1,721,002 research outputs found
Écrire ou communiquer ?
No full textHay Louis. Écrire ou communiquer ?. In: Littérature, n°62, 1986. Le réel implicite. pp. 116-123
L'analyse optique des écritures cursives
No full textHay Louis. L'analyse optique des écritures cursives. In: Revue d'histoire des textes, bulletin n°6 (1976), 1978. p. 345
Klaus Hurlebusch, Klopstock, Hamann und Herder als Wegbereiter autorzentrischen Schreibens. Ein philologischer Beitrag zur Charakterisierung der literarischen Moderne, 2001
No full textHay Louis. Klaus Hurlebusch, Klopstock, Hamann und Herder als Wegbereiter autorzentrischen Schreibens. Ein philologischer Beitrag zur Charakterisierung der literarischen Moderne, 2001. In: Genesis (Manuscrits-Recherche-Invention), numéro 18, 2002. pp. 166-167
Colloque international sur les techniques de laboratoire dans l'étude des manuscrits (Paris et Ambert, 13-17 septembre 1972)
No full textHay Louis. Colloque international sur les techniques de laboratoire dans l'étude des manuscrits (Paris et Ambert, 13-17 septembre 1972). In: Revue d'histoire des textes, bulletin n°3 (1973), 1974. pp. 309-312
Les tracés manuscrits à l'ère numérique
No full textHay Louis. Les tracés manuscrits à l'ère numérique. In: Genesis (Manuscrits-Recherche-Invention), numéro 27, 2006. pp. 160-163
Jean Paulhan : manuscrits de Barbaresques. Présentation
No full textHay Louis, Paulhan Jean. Jean Paulhan : manuscrits de Barbaresques. Présentation. In: Genesis (Manuscrits-Recherche-Invention), numéro 23, 2004. pp. 101-127
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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