1,373,927 research outputs found
Discharge estimation in a backwater affected meandering river
No full textVariable effects of backwaters complicate the development of rating curves at hydrometric measurement stations. In areas influenced by backwater, single-parameter rating curve techniques are often inapplicable. To overcome this, several authors have advocated the use of an additional downstream level gauge to estimate the longitudinal surface level gradient, but this is cumbersome in a lowland meandering river with considerable transverse surface level gradients. Recent developments allow river flow to be continuously monitored through velocity measurements with an acoustic Doppler current profiler (H-ADCP), deployed horizontally at a river bank. This approach was adopted to obtain continuous discharge estimates at a cross-section in the River Mahakam at a station located about 300 km upstream of the river mouth in the Mahakam delta. The discharge station represents an area influenced by variable backwater effects from lakes, tributaries and floodplain ponds, and by tides. We applied both the standard index velocity method and a recently developed methodology to obtain a continuous time-series of discharge from the H-ADCP data. Measurements with a boat-mounted ADCP were used for calibration and validation of the model to translate H-ADCP velocity to discharge. As a comparison with conventional discharge estimation techniques, a stage-discharge relation using Jones formula was developed. The discharge rate at the station exceeded 3250 m<sup>3</sup> s<sup>&minus;1</sup>. Discharge series from a traditional stage-discharge relation did not capture the overall discharge dynamics, as inferred from H-ADCP data. For a specific river stage, the discharge range could be as high as 2000 m<sup>3</sup> s<sup>&minus;1</sup>, which is far beyond what could be explained from kinematic wave dynamics. Backwater effects from lakes were shown to be significant, whereas interaction of the river flow with tides may impact discharge variation in the fortnightly frequency band. Fortnightly tides cannot easily be isolated from river discharge variation, which features similar periodicities
PENGARUH KUALITAS PRODUK, KUALITAS LAYANAN, DAN PERSEPSI HARGA TERHADAP KEPUASAN (STUDI PADA LAPANGAN FUTSAL HIDAYAT FUTSAL SQUARE)
No full textThis study aims to examine the effect of Product Quality, Service Quality, and Price Perception on Customer Satisfaction. The number of samples in this study were 100 futsal Hidayat Futsal Square customers. Analysis of the data used is multiple linear regression analysis. The results of this study conclude that the results of partial testing of Product Quality have a significant effect on customer satisfaction, Service Quality has a significant effect on customer satisfaction, and Price Perception has a significant effect on customer satisfactio
Tafsir audiovisual: Analisis epistemologi penafsiran Ustaz Adi Hidayat pada Channel YouTube Adi Hidayat Official
No full textABSTRAK
Skripsi ini berawal dari fenomena penyebaran kajian tafsir al-Qur’an melalui platform media sosial. Salah satu media sosial yang secara konsisten mengunggah video kajian tafsir al-Qur’an adalah channel YouTube Adi Hidayat Official. Tafsir tersebut disampaikan oleh Dr. Adi Hidayat, Lc. M.A., seorang ulama dari Pandeglang, Banten. Melalui video-video kajian tafsirnya, Ustaz Adi Hidayat berupaya mengarahkan masyarakat kembali kepada petunjuk al-Qur’an dan hadis Nabi Saw, serta menginspirasi kecintaan kepada keduanya. Mengingat bahwa sebuah karya tafsir tidak lepas dari berbagai kecenderungan mufasir, baik itu akibat kondisi sosial budaya, pengaruh politik, ilmu pengetahuan, konteks kelahiran tafsir tersebut, dan lainnya, kajian epistemologi tafsir menjadi isu keilmuan yang penting untuk dikaji guna memahami sebuah penafsiran. Artikel ini hadir untuk mengungkap secara mendalam bagaimana epistemologi pemikiran Ustaz Adi Hidayat dalam proses penafsirannya di media YouTube. Fokus kajian ini adalah membahas mengenai sumber dan metode penafsiran Ustaz Adi Hidayat dalam menjelaskan tafsir al-Qur’an, serta validitas Ustaz Adi Hidayat dalam menafsirkan al-Qur’an.
Metode penelitian dalam kajian ini adalah penelitian kepustakaan (library research) dengan pendekatan kualitatif yang bersifat etnografi virtual, yaitu mengumpulkan berbagai data dan informasi yang terdapat di lingkungan online serta video-video penafsiran yang diunggah di channel YouTube Adi Hidayat Official. Data yang terkumpul kemudian dianalisis menggunakan metode deskriptif-analitis untuk menghasilkan penjelasan yang detail, lengkap, dan sistematis. Untuk memahami sumber, metode, dan validitas penafsiran Ustaz Adi Hidayat, penulis menggunakan pendekatan filsafat, yaitu epistemologi.
Hasil kajian ini menunjukkan bahwa penafsiran Ustaz Adi Hidayat termasuk dalam kategori tafsir bi al-ma’tsur dan tafsir bi al-ra’yi. Ia menggunakan sumber penafsiran berupa riwayat yang sahih dan kuat, baik dari al-Qur’an maupun hadis. Ustaz Adi Hidayat juga merujuk pada hasil ijtihad dan pemikiran mufasir terdahulu dalam kitab tafsir, kaidah bahasa Arab, serta ilmu yang ditekuni olehnya. Dalam menyampaikan penafsirannya, Ustaz Adi Hidayat cenderung menggabungkan dua metode, yaitu metode mauḍhui (tematik) dan metode tahlili (analitis). Penafsiran Ustaz Adi Hidayat dinilai benar karena sesuai dengan tiga teori kebenaran dalam filsafat ilmu, yaitu teori koherensi, teori korespondensi, dan teori pragmatis.
ABSTRACT
This thesis begins with the phenomenon of spreading the study of the interpretation of the Qur'an through social media platforms. One of the social media that consistently uploads videos of the study of the interpretation of the Qur'an is the Adi Hidayat Official YouTube channel. The interpretation was delivered by Dr. Adi Hidayat, Lc. M.A., a scholar from Pandeglang, Banten. Through his tafsir study videos, Ustaz Adi Hidayat seeks to direct people back to the guidance of the Qur'an and the Prophet's hadith, and inspire love for both. Given that a work of tafsir cannot be separated from the various tendencies of the mufasir, whether it is due to socio-cultural conditions, political influences, science, the context of the birth of the tafsir, and others, the study of tafsir epistemology becomes an important scientific issue to be studied in order to understand an interpretation. This article is here to reveal in depth how the epistemology of Ustaz Adi Hidayat's thoughts in the process of interpretation on YouTube media. The focus of this study is to discuss the sources and methods of Ustaz Adi Hidayat's interpretation in explaining the interpretation of the Qur'an, as well as the validity of Ustaz Adi Hidayat in interpreting the Qur'an.
The research method in this study is library research with a qualitative approach that is virtual ethnography, namely collecting various data and information contained in the online environment as well as interpretation videos uploaded on the Adi Hidayat Official YouTube channel. The data collected is then analyzed using descriptive-analytical methods to produce detailed, complete, and systematic explanations. To understand the sources, methods, and validity of Ustaz Adi Hidayat's interpretation, the author uses a philosophical approach, namely epistemology.
The results of this study show that the interpretation of Ustaz Adi Hidayat is included in the category of tafsir bi al-ma'tsur and tafsir bi al-ra'yi. He uses sources of interpretation in the form of valid and strong narrations, both from the Qur'an and hadith. Ustaz Adi Hidayat also refers to the results of ijtihad and the thoughts of previous mufasirs in the book of interpretation, the rules of Arabic, and the science he is engaged in. In delivering his interpretation, Ustaz Adi Hidayat tends to combine two methods, namely the mauḍhui (thematic) method and the tahlili (analytical) method. Ustaz Adi Hidayat's interpretation is considered correct because it is in accordance with the three theories of truth in the philosophy of science, namely coherence theory, correspondence theory, and pragmatic theory.
مستخلص البحث
تنطلق هذه الورقة من ظاهرة نشر دراسة تفسير القرآن عبر فضاء وسائل التواصل الاجتماعي. ومن بين وسائل التواصل الاجتماعي التي دأبت على رفع مقاطع فيديو لدراسات تفسير القرآن الكريم قناة عدي هدايات الرسمية على اليوتيوب. وقد قام بتقديم التفسير الدكتور عدي هدايت، ماجستير. M.A. وهو عالم من بانديغلانغ، بانتن. ويحاول الأستاذ عدي هدايات من خلال فيديوهاته التفسيرية أن يعيد المجتمع إلى هدي القرآن والحديث النبوي الشريف، ويحاول أن يكون محبًا لهما معًا. معتبراً أن العمل التفسيري لا ينفصل عن الميول المختلفة للمفسر، سواء أكان ذلك ناتجاً عن الظروف الاجتماعية والثقافية، أو المؤثرات السياسية، أو العلمية، أو السياق الذي ولد فيه التفسير، وغيرها. لذا، فإن دراسة علم التفسير بالمأثور تصبح إشكالية علمية ملحة لا بد من معالجتها من أجل معرفة التفسير. وفي هذا البحث نحاول في هذا البحث أن نكشف بشكل كبير عن كيفية إبيستمولوجيا فكر الأستاذ عدي هداية في عملية التفسير على اليوتيوب. ويناقش محور الإشكال في الدراسة مصادر ومناهج تفسير الأستاذ عدي هداية في تفسير القرآن الكريم، وكذلك معايير صحة تفسير الأستاذ عدي هداية في تفسير القرآن الكريم.
منهج البحث في هذه الدراسة هو البحث المكتبي ذو المنهج الكيفي الذي يتسم بطبيعة إثنوغرافية افتراضية، أي جمع البيانات والمعلومات المختلفة الموجودة في البيئة الإلكترونية بالإضافة إلى مقاطع الفيديو التفسيرية التي تم تحميلها من قبل قناة عدي هدايات الرسمية على اليوتيوب. وعلاوةً على ذلك، يتم تحليل البيانات باستخدام المنهج الوصفي التحليلي من أجل إنتاج تفسير مفصل وكامل ومنهجي. ولمعرفة مصدر تفسير الأستاذ عدي هدايات وطريقته وصحة تفسيره، يستخدم المؤلف منهجًا فلسفيًا وهو نظرية المعرفة.
ومن خلال هذه الدراسة يتبين لنا أن تفسير الأستاذ عدي هداية يدخل في باب التفسير بالمأثور والتفسير بالرأي. فهو يستخدم مصادر التفسير في شكل روايات صحيحة وقوية، سواء من القرآن أو الحديث. كما يرجع الأستاذ عدي هداية إلى نتائج الاجتهاد وأفكار المفسرين السابقين في كتاب التفسير، وقواعد العربية، والعلم الذي يشتغل به. ويميل الأستاذ عدي هداية في تقديم تفسيره إلى الجمع بين طريقتين، هما الطريقة الموضوعية والطريقة التحليلية. ويُقال إن تفسير الأستاذ عدي هدايت صحيح لأنه يتوافق مع نظريات الحقيقة الثلاث في فلسفة العلم، وهي نظرية التماسك ونظرية التطابق والنظرية التطابقية والنظرية البراغماتية
Tindak pidana perusakan kafe salsa di daerah Kemang Jakarta Selatan oleh organisasi masyarakat (front pembela Islam) / oleh Erfan Hidayat Syar
No full textabstrak (A) Erfan Hidayat Syar (NIM: 205000052) (B) Judul Skripsi: Tindak Pidana Perusakan Kafe Salsa di Daerah Kemang ? Jakarta Selatan oleh Organisasi Masyarakat Front Pembela Islam (C) Halaman vi + 87 + 16 + 2007 (D) Kata Kunci : Tindak Pidana Perusakan, Front Pembela Islam (E) Isi: Aparat penegak hukum yang pertama menangani tindak pidana yang terjadi dimasyarakat adalah polisi. Selaku penegak hukum polisi mempunyai tugas pokok yaitu : Memelihara keamanan dan ketertiban masyarakat., menegakan hukum , memberikan perlindungan, pengayoman dan pelayanan kepada masyarakat. Dalam melaksanakan tugasnya Polisi melakukan penyelidikan dan penyidikan untuk mengungkap dan menangkap pelaku tindak pidana perusakan. Untuk mengungkap suatu tindak pidana Polisi melakukan tindakan-tindakan, penangkapan, penahanan, penyitaan dan meminta keterangan para saksi dan tersangka. Tindakan tersebut bertujuan untuk membuat terang tentang tindak pidana yang terjadi dan guna menemukan tersangkanya. Penanganan tindak pidana perusakan Kafe Salsa, Kemang Jakarta Selatan oleh Front Pembela Islam yang dilakukan penyidik Polda Metro Jaya tidak sesuai dengan ketentuan Undang ? Undang yang berlaku ( KUHAP), karena dilakukan secara lisan melalui telepon dan pemanggilan dilakukan pada hari libur. (F) Daftar acuan : 16 (1980-2004) (G) Dosen Pembimbing : Yuwono Prianto, S.H, M.H (H) Penulis : Erfan Hidayat Sya
Going Beyond Counting First Authors in Author Co-citation Analysis
No full textThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
No full text“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
No full textWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
ANALISIS SENI GRAFIS KARYA SENIMAN HIDAYAT PERIODE BERKARYA TAHUN 1991 - 1995 : Biografi dan karyanya
No full textSeni grafis adalah cabang dari seni rupa kelompok karya seni murni yang proses pembuatan karyanya menggunakan teknik cetak mencetak. Istilah seni grafis termasuk kedalam bentuk reproduksi atau penggandaan menggunakan mesin fotografi atau penggambaran pada plat. Pada awalnya pengertian seni grafis sama sekali tidak ada kaitannya dengan cetak mencetak. Dalam penelitian ini penulis akan meneliti tentang bagaimana tema dari karya Hidayat dan bentuk visualisasi, serta ingin mengetahui tentang media yang digunakan, teknik yang sering digunakan oleh Hidayat dan proses berkarya Grafis dari makna karyanya. Dari beberapa macan tentang Seni Grafis, maka akan dianalisis yaitu karya seni grafis karya Hidayat dari periode tahun 1991-1995, sekaligus dengan Biografi dan Karyanya. Hidayat sering menghasilkan karya-karya grafis yang cukup menarik. Oleh karena itu penulis sangat antusias sekali untuk meneliti karya-karya seni grafis Hidayat. Bagi penulis sendiri ini termasuk orang pertama meneliti karya Hidayat periode tahun 1991-1995. Dari pemecahan masalahnya penulis mengambil metode kualitatif deskriptif, permasalahan yang menarik untuk dikaji dari topik penelitian ini, yaitu tentang tema, bentuk visualisasi, media, teknik, proses dan makna seni grafis karya Hidayat periode tahun 1991-1995, menjadi sebuah masalah yang perlu dirumuskan dan dipecahkan. Secara umum kesimpulan seni grafis karya Hidayat, seni grafis Hidayat sangat besar pengaruhnya terhadap suatu karya, khususnya seni grafis periode tahun 1991-1995 memiliki keterkaitan yang mempengaruhi satu sama lain. Dalam pembuatan tema kebanyaka dari periode 1991-1995 menggunakan tema tentang keagamaan yang berceritakan tentang kisah nabi. Karya Hidayat menggunakan media pisau cukil, tinta hitam, hardboard, gosokan yang terbuat dari tambang. Dalam berkarya seni Grafis Hidayat juga sering menggunakan cetak tinggi (Relief print), dan sering menggunakan obyek hewan ikan yang digunakan dalam karyanya. Makna dari seni grafis Hidayat banyak mengangkat tentang kisah nabi, dan hewan ikan yang memiliki kesucian, cerita tentang alam, karya Hidayat banyak mengambil dari alam seperti gambaran hewan-hewan yang dibuat dalam karyanya.
Abstract
Printmaking is a branch of the fine arts group that pure artwork creation process using the technique of printing his work. The term of art in the form of graphics including reproduction or multiplication using photography or drawing machine at the flat. At first the definition of printmaking has absolutely nothing to do with print print . In this study the authors will examine how the theme of the work Hidayat and shape visualization , and want to know about the media used , a technique often used by Hidayat and the Graphics of the meaning of his work . Of some sort of Graphic Arts , it will be analyzed , namely graphic art works from the period 1991-1995 Hidayat , once with Biography and His work . Hidayat often produce graphic works are quite interesting . Therefore, the authors are very enthusiastic to examine the works of graphic art Hidayat . For the author 's own works include the first examining Hidayat year period from 1991 to 1995 . Of solving the problem the authors take a qualitative descriptive method , which is interesting to study the problems of this research topic , which is about the theme , shape visualization , tools, techniques , processes and meaning of works of graphic art Hidayat -year period 1991-1995 , became a problem that needs to be formulated and solved . General conclusions Hidayat works of graphic art , graphic arts Hidayat very large influence on the work , especially printmaking year period 1991-1995 has linkages that affect each other . Most Comforta theme in the making of the period 1991-1995 using the theme of religion which tells the story of the prophet . Hidayat works using the media blade woodcut, black ink, hardboard, rub made of mine. In the Graphic art work Hidayat also often use high print (relief print), and frequent use of animal objects used fish in his work. The significance of the graphic arts Hidayat much about the story of the prophet raised, and the significance of the animal fish that has sanctity, stories about nature, Hidayat works much like a picture taken from nature animals made in his work. There are also about the nature of the differences
HIDAYAT AL SALIKIN (Analisa Hadis Dalam MempengaruhiBudaya Melayu Palembang)
No full textShaykh \u27Abd al-Samad al Falembaniy is scholar who also have a role to spread Islam in the archipelago. In order to combat irregularities and practice of religious teachings in the archipelago, he translated two works of al Ghazaliy‟s, Lubab Ihya \u27Ulum al-Din and al Bidayat Hidayat. Two of these works present a system of Sufism at that time. Al Falembaniy also authored many books of Sufism, one of his works entitled Hidayat al Salikin. His contribution in Islamic thought has shown how his works have been "transmitted" to become a tradition of Islam in Malay Archipelago. Hadis on meal at the dawn of fasting day in Hidayat al Salikin explain how, the meal can distinguish between the fasting of Muslims and that of non Muslims. Furthermore, the meal will give the blessing. It is Prophet Muhammad tradition, and it provides motivation in worship. Hadith about the efficacy of zam-zam water is written in Hidayat al Salikin book. Ite explains how the zam zam contains a lot of vapour chemical elements that are not found in other water. It also provides motivation in public health. Hadith about the dreams is also written in his book Hidayat al Salikin. It explains how the forecast on dreams that exist in the community is wrong. Then it turns on explaining how the actual nature of dreams
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