1,659 research outputs found
Indirect measurement of systemic blood pressure in conscious dogs in a clinical setting.
No full textTy Matson: Senior Recital, Trombone
No full textThis Senior Honors Project is entitled “Ty Matson: Senior Recital, Trombone.” The author of the project is Ty Matson. The Senior Honors Project was the preparation and performance of my senior trombone recital, with program notes to accompany the traditional program list of pieces. The trombone recital was comprised of seven pieces of varied styles, musical eras, and composers. The program notes that were distributed in addition to the program consisted of background information on the composers as well as the compositions themselves. The recital, not including intermission, lasted approximately 47 minutes
Ty Matson: Senior Recital , Trombone
No full text"This Senior Honors Project is entitled ""Ty Matson: Senior Recital , Trombone."" The author of the project is Ty Matson. The Senior Honors Project was the preparation and performance of my senior trombone recital , with program notes to accompany the traditional program list of pieces. The trombone recital was comprised of seven pieces of varied styles , musical eras , and composers. The program notes that were distributed in addition to the program consisted of background information on the composers as well as the compositions themselves. The recital , not including intermission , lasted approximately 47 minutes.
Ty Matson: Senior Recital, Trombone
No full textThis Senior Honors Project is entitled “Ty Matson: Senior Recital, Trombone.” The author of the project is Ty Matson. The Senior Honors Project was the preparation and performance of my senior trombone recital, with program notes to accompany the traditional program list of pieces. The trombone recital was comprised of seven pieces of varied styles, musical eras, and composers. The program notes that were distributed in addition to the program consisted of background information on the composers as well as the compositions themselves. The recital, not including intermission, lasted approximately 47 minutes
The Creation of the Role of Edward Ferrars in Sense and Sensibility
Full text linkThis document is a thesis submitted in partial fulfillment of the Master of Fine Arts degree in Acting. It is a detailed account of author Ty Hudson’s artistic process in creating the role of Edward Ferrars in Sense and Sensibility as a part of Minnesota State University, Mankato’s mainstage theatre season in the winter of 2021. The thesis chronicles the actor’s artistic process from pre-production through performance in five chapters: a preproduction analysis, an historical and critical perspective, a rehearsal and performance journal, a post-production analysis and a process development analysis. Appendices and works cited are included
Cutting'aesthetic teeth' : Flannery O'Connor's habit of art
Full text linkDissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e ExpressãoEste trabalho foi sugerido pela afirmação de Flannery O'Connor que sua "dedicação estética" nasceu através do contato com Art and Scholasticism de Jacques Maritain. O propósito foi chegar a uma interpretação do sentido da frase. Uma investigação detalhada foi feita do conteúdo de Art and Scholasticism, posteriormente contrastada com os resultados de uma pesquisa feita em seus ensaios e suas cartas, o que revelou numerosos ecos de diversos trechos constando no texto de Maritain. Três pontos principais foram escolhidos como critérios na análise do hábito artístico de O'Connor: 1) a prática de arte implica uma luta; 2) a arte somente pode ser percebida pelos sentidos; e 3) a prática de arte exige do artista a dedicação indivisa à obra nascente. O estudo conclui que, para O'Connor, o brotar da dentição estética, através da leitura de Art and Scholasticism, significou que, ao perceber na análise da natureza da arte algo com que podia concordar, ela reconheceu tanto sua própria capacidade de tornar-se uma artista literária, quanto sua vontade de assumir a tarefa de desenvolver em sua pessoa o hábito de arte
Cytochrome oxidase subunit VI of Trypanosoma brucei is imported without a cleaved presequence and is developmentally regulated at both RNA and protein levels
Full text linkMitochondrial respiration in the African trypanosome undergoes dramatic developmental stage regulation. This requires co-ordinated control of components encoded by both the nuclear genome and the kinetoplast, the unusual mitochondrial genome of these parasites. As a model for understanding the co-ordination of these genomes, we have examined the regulation and mitochondrial import of a nuclear-encoded component of the cytochrome oxidase complex, cytochrome oxidase subunit VI (COXVI). By generating transgenic trypanosomes expressing intact or mutant forms of this protein, we demonstrate that COXVI is not imported using a conventional cleaved presequence and show that sequences at the N-terminus of the protein are necessary for correct mitochondrial sorting. Analyses of endogenous and transgenic COXVI mRNA and protein expression in parasites undergoing developmental stage differentiation demonstrates a temporal order of control involving regulation in the abundance of, first, mRNA and then protein. This represents the first dissection of the regulation and import of a nuclear-encoded protein into the cytochrome oxidase complex in these organisms, which were among the earliest eukaryotes to possess a mitochondrion
The author(s) and actors of genesis
Full text linkThe article is devoted to the phenomenon of "collaborative creative process", understood as cooperation between more than one causal subject. Various historical examples of co-creativity are considered, starting from the situation in which the author takes into account the advice of a proofreader to the formal co-creation of two (or more) writers.
Refl ection on the collaborative specifi ty of the creative process goes beyond literary issues, referring also to the specifi city of other arts, especially architecture
Dr. Biman Bagchi a bibliometric portrait
No full textAnalyses bibliometrically 226 publications [Papers Published in journals-220, thesis [others 4] by Biman Bagchi, a renowned physical chemist from India, published during 1981 to 2002. The first contribution of the author was in 1981 at the age of 27. The number of his contributions in a year peaked in 1999 and 2002 when it touched 19. The author is highly productive in as much as on average the author has produced 10 papers per year. In the byline of authorship, Bagchi occupies the first authorship position in 69 cases. His collaborator A. Chandra occupies the first authorship position in 30 papers thus becoming Bagchi's closest collaborator. The journal has been the most preferred channel of communication of the author in as much as 220 papers out of 226 have been praced in journals. J. Chem. Phys. is found to be the most preferred journal that carried 91 papers of the author, followed by Chem. Phys. Lett. (21 papers). J. Phys. Chem. (19 papers), Proc. Indian Acad. Sci. - Chem. Sci. (13 papers), and others. Of the papers, 179 received 4030 citations and 47 received no citations. It is expected that more than 20 uncited papers till 2002 will receive citations in future. Three papers of the author have received more than 200 citations each, and another three received between 100-200 citations each. The number of papers receiving 10 citations or more total 92. On four different years the scientist has received more than 300 citations and his citation rate per paper has peaked at 18.98. The article shows with a concrete example the growth, peaking and declining of citation rate. A few new terms such as citation gain, citation loss, gaining citation rate and losing citation rate have been introduced and described
Bennett Yu-Hsiang Fu. Transgressive Transcripts: Gender and Sexuality in Contemporary Chinese Canadian Women’s Writing.
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