1,732,884 research outputs found
CDMF Pesquisa - Heitor Furlan Trevizan
No full textHeitor Furlan Trevizan, mestrando no Programa de Pós-graduação em Química (PPGQuímica) da Universidade Estadual "Júlio de Mesquita Filho" (Unesp) campus São José do Rio Preto e integrante do Centro de Desenvolvimento de Materiais Funcionais (CDMF), fala de sua pesquisa sobre sensores eletroquímicos para detecção e quantificação de enolase neuronal específica, uma enzima utilizada como um importante marcador para o diagnóstico de câncer de pulmão.
CDMF Pesquisa - Heitor Furlan Trevizan de https://youtu.be/Q96zJAndArw está licenciado com uma Licença Creative Commons - Atribuição-NãoComercial-SemDerivações 4.0 Internacional. Podem estar disponíveis autorizações adicionais às concedidas no âmbito desta licença em https://www.labi.ufscar.br/
The early compositions for cello and piano by Heitor Villa-Lobos
No full textThis study presents a historical overview of Heitor Villa-Lobos’s early life, career, surrounding environment, influences, selected early compositions for cello and piano written between 1913 and 1917, autographs, and of Rio de Janeiro from the late 19th and early 20th centuries. In the study of Villa-Lobos’s early life and Rio de Janeiro from the late 19th and early 20th centuries, it is important to consider the influences of Europe, especially France on Brazil, and European composers on Heitor Villa-Lobos. This study provides historical information, and attempts to increase the dissemination of Villa-Lobos’s early compositions for cello and piano into the standard cello repertoire. The study also presents information to help cellists understand and then incorporate these pieces into their repertoire, followed by a recording of selected Villa-Lobos’s early compositions for cello and piano performed by this author. More pertinent materials are given in the appendixes, such as historical information about the other compositions for cello and piano written between 1913 and 1917 (Appendix A), and a complete list of compositions for and with cello by Heitor Villa-Lobos (Appendix B). The findings of this study show that Villa-Lobos’s early compositions for cello and piano show a complete absence of elements of Brazilian folklore, were highly influenced by the aesthetics of European composers in vogue at the time in Brazil, and were written while the composer was active as a cellist As shown in the Conclusion, after careful analysis, it can be inferred that Villa-Lobos’s early compositions for cello and piano deserve to be known, incorporated into the repertoire of modern cellists, and performed more frequently
Momoprecose ; Bachianas Brasileiras / Heitor Villa-Lobos ; Magda Tagliaferro, p ; Orchestre national de la Radiodiffusion Française ; Heitor Villa-Lobos, dir.
No full textTitre uniforme : Villa-Lobos, Heitor (1887-1959). Compositeur. [Momoprecoce]Titre uniforme : [Bachianas brasileiras. No 8]Comprend : Momoprecoce ; Bachianas brasileirasEnregistrement : (France) Paris, Théâtre des Champs-ElyséesBnF-Partenariats, Collection sonore - BelieveContient une table des matière
Otro título: Música culta brasileña
No full textIntérpretes: Heitor Villa-Lobos. Orchestra Sinfonica BrasileiraCinta 1: Preludio n. 1. Min. 04.56: Palabras del propio Villa-Lobos sobre la música. Min. 23.10: Choros n. 1. Min. 27.12: Nhapopé. Min. 27.12: Guriatâ do coqueiro -- Cinta 2: Choros n. 5, Alma brasileira. Min. 04.37: Un canto que sai da senzala. Min. 07.25: Xango. Min. 08.48: Lenda do caboclo. Min. 12.41: Polichinel
The Saxophone Music of Heitor Villa-Lobos
No full textSexteto Mistico (Villa-Lobos, Heitor); Fantasia (Villa-Lobos, Heitor). Instrumentation: flute; oboe; saxophone; piano; guitar; harp; celest
Heitor Pragues Frós
No full textLOCALIZAÇÃO ATUAL:
Sala Reserva Técnica, 1º andar, Faculdade de Medicina - UFBA (Pelourinho)Fotografia do laureado Heitor Pragues Frós (1922)
MARILYN MEAD, Flute DOCTORAL RECITAL Saturday April 16, 1988 9:00 p.m. in the Shepherd School Recital Hall
No full textPlaylist: Fantasy for flute and accordian / Carl Schaer -- Flames / Ann Rivers Witherspoon -- Bachianas Brasileiras no. 5: Aria / Heitor Villa-Lobos -- Distribucào de flores / Heitor Villa-Lobos -- Chôro e batuque / Laurindo Almeida -- Suite for flute and piano / Claude Bolling.This recital is given in partial fulfillment of the requirements for Doctor of Musical Arts degree
Crônicas de Carlos Heitor Cony: a intertextualidade como estratégia argumentativa
No full textAs crônicas caracterizam-se por sua linguagem próxima ao universo social do interlocutor, pela brevidade dos fatos corriqueiros narrados a partir do olhar do cronista e pela liberdade estilística com a qual o autor se expressa. O presente estudo tece o panorama histórico dos gêneros literários e tem como foco a crônica em sua configuração argumentativa para delinear pontos de vista do autor e suscitar reflexões acerca da temática cotidiana abordada. A partir do problema de pesquisa – Qual a proficuidade da intertextualidade inserida nas crônicas literárias de Carlos Heitor Cony como estratégia para o convencimento e a persuasão do leitor proficiente? – a metodologia estipulada para contestar tal indagação está baseada em vasta pesquisa bibliográfica comparada, estudo sobre textos e percurso escritor de Carlos Heitor Cony e análise minuciosa de crônicas selecionadas. A proposta desse trabalho é relacionar recursos textuais utilizados nas crônicas literárias, com relevo à intertextualidade atrelada à argumentatividade. Ademais, o estudo não se limita à fundamentação teórico-conceitual, uma vez que estabelece paralelo entre as proposições teóricas e a análise de crônicas selecionadas de Carlos Heitor Cony. Dessa forma, é possível compreender o quanto são evidentes marcas de oralidade, recursos textuais e estilísticos com respaldo nos conhecimentos, na vida e na obra de Cony, bem como são aparentes intertextos partilhados socialmente para objetivar a cumplicidade dos leitores proficientesChronicles are characterized for their language close to the social universe of the reader, for the brevity of the day-by-day facts narrated from the writer’s point of view and the style freedom with which the author expresses himself. This study shows the historical background of literary genders and focuses chronicles on their argumentative aspect to define the author’s points of view and raise reflexions about the regarded day-by-day theme. From the research’s proposition – What’s the efficiency of the intertextuality in Carlos Heitor Cony’s literary chronicles as a strategy to convince and argue with the proficient reader? – the method used to answer this question is based in large compared bibliographic research, studies about texts and Carlos Heitor Cony’s path as a writer and detailed analysis of selected chronicles. The proposal of this study is to connect text resources used in literary chronicles with emphasis in the intertextuality connect to argumentativity. Moreover, this study isn’t restricted to theory because it establishes comparison among theoric propositions and analysis of Carlos Heitor Cony’s selected chronicles. Therefore, it’s possible to understand how obvious are the traces of orality, text resources and stylistics based on Carlos Heitor Cony’s knowledge, life and work. It’s also possible to understand how obvious are the intertexts socially shared to aim the proficient readers’ complicit
A Performance Guide for Heitor Villa-Lobos's Quatro Canções Da Floresta Do Amazonas
No full textabstract: This paper is a performance guide for Quatro Canções da Floresta do Amazonas [Four Songs of The Amazon Forest] by Brazil's most prolific composer, Heitor Villa-Lobos. The primary purpose of the paper is to serve as a source for the correct pronunciation of the Brazilian Portuguese language of the songs. It will begin with an overview of Heitor Villa-Lobos's life and career, showing how his compositions catalyzed the Nationalistic movement in Brazilian classical music. His inclusion of native and folk elements into classical compositions was a significant innovation, which places Villa-Lobos as one of the most important Brazilian classical composers. Furthermore, this paper will explore the issue of Brazilian Portuguese diction in depth, using the Quatro Canções da Floresta do Amazonas to aid non-native Brazilian speakers. This includes an International Phonetic Alphabet transcription of the songs, as well as a recording of the songs being read and sung by the author, a link to which can be found in the appendix.Dissertation/ThesisDoctoral Dissertation Music 201
Analisis Struktural Prélude No.1 Karya Heitor Villa Lobos
No full textPrélude No.1 merupakan salah satu karya dari Cinq Preludes dari Heitor Villa Lobos dan karya tersebut merupakan sebuah karya yang paling dipengaruhi gaya musik populer Brasil. Fitur-fitur karya tersebut menunjukkan kualitas dan teknik-teknik tertentu yang mewakili suatu gaya musik populer Brasil. Penulisan ilmiah ini bertujuan untuk mengetahui tentang latar belakang sang komposer, Heitor Villa Lobos, dan mengetahui latar belakang Prélude No.1, serta bentuk musiknya. Penelitian ini menggunakan metode kualitatif, untuk melengkapi data dilakukan studi pustaka baik di perpustakaan maupun internet. Hasil penelitian ini berupa latar belakang Heitor Villa Lobos dan bentuk Prélude No.1, yaitu awal kehidupan Heitor Villa Lobos yang dilahirkan di Rio de Janeiro pada tanggal 5 Maret 1887 dan Villa Lobos juga meninggal di Rio de Janeiro pada tanggal 17 November 1959 dan Heitor Villa Lobos juga merupakan seorang komposer yang produktif yang mana dia mempunyai lebih dari seribu karya antara lain seperi cinq preludes, 12 etudes for guitar dan Bachianas Brasileiras. Prélude No.1 mempunyai bentuk A B A yang dimainkan di E minor dengan sukat 3/4, bentuk A merupakan tema dari karya tersebut dan bentuk B atau bagian kontrasnya merupakan pengembangan dari tema bentuk A, dan pada bagian tiganya merupakan sebuah pengulangan dari bagian pertama yang pengulangan tersebut hampir sama, tetapi di akhir lagu terjadi sebuah modulasi ke tangga nada E mayor yang disebut dengan Ters Picardi (diawali dengan tangga nada minor dan berakhir dengan tangga nada mayor).
Kata Kunci: Prélude No.1, Heitor Villa Lobos, Analisis
- …
