1,720,964 research outputs found
馮夢龍「三言」的宗教故事研究
No full text[[abstract]] 馮夢龍所編述的「三言」中，一百二十篇章裡有一百零九篇是與世俗的宗教息息相關，無論是生老病死、食衣住行育樂，總是離不開佛道神靈的因緣果報，其呈現市民生活、思想與情感，具有深刻的社會背景與文化內涵，馮夢龍「三言」宗教故事，將傳統禮教流注情感，柔化教條式的說教，情教思想將浪漫的與現實的馮夢龍交融在一起，於「三言」宗教故事裡客觀展示情欲的複雜情態，卻又隱含抑欲揚情的內涵。 全論文共分為六章：第一章探尋前人研究的成果，藉前人所未及深入之處來做為筆者研究之內容；第二章透過文本分析探究馮夢龍「三言」的宗教故事佛道類別，再以死亡現象及夢境象徵來探尋「三言」的宗教故事果報核心；第三章探究文本的敘事藝術，筆者以中國學者楊義先生的敘事學理論來窺探文本的創作藝術，透過敘事視角、時間及結構的技巧分析來演繹「三言」宗教故事的勸懲教化之用；第四章歸納「三言」宗教故事的人物形象，探析文本人物塑造藝術，於人物類型方面以俗化僧人、弘法道人、宗教神靈及多情鬼魂形象來歸納分析，再由僧道人物及男女對比的設置，來窺探明末崇道抑僧及男尊女卑的社會現實，最後以宗教特有的轉世歷劫來突顯三世應報，以人性試煉刻畫來呈現文化義蘊；第五章論述「三言」宗教故事反映明末社會現實的文化意涵，揭示了明末政治、社會、科舉及宗教的弊端，因此激起作者宣揚情教的理想，而推展真情懺悔得救贖的教化思想，期望能達到作者以情設教的淑世理想，因而輔以因緣果報的善惡有報來體現勸善懲惡；第六章總結馮夢龍的「三言」宗教故事神鬼幽冥，寄寓了褒貶與理想，馮夢龍藉由通俗文學來導愚適俗，也不忘對真情至性的肯定，於宗教篇章融入情教，期望能以情教立論，讚揚忠貞純潔高尚情操，通過小說來勸喻世人、警醒世人，而達勸善懲惡之效。[[abstract]] In Feng Meng Long’s “San Yan”, one hundred and nine chapters are closely bound up the worldly religion. Whether birth, death sickness, old age or food, clothing, housing, traffic, education and amusement or not, they don’t always separate from the causal relationship of Buddhism and Taoism. It not only presents citizens’ lives, thoughts and feelings but also has a profound social background and culture. In the religional stories of Feng Meng Long’s “San Yan”, he puts affection into traditional etiquette, softens religious creed teaching and blends the romance with the reality. In the story of “San Yan”, it impersonally reveals the complexity of the sexual passion, but constrains from the connotation. There are six chapters in the whole thesis. In Chapter One, the author doing the study bases on the part which people of former times didn’t achieve compeletly. Chapter Two is to analy the religious stories, including Buddish and Taoism. Discuss the cause-effect of the stories according to the death and the dream. The author is to go into the art of the anarration in Chapter Three and researches the artstic creations in terms of Yang Yi’s narrative theory, a Chinese scholar. He interprets the stories to exhort and punish people through the viewpoint and time of the narration and the skill of the structure. The author generalizes the characters in “San Yan”. He analyzes the art of the character mold, such as vulgar Buddhist monks, Taoists, religious divines and emotional ghost. He confers that people worship Taoism and restrain and treat females as being inferior to males in the reality of the society in the late Ming Dynasty. Finally, the author shows the cause-effect of the three generations through reincarnation and inexorable doom. Chapter Five reflects the cultrual meanings in the society of late Ming Dynasty and presents the culture by characterization and and reveals the disadvantages of politics, society, examination and religion. Therefore, it arouses the author to preach the ideal of eucation and develop the eucational thoughts of repentance and expiation. It expresses to admonish and punish by Karma. The author sums up the religious stories in Feng Meng Long’s “San Yan” and commends and belittles the ideal. Feng Meng Long teaches fatuous behavior to adapt to vulgar life by popular literature. He also confirms the real emotion and puts education into the religion articles. He hopes it establish a theory with education and praise the loyal, pure and dignity sentiment. Besides, he hopes that it advises and encorages people with the popular fiction and admonishes people and attains the effect of admonishing being good manners and punishing bad manners
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
No full textAuthor-wise bibliometric analysis based on entropy.</p
Author Under Sail The Imagination of Jack London, 1893-1902
No full textIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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