1,721,080 research outputs found
Archilochus
This work is the general introduction to the section about Archilochus in the volume I.1.3 of 'Commentaria et Lexica Graeca in Papyris reperta' (CLGP). The project of CLGP aims to re-publish papyri concerning ancient exegesis to Greek literature which have been edited in different collections. The archilochean section, as each section of CLGP, begins with a general introduction followed by the edition, with commentary, of all the papyri that contain traces of exegesis on the author. The papyri have been rechecked against the originals or against digital images thereof. The critical apparatus and the commentary inform the reader of previous editorial solutions, problematic passages, supplements and conjectures
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
P.Oxy. XXII 2318
Edition and commentary of the notes contained in the Archilochean papyrus P.Oxy. XXII 2318
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
P.Turner 9 [=> Aeschines 1], fr. 1, 2
Edition and commentary of a little fragment (title) of an Archilochean commentary
P.Oxy. XXII 2310
Edition and commentary of the notes contained in the Archilochean papyrus P.Oxy. XXII 2310
P.Oxy. XXII 2315
Edition and commentary of the notes contained in the Archilochean papyrus P.Oxy. XXII 2315
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