1,097 research outputs found
Chamaepsylla hartigii
No full textChamaepsylla hartigii (Flor) Psylla hartigii Flor 1861, p 469; Miyatake 1964a, p 15; 1969, p 73; Klimaszewski 1973, p 209 (P. hartigi [sic]); Lauterer 1976, p 115 (P. hartigi [sic]); Hodkinson and White 1979, p 56 (P. hartigi [sic]); Konovalova 1988, p 525. Type locality: Livland. Cacopsylla hartigii: Hodkinson 1988, p 1188; Labina 2006, p 53. Chamaepsylla hartigii: Ossiannilsson 1992, p 117. Distribution. The whole Palaearctic from Europe to Japan (Hokkaido, Honshu, Kunashiri Island, Shikotan Island), Sakhalin, North America (USA, Canada). Host plants. Betula platyphylla var. japonica (Miq.) Hara (Betulaceae) in Japan (Miyatake 1969); Betula alba L., Betula verrucosa Ehrh., Betula pubescens Ehrh., Betula tortuosa Ledeb. in Europe (Klimaszewski 1973, Ossiannilsson 1992); Betula populifolia Marshall in North America (Hodkinson 1988).Published as part of Inoue, Hiromitsu, 2010, The generic affiliation of Japanese species of the subfamily Psyllinae (Hemiptera: Psyllidae) with a revised checklist, pp. 333-360 in Journal of Natural History 44 (5 - 6) on page 356, DOI: 10.1080/00222930903437325, http://zenodo.org/record/520722
E-HARA - Erpenbach Human-AI Reasoning Architecture
No full textE-HARA proposes a structural hypothesis architecture for analysing how human and AI reasoning processes may coexist within a shared cognitive environment. The framework distinguishes between the Human Cognitive Frame, the AI Reasoning Frame, a Shared Reasoning Space, and diverse integration patterns. It introduces hypotheses concerning representational depth, emergence, boundary dynamics, and reasoning modes. E-HARA remains non-final and provides conceptual foundations for interdisciplinary research on hybrid reasoning systems.
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Kenya Hara – wystawa jako nośnik wiedzy
No full textThis article describes a fragment of the work of Kenya Hara, a contemporary Japanese designer who focuses on the issue of communication and perceives design as universal wisdom accumulated by society. In the wide range of his projects, a special place is occupied by exhibitions, which he has been involved in since the beginning of his artistic activity. In the article, the author mentions the most important exhibition projects in which Hara combines various threads from the world of design, industry, technology and, above all, science. Most of Hara’s curatorial projects cover various spheres of his activity, from creating concepts, through selecting artists, designing visual identification, writing texts in the catalog, and preparing the visual design of the exhibition. An important aspect of Hara’s exhibition projects is engaging viewers by appealing to memory. Technology has given great opportunities in visuals and audible expression, but he argues that his exhibitions that involve physically going to the venue to experience the exhibits are richer media events, ones that can engage all senses. The most important value of his projects is enabling recipients to discover the unique values of Japanese culture. Each exhibition is a vehicle of knowledge relating to both history and the future and constitutes an important message as part of Hara’s philosophical design concept.This article describes a fragment of the work of Kenya Hara, a contemporary Japanese designer who focuses on the issue of communication and perceives design as universal wisdom accumulated by society. In the wide range of his projects, a special place is occupied by exhibitions, which he has been involved in since the beginning of his artistic activity. In the article, the author mentions the most important exhibition projects in which Hara combines various threads from the world of design, industry, technology and, above all, science. Most of Hara’s curatorial projects cover various spheres of his activity, from creating concepts, through selecting artists, designing visual identification, writing texts in the catalog, and preparing the visual design of the exhibition. An important aspect of Hara’s exhibition projects is engaging viewers by appealing to memory. Technology has given great opportunities in visuals and audible expression, but he argues that his exhibitions that involve physically going to the venue to experience the exhibits are richer media events, ones that can engage all senses. The most important value of his projects is enabling recipients to discover the unique values of Japanese culture. Each exhibition is a vehicle of knowledge relating to both history and the future and constitutes an important message as part of Hara’s philosophical design concept
Malayan Chinese Who Were Deported to China
No full textRelying on two volumes of Who’s Who published by ex-Malayan Chinese who were forced to come to China between 1948 and 1963, this author intends to investigate (1 ) where these deportees were born / originated and in which province they settled, (2) their occupations in Malaya and in China, (3) their political affiliations / activities both in Malaya and in China, (4) their educational background both in Malaya and China, (5) their condition in China, and (6) correlations among some of these factors
Kenya Hara: The exhibition as a vehicle of knowledge
No full textThis article describes a fragment of the work of Kenya Hara, a contemporary Japanese designer who focuses on the issue of communication and perceives design as universal wisdom accumulated by society. In the wide range of his projects, a special place is occupied by exhibitions, which he has been involved in since the beginning of his artistic activity. In the article, the author mentions the most important exhibition projects in which Hara combines various threads from the world of design, industry, technology and, above all, science. Most of Hara’s curatorial projects cover various spheres of his activity, from creating concepts, through selecting artists, designing visual identification, writing texts in the catalog, and preparing the visual design of the exhibition. An important aspect of Hara’s exhibition projects is engaging viewers by appealing to memory. Technology has given great opportunities in visuals and audible expression, but he argues that his exhibitions that involve physically going to the venue to experience the exhibits are richer media events, ones that can engage all senses. The most important value of his projects is enabling recipients to discover the unique values of Japanese culture. Each exhibition is a vehicle of knowledge relating to both history and the future and constitutes an important message as part of Hara’s philosophical design concept
Hara Tamiki - the Prewar Silhouette of the Author of Atomic-bomb Literature
No full textapplication/pdfIn this article I intend to discuss the prewar life and literary activity of one of the most famous writers of atomic-bomb literature, Hara Tamiki. Unlike such famous writers as Oe Kenzaburo and Ibuse Masuji, who wrote about the atomic tragedy in Hiroshima, despite not having experienced it, Tamiki became famous worldwide due to one short novel, Summer Flowers, which was published by 1946, and which was based on his own experience. The novel was a complete account of a reality that surpassed anybody's imagination. However, Tamiki actually wrote some similar fictional stories before the Second World War, being in some way a prophet of the coming war. His characters are often put in extreme situations, facing death or incurable sickness, searching for the real meaning of life and death. The anxiety of human existence was the main theme of his prewar writings. Also, we can deduce from his works how influential his beloved older sister, Tsuru, was. She was a Christian. Tamiki himself never became a Christian believer, but her existence is perceptible in his works. I shall analyse a few of his writings in which we can find all the elements mentioned above. These include Flames (Hono), Christ (Kirisuto), and Prairie (Koya).departmental bulletin pape
Acoustic modeling with a shared phoneme set for multilingual speech recognition without code-switching
No full textNanshin and Japanese migrants in Papua and New Guinea : myth and reality of Japanese expansion in the South Seas
No full textNot many studies have been done on Japanese emigration to Nan'yo (the South Seas) in relation to nanshin (southward advance) or nanshin-ron (southward advance theory). Among the few studies are Hayase's study on emigration to the Philippines, HARA's study on emigration to British Malaya and
Goto's on emigration from Okinawa (HAYASE, 1989; HARA, 1986; GOTO, 1993). However, their analyses tend to place less emphasis on the effects of western perceptions of Japanese migrants. As Nan'yo (Micronesia, Melanesia, Australia and Southeast Asia) was mostly western colonies, the presence of
Japanese migrants there needs to be analysed not only by their relation to Japan's nationalist ideology but also by their interaction with that of western counterparts. This paper draws this point to attention through the analysis on Japanese emigration to Papua and New Guinea in the pre-Pacific War period in the context of two contending nationalist perceptions — Japan's nanshin-ron and Australia's 'White
Australia Policy'
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