3,984 research outputs found

    Samuel Beckett and the Writers of Port-Royal

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    It has been observed that ‘the literary influences on Beckett have been far more important than has been acknowledged, and more important indeed, than the philosophical influences’ (Smith 2002: 3). The truth of this statement is evidenced by the description that scholars have given of Samuel Beckett’s relationship to seventeenth century French classicism. To date, critical interest has been limited for the most part to the figure of the philosopher René Descartes on the (fragile) grounds that Beckett was exclusively concerned with the Cartesian imperative of clarity and order, the fundamental dualism between body and mind, and Nominalism. Together with the assumption that Beckett’s vision was essentially Cartesian, his literary filiation with Pascal was suggested by critics, but only in terms of Beckett’s formal approach to the theatre. In his short article on En attendant Godot in 1953, the playwright Jean Anouilh was among the first reviewers to suggest that Beckett’s drama synthesizes the encounter between ‘classicism’ and a ‘modern’ form of art. It is well known that Beckett retained a lifelong admiration for Pascal – indeed, Pascal was one of his ‘old chestnuts’ (Knowlson 1997: 653). Little attention has been paid, however, to the originality of Pascal’s thought, the specific nature of his prose, and the impact these might have had upon Beckett’s mature work, especially the trilogy and the subsequent short prose. Yet, in the literary and philosophical context of post-war France, Beckett’s filiation with Pascal, their corresponding preoccupations, were evident to his contemporaries, who identified Pascal as an underlying presence in his works

    Globalization, Social Movements, and the Construction of Europe: The Example of the European Parliament Elections in France, CES Working Paper, no. 74, August 2000

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    Though social scientists have lately devoted themselves to the study of globalization (Waters 1995; Hirst and Thompson 1999), most of these studies have concentrated on its economic and social consequences. Globalization is often seen as a fundamentally unjust process that causes confusion and destroys more than it creates. In many areas, the substantive implications of globalization are left untouched. In this paper, I examine the link between regional integration in Western Europe and the transformation of domestic politics through the example of the European Parliament elections. I argue that globalization through European integration is having a significant impact on French domestic politics. More precisely, the elections to the European Parliament, a supranational political institution, have contributed to the political mobilization of traditionally voiceless groups such as the unemployed and to the introduction into public discussion of new issues tied to Europe, transforming political culture and the relationship between national politics and multinational bargaining (Keohane and Hoffmann 1990, 295). Not only has European political integration provided marginal groups in France with an access to national politics through European Parliament elections, it has also supplied the government and the presidency with new resources, connecting them to trans-European circles and networks that are developing their own political culture. The success of neoliberal economic doctrines in the European Union may have in part to do with these networks. National ministers spend half their time wrestling with European affairs in the Council of Ministers of the European Union and in transnational party structures, developing a common culture and outlook on politics and economics. The main ingredients for this Weltanschauung are well known: electoral cycles should not interfere with economic policy and unemployment figures should not have priority over other monetary indices in the evaluation of economic and political success

    Sabil and Wikala of Dhul Fiqar Oda Bashi

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    interior, courtyard, "Vue de l'Okel Zoulfiqar," color plate XLIV of Pascal Coste's "Architecture arabe; ou, Monuments du Kaire, mesurés et dessinés, de 1818 à 1826", 1818-182

    First person - Aude Pascal

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    International audienceFirst Person is a series of interviews with the first authors of a selection of papers published in Journal of Cell Science, helping early-career researchers promote themselves alongside their papers. Aude Pascal is first author on `Annexin A2 and Ahnak control cortical NuMA-dynein localization and mitotic spindle orientation', published in JCS. Aude is a research assistant in the lab of Re ' gis Giet at University of Rennes, France, who is particularly interested in developmental biology. She has always been struck by the fact that a whole organism displaying multiple functions arises from a single cell. For this reason, she has oriented her research on mitosis and meiosis to study the different steps, components and structures involved in these processes

    Pascal Tutorial, 1987

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    There exists a limited number of tutorials for the Pascal programming language using the Apple Computer. The demand for these tutorials exceeds the supply. In this thesis an attempt was made to rectify this shortage by designing a Pascal tutorial for the Apple computer. This Pascal tutorial is designed to assist with instructing an introductory computer programming course in Pascal, incorporating Apple Superpilot as the authoring language. Emphasis is placed on making the program "user friendly." A person with no previous programming experience should be able to easily execute this tutorial. The information presented as the subject matter of the tutorial will follow the guidelines recommended by the Association for Computing Machinery

    Architecture arabe; ou, Monuments du Kaire, mesurés et dessinés, de 1818 à 1826

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    general view, "Vue des Tombeaux au Nord-Est de la Ville," color plate LXIII of Pascal Coste's "Architecture arabe; ou, Monuments du Kaire, mesurés et dessinés, de 1818 à 1826", 1818-182
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