10,176 research outputs found
Cathrine Baglo, På ville veger? Levende utstillinger av samer i Europa og Amerika (Diss., Fakultet for humaniora, samfunnsvitenskap og lærerutdanning, Institutt for arkeologi og sosialantropologi), Tromsø University 2011, ISBN 9788282440516, 370 pp.
No full textCathrine Baglo är författare av "På ville veger? Levende utstillinger av samer i Europa og Amerika" som Anne Heith har recencerat.</p
Anne as Pagan, Anne as Queer
No full text‘Anne as Pagan, Anne as Queer’ is a critical and creative answer to the question: How do we construct Anne Shirley, and what does she mean to us? This creative research submission is a work of fanfiction, specifically a mash up based on Anne of the Island, L.M.M. Montgomery’s sequel to Anne of Green Gables. In this short work of fiction (under 4 thousand words) Anne is revealed as a changeling, one of the Faerie Folk, and also a being not strictly male or female; sometimes neither, sometimes both. The mash up is based on the last two chapters of Anne of the Island, the scenes in which Gilbert Blythe is seriously ill and Anne realises she loves him. This realisation causes Anne, in this version, to reveal to Gilbert that she is both non-human and not a girl, and to use Faerie magic to save Gilbert’s life. Anne’s revelation causes Gilbert a great relief, as he has been keeping a secret also - that he too is queer. The piece has an accompanying research statement and reflection, that reflects on the ways the contributor/author interprets Anne, as a being troubled by gender, and not strictly gender conforming. The much-loved scene from Anne of Green Gables in which Anne realises she is not wanted by the Cuthberts because she is not a boy is inserted into the mash up (as a memory) as this scene is the principal cause for the contributor’s identification with Anne as a gender non-conforming figure who resists gender expectations. Overall, this creative and critical work and reflection queers both Anne as a character and the Anne of the Island novel.Book chapter - work of fiction with a critical reflective essa
Rethinking National Literatures and the Literary Canon in Scandinavia
No full textEn nytænkning af de nordiske landes litterære kanoner med bidrag med fra Finland, Sverige og Danmark, udgivet sammen med Ann-Sofie Lönngren, Heidi Grønstrand og Anne Heith.Anthology exploring the concept of "The Nordic" and their literary canons, national self-understanding and identit
Interview with Anne Russell
No full textInterview with Anne Russell, playwright and author of several books on local history, including Wilmington: A Pictoral History
Rethinking National Literatures and the Literary Canon in Scandinavia
No full textEn nytænkning af de nordiske landes litterære kanoner med bidrag med fra Finland, Sverige og Danmark, udgivet sammen med Ann-Sofie Lönngren, Heidi Grønstrand og Anne Heith.Anthology exploring the concept of "The Nordic" and their literary canons, national self-understanding and identit
A sojourn in Paris 1824-25: sex and sociability in the manuscript writings of Anne Lister (1791-1840)
No full textThis thesis examines the day to day practices that constituted Anne Lister's (1791-1840) sexuality and sociability within the range of her writings, as well as her society. Anne's writings were a detailed account, spanning her lifetime, of her own love and relationships with the 'fairer sex' (Whitbread 1988, 145). Anne's sociality, seen in her correspondence and plain handwritten journal entries, has been explored by Muriel Green in Miss Lister of Shibden Hall and Jill Liddington in Female Fortune and Nature's Domain (Green 1992; Liddington 1998; 2003). As a gentlewoman of adequate means, Anne has garnered some attention from women's historians interested in her agency within an early nineteenth century social and historical context. Anne's sexual identity has been extensively analysed over the past nearly twenty years by lesbian feminists, queer theorists, women's historians and historians of sexuality concerned with the history and development of modern Western female homosexuality and gender. The source for theorising Anne's sexuality has been the edited selections of the crypted journal entries, published by Helena Whitbread in I Know My Own Heart and No Priest but Love (Whitbread 1988; 1992). However, many analyses deal either with the theorisation of Anne's sexuality or her sociality; the theoretical difficulty with reconciling these categories has troubled the analysis of her complex subjectivity. Drawing upon the archival materials, I have used an interdisciplinary feminist approach to analyse the sexual and social processes of Anne's everyday interactions in her writings. Taking the seven month period of the sojourn to Paris in 1824-25, I have focused upon Anne's textual practices within her journal volume and letters during her residence in Paris, her social practices with the other guests at the guesthouse 24 Place Vendome and her sexual practices with her lover, the widow Mrs. Maria Barlow. The journal volumes and correspondence are a valuable historical record of one gentlewoman's engagement with early nineteenth century British culture
Editor's inscription in Valentine Duval : an autobiography of the last century
No full textEditor Anne Manning's gift inscription to author William Stebbing (1832–1926), "To William Stebbing from his affectionate friend the editor Nov. 2, 1860".Manning, Anne, 1807-1879
Dr. Anne Koch
No full textDr. Anne Koch, author of the book It Never Goes Away: Gender Transition at a Mature Age, meets with students Kolby Nelson after a speech at PCOM.https://digitalcommons.pcom.edu/pa_2020_photos/1065/thumbnail.jp
Blackness, Religion, Aesthetics : Johannes Anyuru's Literary Explorations of Migration and Diaspora
No full textThe article analyses deconstructions of the European construct from the vantage point of how skin colour, physical appearance and religion have been used for drawing boundaries between white, Christian Europe and the black, Muslim world. The analysis is based on literary texts by the Afro-Swedish author Johannes Anyuru. The article proposes that his first collection of poems from 2003, the first novel from 2010 and a multifaceted text from 2011, which is a kind of diary on the surface level, contribute to the shaping of new notions of belonging, home and identity that challenge ideas of cultural purity and homogeneity. On the level of aesthetics the texts exemplify a diaspora aesthetic characterized by hybridization. This involves a mixture of elements from various stylistic registers and locations from within and outside Europe
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