İbrahim Balaban grew up in various ideological conflicts and
tough war conditions. He grew up as a painter with the support of Nazım Hikmet in the prison
he entered in the 1940s and produced works under the influence of social realism. With his
paintings, he blended village life with his experiences. He conveyed poverty, folk tales, and
legends with his unique drawing techniques. His works were both a criticism and a document
that sheds light on that period. In the memoirs he wrote after 1960, he shared his experiences
which had severe impacts on his paintings. In this research, the effect of the years he spent with
Nazım Hikmet was examined by making use of various memoirs written by İbrahim Balaban.
The development of the artist was explained by considering his perspective on his own works
and by discovering the memories behind his paintings. His private life and the expression of his
identity as an artist were examined through an interview with his son, Hasan Nazım Balaban,
who is also a painter. The fact that İbrahim Balaban has contributed to Turkish painting both
with his exhibitions and his artistic view over the years and that he developed his understanding
of art by avoiding the harsh conditions he was in, is important for the development of painting
in Turkey.by İbrahim Mert Öztürk
Dispelling the Myths Behind First-author Citation Counts
No full textWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
The water resources structures on the Syrian and Egyptian pilgrim routes to Makka and Medinah
No full textAI-Hajj in Arabic means the pilgrimage to MAKKA. This was
an ancient rite which was recognised a long time before the
rise of Islam. According to the holy Quran and Islamic
tradi tion, AI-Haj j goes back to the time of the prophet
Ibrahim. Thus MAKKA was a focus for worship but it was also
a commercial centre and a way station/stopping place on the
ancient trade caravan road between south western -Arabia and
Bilad AI-Sham,' now Syria. In part the inhabitants of MAKKA
practised this trade because their environment was not
suitable for other alternative economic activities.
The importance of MAKKA, as a ritual place increased after
the rise of Islam because it became Qibla-Kiblah -
the direction to which muslims turn in praying towards AIKa'aba.
Yathrib - later to become Medinah - is the second holy city.
In fact it was not a ritual place, but like MAKKA it was a
stopping place on the ancient trade caravan road. The
inhabitants of Medinah practised agriculture because their
environment was more suitable than that at MAKKA; water was
available and the land was fertile so that in addition to
trade, they also practised agriculture.
The importance of Medinah as a holy place only developed
after AI-Hijra - the immigration of the prophet Mohammad,
peace be upon him, to it and his establishing of Islam at
that site. Medinah became the capital of the Islamic state
both religiously and politically. Islam then spread from
Medinah over the Arabian Peninsular to the world beyond.
The consequence of the conquest of Iraq, Bilad AI-Sham,
Egypt, the north coast of Africa and Persia was that the
majority of the population of these countries accepted and
adopted Islam as their religious faith. As a result of this
the populations of these countries came annually to make AlHajj and in doing so developed several additional pilgrim
caravan routes. However, it is the Syrian and Egyptian
pilgrim routes - Tareeq AI-Hajj AI-Shami and Wal Masri which
are the objects of this work. In both these cases the
pilgrim caravan routes were previously ancient trade caravan
routes which travelled through Arabia, particularly through
the western province of Al Hijaz.
The geographical location of Arabia, the cross roads of
three continents, Asia, Africa, and Europe, made important
the pre-Islamic routes which ran through it. Of course the
function of this network at that time was commercial but
after the rise of Islam the function of this network of
routes became to transport the pilgrims. The geological and
topographical features, as well as climatic conditions, in
Arabia played a great role in determining the ancient routes
in Arabia. The availability of water was a very important
consideration on these routes and was influenced by
environmental conditions. Since the rainfall is
insufficient, the resulting absence or shortage of water on
the pilgrim caravan routes made the caliphs pay great
concern to providing the pilgrim routes with the most
essential facilities, particularly water supplies and
storage. Ever since the earliest Islamic times, they
provided for the travellers Al birak, water tanks; Ahwadh cisterns; Qanawat - channels; and abyar - wells, in order to
make AI-Hajj journey more comfortable. The pilgrim caravans
in general, and the Syrian and Egyptian pilgrim caravan
routes in particular, passed through several stages of
development since their origin in early Islamic times and
these evolutionary stages can be seen until the beginning of
this century. Because the object of this thesis is to
document the remains of the water resource structures, an
extensive survey and investigation has been completed on the
Syrian and Egyptian pilgrim caravan routes. The field work
has been conducted in Saudi Arabia, particularly in the
north western region where the Syrian and Egyptian pilgrim
routes cross the country. The field work mainly aimed at
ascertaining the location of all the way stations and their
names and surveying each station in order to record the
surviving remains of water resource structures. The field
work covered a large area of about 8, OOOkm transect and
extended from MACCA in the south through Medinah to the
North as far as Halat I Ammar on the north at the border
between Saudi Arabia and Jordan. From N.W. to S .Wit
stretched from Haql on the Gulf of AI-' Aqaba as far as
MAKKA. These routes consist of the major, or principal
caravan routes as well as a number of traverse routes which
allow travellers a choice of transit as well as connecting
routes. There are large way stations as well as small minor
way stations. As part of this dissertation, almost all the
stopping places have been identified and documented by mapping and photography
İstanbul’da Konak Hayatı ve Konak Mimarisi (Samiha Ayverdi’nin İbrahim Efendi Konağı Kitabı Üzerinden Mimari Okumalar)
No full textOsmanlı İmparatorluğu’nun yaklaşık beş yüz yıllık süre zarfında; çeşitli
mahallere yerleşmiş, yerleşirken doğayı tahrip etmemiş ve yüzyıllar boyunca Yahya
Kemal’in düşüncesiyle büyük bir mahalle gibi bir arada yaşamış Türk evleri, içinde
bir dönemi değil bir kültürü barındırmaktadır. Zamanla değişmiş ve farklılaşmış ancak
son dönemine kadar geleneklerinden taviz vermemeye çalışmıştır. Bu kültürün bir
parçası olan İstanbul konakları da zamanla kendi üslubunu oluşturmuş ve içinde
yaşattığı prensipleriyle Osmanlı tarihinde önemli bir yere sahip olmuştur.
Sâmiha Ayverdi bu İstanbul konaklarından birinde yaşamış ve imparatorluğun
çöküşüyle beraber konakların yok oluşunu eserlerine aktarmıştır. Özellikle İbrahim
Efendi Konağı adlı eseri hikâye değil, yazarın Osmanlı’nın son dönemlerindeki
İstanbul hatıralarından oluşmaktadır. İbrahim Efendi yazarın annesinin amcasıdır. Bu
sebeple mekânlar görülerek kitaba aktarılmış ve bize somut örnekler verilmiştir. Bu
somut örnekler 19. yüzyıl dönemindeki konak hayatını ve konak mimarisini kavramak
adına geçmişe ışık tutacaktır.
Bu çalışmanın ilk bölümünde amaç, kapsam ve yöntem hakkında bilgiler
verilmiştir. İkinci bölümde İstanbul konaklarının temeli olan Türk evi ele alınmıştır.
Tarihsel süreci, geçirdiği değişimler, kazandığı ya da kaybettiği özellikler
belirtilmiştir. Plan tipleri incelenmiş ve mekânsal özelliklerine yer verilmiştir. Üçüncü
bölümde konaklar; genel özellikleri, mekânsal birimleri ve yaşantısıyla araştırılıp
günümüze kadar ayakta kalabilmiş ya da çeşitli sebeplerle ortadan kaybolmuş yapılara
yer verilmiştir. Üçüncü bölümde Sâmiha Ayverdi’nin İbrahim Efendi Konağı eseriyle
beraber incelenen diğer eserlerinden mimari okumalar yapılıp konak, köşk ve yalıların
mahalle içindeki konumu, mekânsal özellikleri, teşkilat ve teşrifatı ele alınmıştır. Son
bölümde ise çalışmanın değerlendirmesi yapılıp bir sonuca varılmıştır.During the Ottoman Empire’s approximate five hundred year time period;
various locations were settled without vandalizing the nature and with the thought of
Yahya Kemal, the Turkish homes lived together as a big neighborhood for centuries,
sheltering a culture and not a period. Though this has changed and differentiated over
time, the culture wasn’t compromised until the last period. As a part of this culture,
Istanbul’s mansions created their own manner and have been in an important part of
the Ottoman history with keeping principles alive.
Samiha Ayverdi has lived in one of these mansions in Istanbul and carried in
her pieces the way mansions were destroyed with the collapse of the Empire.
Especially the ‘Ibrahim Effendi Konak’ non-fiction piece, and is composed of the
author’s memories during the last periods of the Ottoman. Ibrahim Effendi is the
author’s mother’s uncle. Therefore, depiction was given by viewing the places and
concrete examples are provided for us. These concrete examples will light the past in
order for us to comprehend the mansion’s architecture and lives during the 19th
century.
The first section of this thesis gives information about scope and procedure.
The second section takes the Turkish home, which is the essential of Istanbul mansion.
Its historical period and changes and, lost features are indicated. The plan types have
been studied and spatial units have been specified. In the third section, mansions; have
been explored and analyzed by its general features, spatial units and residence. It also
includes structures that have sustained or destroyed because of various reasons. The
third section takes all kinds of mansions’ locations in their neighborhoods, spatial
characteristics, and systems based on reading that have been made on ‘Ibrahim Efendi
Konagi’ and other pieces of Samiha Ayverdi. In the final section the thesis has been
evaluated and came to a conclusion
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