1,721,285 research outputs found

    Mainstreaming Biodiversity in Production Landscapes

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    This volume contributes to broadening the understanding and application of the concept of mainstreaming biodiversity. It captures the inputs to, and findings of an international workshop held in Cape Town, South Africa, in September 2004 on Mainstreaming Biodiversity in Production Landscapes and Sectors. The aims of the workshop were to: determine an operational definition of the concept of mainstreaming biodiversity in production landscapes and sectors; demonstrate the role of mainstreaming in advancing Convention on Biological Diversity (CBD) goals and Strategic Priority of the Global Environment Facility (GEF) work program; explore the scale at which mainstreaming can most effectively be implemented; critique successes and failures in achieving mainstreaming outcomes to date; and, brainstorm on modified or new approaches and tools. These aims are addressed in the first paper in this volume, which explores what is meant by "mainstreaming biodiversity," while the new approaches and tools-the products of the workshop-are outlined in the final paper, on guidelines for effective intervention. The remaining papers, presented at the open symposium preceding the workshop, represent a broad range of mainstreaming initiatives-in Africa, Asia, Australia, Europe, and Latin America, and in a large number of production sectors. A final paper, drafted by the Cape Town workshop participants, provides guidelines on effective interventions in achieving mainstreaming outcomes

    Pollen profile MORRONE, Morrone Birkwoods, United Kingdom

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    Age determination: doi:10.1594/PANGAEA.740062 The EPD (http://www.europeanpollendatabase.net) accepted species name is given in the parameter comment. This dataset was archived on 2010-05-11 from the EPD database

    Pollen profile HOUGHALL, Houghall Wood, United Kingdom

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    The EPD (http://www.europeanpollendatabase.net) accepted species name is given in the parameter comment. This dataset was archived on 2010-05-11 from the EPD database

    Age determination of sediment core MORRONE, Morrone Birkwoods, United Kingdom

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    This dataset was archived on 2010-05-11 from the EPD database (http://www.europeanpollendatabase.net)

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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