56 research outputs found
Hexe Lilli - Kika Superbruja
No full textIn this article the Spanish translations of eight volumes of the successful series Hexe Lilli - Kika Superbruja [Lilly the Witch] by German author Knister will be analyzed, putting the emphasis on how are translated linguistic variations, proper names, humour and irony, as well as cultural differences and intertextuality. In relation with this last issue the double addressee will be mentioned and the problems that arise from the changes in the order of publication of some books of the series. Regarding humour and irony, the great variety of comical resources of the author will be stressed: puns, funny names, creative insults etc. Finally certain changes will be commented that could lead to a conflict concerning the loyalty towards the author's intention.Se analizan las traducciones al español de ocho volúmenes de la exitosa serie Hexe Lilli - Kika Superbruja del autor alemán Knister, poniendo el énfasis en la traducción de las variantes lingúísticas, los nombres propios, el humor y la ironía, además de las diferencias culturales y la intertextualidad.En relación con la intertextualidad se menciona la doble direccionalidad del texto y se comentan los problemas resultantes del cambio de orden de aparición de algunos libros de la serie. Con respecto al humor y la ironía se subraya la variedad de recursos del autor: juegos de palabras, nombres divertidos, insultos creativos, etc. Finalmente se constatan algunos cambios que podrían representar un problema de lealtad hacia el autor y su intención
Der Darmstädter Freundeskreis : ein Beitrag zum Verständnis der empfindsamen Seelenhaltung des 18. Jahrhunderts
No full textThe dissertation dating back to 1934 on the Darmstadt Circle explores the phenomenon of the sentimental attitude in the 18th century. The author, Lilli Bechmann-Rahn, was the last Jewish woman to be awarded a doctoral degree at Erlangen University under National Socialism. According to national socialist racial policy she was stripped of her doctoral title few years later. This publication contains a reprint of the original thesis, a historical appreciation of Lilli Bechmann-Rahn, an acknowledgement of the scientific value of her dissertation, and biographical information.Die Dissertation aus dem Jahr 1934 über den Darmstädter Freundeskreis behandelt das Phänomen der Empfindsamkeit im 18. Jahrhundert. Die Autorin, Lilli Bechmann-Rahn, war die letzte Jüdin in der nationalsozialistischen Zeit, die an der Universität Erlangen promovierte. Im Zuge der nationalsozialistischen Rassenpolitik wurde ihr wenige Jahre darauf die Doktorwürde aberkannt. Die vorliegende Veröffentlichung enthält über den Nachdruck der Dissertation hinaus eine geschichtliche Würdigung Lilli Bechmann-Rahns, Ausführungen zur Bedeutung von Lilli Bechmann-Rahns Arbeit für die Wissenschaft und Bemerkungen zu ihrer Vita
Untersuchung von Handzahnbürstenborsten aus Rizinusöl im Hinblick auf Verschleiß, mechanische und chemische Eigenschaften
No full textAstmaatikkojen kokemuksia suolahuonehoidosta
No full textTIIVISTELMÄ
Oulun seudun ammattikorkeakoulu
Hoitotyön koulutusohjelma, Sairaanhoitaja
Tekijä: Lilli Paldanius
Opinnäytetyön nimi: Astmaatikkojen kokemuksia suolahuonehoidosta
Työn ohjaaja: Irmeli Pasanen
Työn valmistumislukukausi ja -vuosi: Kevät 2013
Sivumäärä: 36 + 5
Opinnäytetyön tarkoituksena on kuvailla astmaatikkojen kokemuksia suolahuonehoidosta. Tavoitteena on tuoda tietoa suolahuonehoidosta astmaatikoille ja hoitoalan ammattilaisille.
Opinnäytetyö on kvalitatiivinen eli laadullinen. Tutkimusaineisto kerättiin neljältä astmaatikolta puolistrukturoidun teemahaastattelun avulla. Aineisto analysoitiin induktiivisella eli aineistolähtöisellä sisällönanalyysilla.
Opinnäytetyön teoriaosuudessa kerrotaan yleisesti astmasta ja sen hoitomuodoista sekä suolahuonehoidosta.
Tulosten mukaan astmaatikot kokivat saavansa hyötyä suolahuonehoidosta. He kuvailivat, että hengittäminen tuntui suolahuonehoidon jälkeen keveämmältä, limantulo väheni, hoitoa seuraavan yön yskä helpottui ja univaikeuksiin koettiin saavan apua. Negatiiviseksi puoleksi koettiin tutkimuksen puute ja se, ettei suolahuonehoidosta voi saada Kelakorvausta.
Asiasanat: astma, suolahuonehoitoABSTRACT
Oulu University of Applied Sciences
Degree Program in Nursing and Health Care, Nursing
Author: Lilli Paldanius
Title of thesis: Asthmatics experiences about salt chamber treatment
Term and year when the thesis was submitted: Spring 2013
Number of pages: 36 + 5
The purpose of this thesis is to describe asthmatics experiences about salt chamber treatment. Objective is to give knowledge of salt chamber treatment to asthmatics and healthcare professionals.
Thesis is qualitative. Research material is collected from four asthmatics with theme in-terview. Material is analyzed with inductive content interpretation.
The theory part of the thesis tells about asthma and its treatment and salt chamber treatment.
The results of this research show that asthmatics experience that they benefit from salt chamber treatment. They feel that breathing is easier after the treatment, mucus excre-tion decreases, the next night after the treatment coughing is easier and one asthmatic gets also help to his sleeping problems.
Negative experience was that there is not enough research about this subject and salt chamber treatment is not social insurance institution recoverable.
Key words: asthma, salt chamber treatmen
Autobiograafia kui „tõe” diskursus: Lilli Suburgi „Minu saatusega võitluskäik”. Autobiography as the Discourse of “Truth”: Lilli Suburg’s Minu saatusega võitluskäik
No full textLilli Suburg (1841-1923) is an author in Estonian literary and cultural history who is not well researched, though her literary output is sufficiently large and her manuscript heritage many-sided, casting light on the little known aspects of her work and activity. Suburg was active in very different fields: she is known as a writer, journalist, feminist and educator. Her literary work is diverse and prolific; she wrote short stories, children’s stories, journalistic texts as well as philosophical essays. In Suburg’s work the autobiographical element plays a significant role, so that we can say that throughout her whole life she wrote her own autobiography, albeit using different forms. In this article, I example specifically the autobiography written by Lilli Suburg (1841-1923) entitled Minu saatusega võitluskäik (My Fight is my Destiny) (1914), with the aim of introducing the text to the modern reader and analysing its content and peculiarities. As the text was published almost a hundred years ago, it deserves to be read anew and given a fresh interpretation from a modern point of view. The text certainly adds some new aspects to understanding Lilli Suburg’s life and activity; in the article I will analyse how Suburg looks at herself and her life and the reasons why she chose to write an autobiography with a feminist emphasis. The autobiography was published in the magazine Naiste Töö ja Elu (Women’s Work and Life) in 1914 and to date it is the first and only feminist autobiography in Estonia. As Suburg had been a contributor to the magazine since its foundation in 1911, it provided a forum where she was able to share her feminist ideas and worldview with the readers. The magazine’s readers were understanding and supportive of feminist ideas, and the magazine’s focus was on women’s issues and women’s interests, the contributors being the leading women of the time. In her autobiography Suburg gives an overview of her life, justifies the choices in her life and how and why she began to fight for women’s rights. Suburg positioned herself as a fighter and argued that it was the facts of her life that shaped her destiny. Suburg used this opportunity of life writing to reveal “the truth” about her life and activity: by creating a textual space for her point of view and her “truth” she wanted to dispel misunderstanding and to overcome a pejorative attitude that she encountered during her lifetime. This is why the text can be seen as the discourse of “truth”, which should give legitimacy to Suburg’s worldview. The autobiography is structured chronologically and covers Suburg’s life from her birth to her old age. The text is framed by direct addresses to the reader in the first person plural “we” form, through which the author identifies herself with the woman reader, thus lessening the distance between herself and the reader. Suburg emphasises the details in her growth, which shaped her feminist worldview, and by doing so critiques the prevalent gender roles. Suburg presents herself as a lone fighter in the public space at the end of the 19th century; as a public figure she had no female co-fighters. At the same time she confesses that her position as a fighter for women’s rights was something that she could not give up; although her efforts were fruitless she did not find a way she could retreat. This revelation shows the uniqueness of Suburg’s position: as the only woman in the public sphere in the late 19th century Estonia, this fighter and feminist could not rely on anyone, not even on the support of women, because the impact of women in public life was insignificant due to the conservative gender ideology and laws and customs that restricted women’s rights. By acting in the public sphere Suburg took over a man’s position; she assumed the role that belonged to men in her time. This made her position particularly vulnerable, but Suburg’s pride and fighting nature did not allow her to surrender and retreat. The autobiography is feminist because of the author’s position, which emphasizes the idea of finding one’s own way. Although many of the episodes described in this text can be found in other autobiographical writings by Suburg, the autobiography offers novel information about her. In Suburg’s view Minu saatusega võitluskäik is a kind of discourse of “truth”, which means that Suburg saw this autobiography as a discourse of “truth telling”. The biographical facts were arguments with which Suburg justified her choices; they served to emphasize the rightfulness of her past life and ideas. Life experience as the criterion for truth pervades the entire autobiography and forms its ideological and narrative backbone. Given this meaning, the autobiography has significance and a wider resonance, and earns the reader’s trust. The role of the reader is to believe Suburg’s narrative such as it is and follow Suburg’s arguments and empathize with her quest for truth. What remains is Suburg’s conviction that her destiny shaped her and that is why she is who she is
Music district
No full textWhen I first visited the site of the project, the Binckhorst in The Hague, I noticed the scatteredness of the place. Everything is disconnected and hard to be reached by foot or bicycle. In fact, most functions are oriented to cars, trucks, and industrial machines. What is particularly interesting, however, is that there are a number of hidden activities. Especially in the southern part, the Binckhaven, there are many creative places to discover, for example artists at work in their studios or the first indoor surf pool in Europe. In my eyes, it is a shame that most people only see these places passing by on Binckhorstlaan and few take the time to explore Binckhorst. At the moment, many places are being demolished and replaced with high-rise buildings for residential use. While I agree that it is necessary to build a dense residential neighbourhood to meet the high housing demand in the Hague, a place to gather should be provided from an early stage to create an attractive and safe environment for these new residents. Otherwise, there is a risk that they will be isolated in their homes, leading to loneliness and an anonymous and boring neighbourhood. In the “Music district“ people can connect over music by practising their own music, performing in front of neighbours and friends, and going to concerts together. The spaces around the buildings are conceptualized as an integral part of the design, resulting in a mix of different urban moods in the interstitial spaces, such as a lively street, a recreational waterside boulevard, a calm inner courtyard, and a plaza for outdoor events and gathering. Therefore, the building is not monofunctional as a concert venue but serves as a public meeting space with multiple shared spaces indoors and outdoors. This will lead to a future-proof activation of the neighbourhood and a resilient community. The Music District is located at the entrance of the Binckhaven. By building bridges over to the other canal side, the existing activities there will become accessible for pedestrians and bicycles. Combined with new functions, and several other cultural districts, the music district will form the “Cultural Hub Binckhaven”, for which it is the catalyst. By connecting to an existing building, I preserve the current industrial character of today's Binckhorst but create a completely new identity, with an orientation to human scale instead of machines. This is unique to Binckhorst and could be applied elsewhere to realize liveable neighbourhoods in former industrial areas that can be found in many European cities. With the right mix of uses, these areas have great potential to become lively and active centres for the city's residents. My research presents strategies to successfully achieve these goals by introducing music as a medium for forming identity and culture. The identified factors can be used for designing a music building that activates the community and public life in a sustainable way, also applicable in a wider scientific context. As a result, it will be possible to counteract anonymity in a densely populated area, strengthen a new neighbourhood, and provide spaces for everyone. Architecture, Urbanism and Building Sciences | Building Technolog
"Kein Ort. Nirgends?" Das Subjekt der Erkenntnis und die Idee der Universität: einige Gedanken aus psychoanalytischer Perspektive
No full text"Die Autorin stellt einige Überlegungen zu den Bedingungen der Subjektkonstitution an der studiengangreformierten Universität vor und fragt nach dem Schicksal des Erkenntniswunsches und Forschungsinteresses in den Bahnen des Bolognaprozesses. Sie formuliert in diesem Zusammenhang die These, dass an die Stelle einer Identifizierung der Subjekte mit ihrem Erkenntnisanspruch die Identifizierung mit (extern definiertem) Erfolg und eine Abwehr von Scham angesichts eines drohenden Scheiterns getreten ist." (Autorenreferat)"This essay presents some considerations on the conditions for the constitution of subjectivity in view of the reform of the universities according to the 'Bologna-Process'. Special attention is given to the vicissitudes of epistemophilic impulses. In this context, the author argues, that the identifcation with the subject's inner urge for knowledge and research is about to be replaced by the identification with success and with the defence of shame and possible failure." (author's abstract
Quality Issues in Interview Surveys – Some Contributions
No full textCet article est l’introduction d’une thèse avec le même titre (fait au Départment de Statistique de l’université de Stockholm) et qui s’adresse à des problèmes associés avec la qualité des enquêtes par entretiens. L’intervieweur a plusieurs taches à accomplir et ils peuvent souvent commetre des erreurs. L’auteur présente quelques thèmes généraux ainsi que leur traitement habituel. Elle suggère ensuite des approches nouvelles et des idées pour des recherches futures sur la question de coopération dans les enquêtes et d’accomplir correctement l’entretien avec un répondant. Elle examine aussi certaines procédures pour la réduction des non-réponses en termes de coûts et de réduction d’erreurs.This article is the introduction to a thesis with the same title (done at the Department of Statistics of the University of Stockholm) which deals with some of the issues associated with the quality in interview surveys. The interviewer has many tasks, and some of them are extremely error-prone. The author describes some general themes and how these are usually handled. She also suggests some new approaches and ideas for further work, both when it comes to gaining cooperation and when it comes to doing a good job in administering the question-answer process. She also evaluates a specific procedure to reduce nonresponse errors in interview surveys in terms of costs and error reduction
Roma vetus ac recens vtriusque aedificiis ad eruditam cognitionem expositis /
No full textIncludes errata.Signatures: +⁶ A-2B⁸ 2C¹⁰.Side notes. Engraved scale of Roman measures in margin, p. 112. Marginal matter cancelled with pasted slips, p. 97.Woodcut bee on t.p. for Urban VIII Barberini, to whom the work is dedicated. Engraved frontispiece by J.F. Greuter after Giovanni Antonio Lilli. Folded view of Capitoline facing p. 108 signed by Ant. Alammanus as draughtsman.A re-issue of the 1st ed. of 1638. See Schudt.Schudt, L. Guide di Roma,Mode of access: Internet.Theodore Besterman's calligraphic label, signed P.S.Binding: old limp vellum. Brief title & author written on spine
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