816 research outputs found
Shakespeare-Studien / Otto Ludwig. Aus d. Nachlasse d. Dichters hrsg. von Moritz Heydrich
No full textSHAKESPEARE-STUDIEN / OTTO LUDWIG. AUS D. NACHLASSE D. DICHTERS HRSG. VON MORITZ HEYDRICH
Shakespeare-Studien / Otto Ludwig. Aus d. Nachlasse d. Dichters hrsg. von Moritz Heydrich (1)
Cover (1)
Titelseite (3)
Inhalt. (5)
Vorbericht zu Otto Ludwig's Shakespeare-Studien. (7)
Shakespeare-Studien (123)
A. Aus dramaturgischen Heften 1840 - 1851. (125)
B. Studien aus den Jahren 1851 - 1855. (145)
C. Studien aus den Jahren 1855 - 1856. (245)
D. Studien aus den Jahren 1857 - 1858. (287)
E. Studien aus den Jahren 1858 - 1860. (382)
F. Studien aus den Jahren 1860 - 1865. (491)
G. Studien aus den Jahre 1865. (640)
Register. (655)
Berichtigungen. / Benachrichtigung. (663)
Kolophon (664
Shakespeare-Studien
No full textOtto Ludwig. Mit einem Vorbericht und sachlen Erläuterungen von Moritz HeydrichIn Fraktu
'The Devil’s Architect', 'The Devil’s General' and 'The Young Evil God of Death' in film and television: Representations of Albert Speer, Erwin Rommel and Reinhard Heydrich in America, UK and Germany
No full textInspired by the representation of Speer’s confession to Hitler in Downfall from 2004 and the meaning associated with this film in Germany and abroad, my research examines the fictional depictions of Speer, Rommel and Heydrich in different cultures and time periods. These representations are particularly significant in that, with the loss of living memory, such depictions will be of increasing historical significance in shaping how the past is represented. A positive aspect of this process is that the Third Reich and these leading Nazis will not be forgotten by future generations. This thesis charts points of convergence between the fields of reception studies and cultural memory that generate a line of inquiry which questions how the changing representations of Speer, Heydrich and Rommel in film and television have shaped the meaning associated with these historical figures in America, Germany and United Kingdom. Assuming that historical film never visualises past reality but engages with a history that is already mediated, I propose that these depictions tell us more about the contemporary time period and cultures than about the historical Nazis themselves. In particular my thesis considers that media texts focusing on leading Nazis have been released continuously long after the end of the Second World War, prompting two central research question: Why do Speer, Rommel and Heydrich still occupy our screens and what do these representations mean for the cultures they are produced in? In order to answer these questions, the thesis analyses reviews from America, Germany and United Kingdom as well as the production contexts to understand the meaning of the fictional representations of Speer, Rommel and Heydrich. My research will deal with the questions of how the historical characters Albert Speer, Erwin Rommel and Reinhard Heydrich are constructed through film texts and through the films’ reception contexts, rather than analysing the ‘cultural obsession’ with Nazis in our contemporary society. The introduction outlines my methodological approach and provides an overview of the academic literature, which influenced my research. My main case studies for the representations of Speer are Inside the Third Reich (Marvin J. Chomsky, 1982, USA), Downfall (Hirschbiegel, 2004, Germany) and Speer and Hitler: The Devil’s Architect (Heinrich Breloer, 2005, Germany). In order to examine the fictional depiction of Rommel, I have chosen The Desert Fox (Henry Hathaway, 1951, USA) and Rommel (Niki Stein, 2012, Germany) as my main case studies. The films Die Wannseekonferenz (Heinz Schirk, 1984, Germany), Conspiracy (Frank Pierson, 2002, UK) and The Man with the Iron Heart (Cédric Jimenez, France & US, 2017) are my case studies to discuss the representation of Heydrich in film and television
Kosciusko [music] /
No full textFor voice and piano.; Cover title.; "Introduced & sung by Miss Nella Webb."; Cover carries portraits of Nella Webb (by Rudolph Buchner), Charles Vaude and Moritz Lutzen.; Words printed as text on p. [4].; "During Moritz Lutzen's visit to Australia he offered a prize for the best lyric, by an Australian author to be set to music by himself. The prize was awarded to Charles Vaude, for his lyric 'Kosciusko,' and Miss Nella Webb produced this song with instantaneous success."--P. [4].; Also available online http://nla.gov.au/nla.mus-an8393500; 1913, by Victor J. Draper, Sydney.; NLA's NL copy from the collection of Keith Watson. ANL
Shakespeare-Studien. Mit einem Vorbericht und sachlichen Erläuterungen vo Moritz Heydrich.
No full textMode of access: Internet
Letter containing inquiry regarding the ethnic identity of the descendents of Georg Moritz Oppenheim.
No full textLetter from Wilhelm Gehlig to Rabbi Dr. Freudenthal in Nuremberg with a genealogical question regarding Georg Moritz Oppenheim. Of particular interest to the author is to determine whether Oppenheim's descendents are "rein jüdischen Blutes (=of pure Jewish blood)."Robert Singermandigitize
Conventional and circular economy compliant modification strategies for recycled polypropylene
No full textAuthor Moritz MagerMasterarbeit Universität Linz 2021Arbeit gesperr
Conventional and circular economy compliant modification strategies for recycled polypropylene
No full textAuthor Moritz MagerMasterarbeit Universität Linz 2021Arbeit gesperr
Hayo Haya Maaseh [= Once upon a time]
No full textAnthology of East European Jewish folklore, with introduction and sources. The anthology includes: songs, tales, traditions, customs, jokes, proverbs, riddles. Authored by Chaim Ben Zion Elon-Baranik (born 1901). Published immediately after the Second World War. Illustrations by Moritz Oppenheimer, L. Pilichowski, Yosef Budko, E.M. Lilien (his signature in print). Most of the illustrations are printed on separated chrome paper, on one side of the page. Folklore publishing, Tel Aviv. HaIvri press, Jerusalem. 22 em. [1],303, [3] pages. Excellent condition. Chipped top of spine. . '... Olb price140-160This is a hardbound book (hard cover)Language note: HebrewChaim Ben Zion Elon-Barani
Karl Philipp Moritz\'s essays: language, arts, philosophy (selection, introduction, translation and notes)
No full textApós mais de duzentos anos, o interesse pela obra de Karl Philipp Moritz (15 de setembro de 1756 26 de junho de 1793) só tem aumentado. Diferentes autores como Herman Hesse e Walter Benjamin, e, mais recentemente, Hans Joachin Schrimpf, Tzvetan Todorov, Peter Szondi, Arno Schmidt e Peter Handke têm escrito ressaltando a importância e a fecundidade desse autor. Moritz pode ser considerado um dos autores inaugurais do romantismo alemão. Este mestrado em filosofia, área de estética, pretende, por meio de seleção, tradução e introdução dos textos de Karl Philipp Moritz, contribuir para a valorização dessa importante obra em nossa cultura. Os textos selecionados são de teoria da linguagem, estética e filosofia.After over two hundred years, the concern for the works of Karl Philipp Moritz (September 15th 1756 June 26th 1793) has increased steadily. Different authors such as Herman Hesse and Walter Benjamin and more recently Hans Joachin Schrimpf, Tzvetan Todorov, Peter Szondi, Arno Schmidt and Peter Handke have written on the relevance and fecundity of this author. Moritz can be said to be one of the inaugural authors of German Romanticism. This Masters in Philosophy, in the Aesthetics field, intends, by means of selection, translation and introduction of Karl Philipp Moritz texts, to contribute to the appreciation of this important work in our culture. The selected texts belong to the fields of Language Theory, Aesthetics and Philosophy
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