1,370,579 research outputs found
Labour in a single shot : Harun Farocki/Antje Ehmann
Eine Einstellung zur Arbeit – Labour in a Single Shot is the last exhibition Harun Farocki curated together with Antje Ehmann. It shows the results of the long term project labour in a single shot that Antje Ehmann and Harun Farocki started in 2011.Eine Einstellung zur Arbeit – Labor in a Single Shot foi a última exposição que Harun Farocki dirigiu, juntamente com Antje Ehmann. A exposição apresenta os resultados do projecto de longo curso que Antje Ehmann e Harun Farocki iniciaram em 2011, labor in a single shot
Harun Farocki: On Display: Peter Weiss A Production Dossier (ENG)
Published in: PANTENBURG, Volker; DE SEYNES, Elsa; et al. (2016). Harun Farocki: On Display: Peter Weiss. Berlin: Harun Farocki Institut and Motto Book
Harun Farocki: On Display: Peter Weiss A Production Dossier (ENG)
Published in: PANTENBURG, Volker; DE SEYNES, Elsa; et al. (2016). Harun Farocki: On Display: Peter Weiss. Berlin: Harun Farocki Institut and Motto Book
Harun Farocki / Hanns Zischler : Heiner Müller: The Battle / Tractor Basel 1976
In 1976, Harun Farocki and Hanns Zischler directed Heiner Müller’s plays The Battle and Tractor for Theater Basel. For Farocki, this production remained his only directorial work for theater. With Heiner Müller, however, he remained in intellectual exchange. The two collaborated on the adaptation of Müller’s text The Hamletmachine for radio in 1978; for the May 1981 issue of the magazine Filmkritik, they conducted a conversation.
This booklet gathers together material about the Basel performance. Klaus Völker, then dramaturge at Theater Basel, recalls the background of the performance and compiles some of his notes from the time. A letter written by Heiner Müller to Martin Linzer, a theater critic and dramaturge in the GDR, and Farocki’s text from the program note of the play, as well as photographs of the production, evoke the political and intellectual climate. In the late 1990s, Hanns Zischler wrote a memoir text about their collaboration, which has been translated into English for this issue. Finally, Anja Quickert, a theater scholar, dramaturge, and freelance writer animating the International Heiner Müller Society, contextualizes the documents and reflects on some of the staging ideas of the time.
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1976 inszenierten Harun Farocki und Hanns Zischler Heiner Müllers Stücke Die Schlacht und Traktor für das Theater Basel. Für Farocki blieb die Inszenierung die einzige Regiearbeit am Theater. Mit Heiner Müller aber blieb er im intellektuellen Austausch. An der Einrichtung von Müllers Text Die Hamletmaschine für den Hörfunk arbeiteten die beiden 1978 zusammen, für die Zeitschrift Filmkritik (Mai 1981) führten sie ein Gespräch.
Das vorliegende Heft versammelt Materialien um die Basler Aufführung. Klaus Völker, damals Dramaturg am Basler Haus, erinnert sich an die Hintergründe der Zusammenarbeit und macht einen Teil seiner damaligen Notizen zugänglich. Heiner Müllers Brief an Martin Linzer, Theaterkritiker und Dramaturg in der DDR, ein Text Farockis aus dem Basler Programmheft, sowie Fotografien der Produktion erschließen einen Teil des Kontexts. In den späten 1990er Jahren schrieb Hanns Zischler einen Erinnerungstext über die Arbeit mit Farocki, der für dieses Heft in Englische übersetzt wurde. Anja Quickert, als Theaterwissenschaftlerin, Dramaturgin und freie Autorin maßgeblich in der Internationalen Heiner Müller Gesellschaft engagiert, kontextualisiert die Dokumente und denkt über einige der damaligen Inszenierungsideen nach
La politica delle immagini nell'opera di Harun Farocki
Il saggio ricostruisce il percorso creativo del regista tedesco Harun Farocki, mettendo a fuoco le linee del suo operare, dal cinema alle videoinstallazioni, dalla politica delle immagini intesa come intervento sulla storia e sul presente, alla politica del visibile, cioè all'operazione di messa in visibilità su cui i suoi film saggio lavorano
Vedere con le mani. Harun Farocki e il cinema come gesto.
Il contributo intende mettere a fuoco un aspetto poco esplorato del cinema di Harun Farocki, ovvero la sua idea dell'immagine filmica come luogo del magico. Attraverso un'analisi del ruolo delle mani nel gruppo di opere realizzate fra il 1995 e il 2000, il saggio cerca di dimostrare l'interesse di Farocki per un tipo di sperimentazione molto pratica e concreta con le immagini, che lascia accadere qualcosa nel processo di elaborazione delle stesse. Contro l'idea del cinema come macchina del controllo, Farocki sperimenta sul film come rito, influsso e contagio fra le immagini
Türkiye karikatüründe ekonominin işlenişi (1923-1960)
Ankara : İhsan Doğramacı Bilkent Üniversitesi İktisadi, İdari ve Sosyal Bilimler Fakültesi, Tarih Bölümü, 2012.This work is a student project of the The Department of History, Faculty of Economics, Administrative and Social Sciences, İhsan Doğramacı Bilkent University.by Harun Yeni.Yeni, Harun. HIST 200-05YENİ HIST 200-05/A 2011-1
Multi-wavelength fiber laser with erbium doped zirconia fiber and semiconductor optical amplifier
Multi-wavelength hybrid fiber lasers are demonstrated in both ring and linear cavities using a fabricated Erbium-doped Zirconia fiber (EDZF) and semiconductor optical amplifier (SOA) as gain media. In both configurations, the a fiber loop mirror, which is constructed using a 3 m long polarization maintaining fiber (PMF) and a polarization insensitive 3dB coupler is used as a comb filter for the fiber laser. In the ring cavity, 10 simultaneous lines with peak power above -26 dBm is obtained at 1550 nm region. This is an improvement compared to the linear cavity configuration which has only 5 simultaneous lines observed from wavelength 1556.1 nm to 1563.0 nm with the peak power above -40 dBm. Both hybrid lasers has a constant line spacing of 1.7 nm, which is suitable for wavelength division multiplexing and sensing applications and shows a stable operation at room temperature
NILAI-NILAI PENDIDIKAN ISLAM DALAM KEPEMIMPINAN KHALIFAH HARUN AR-RASYID
AbstrakKhalifah Harun ar-Rasyid merupakan sosok pemimpin yang dermawan, suka memberi baik karena kemauannya sendiri ataupun karena diminta. Harun terkenal sebagai pemimpin berkarisma yang dikagumi oleh rakyatnya, sholeh, taat beragama serta piawai dalam memegang pemerintahan. Oleh sebab itu penulis mengangkat sosok Harun ar-Rasyid menjadi pemeran utama karena beliau sosok tokoh yang mesti untuk dijadikan contoh pada pemimpin di lembaga pendidikan Islam zaman sekarang. Penelitian ini memakai pendekatan kualitatif deskriptif serta tergolong penelitian kepustakaan. Inilah yang peneliti gunakan untuk mengumpulkan data, buku Harun Ar-Rasyid Amir Para Khalifah dan Raja Teragung di Dunia sebagai sumber primernya dan jurnal-jurnal atau makalah sebagai sumber pendukungnya. Hasil penelitian menunjukkan bahwa: Dalam pemerintahan Khalifah Harun ar-Rasyid banyak mengalami kemajuan-kemajuan. Dan salah satu indikator berkembang pesatnya pendidikan dan pengajaran ditandai dengan berkembang luasnya lembaga-lembaga pendidikan Islam.Kata kunci: Nilai Pendidikan Islam; Kepemimpinan; Khalifah Harun Al-Rasyid AbstractCaliph Harun ar-Rashid is a generous leader, likes to give either on his own volition or on demand. Harun ar-Rashid is known as an authoritative caliph, loved by the people, pious, religious and skilled in holding the government. Therefore, the author makes the figure of Harun ar-Rasyid as the main character because he is a figure who must be used as an example with the reality of today\u27s leaders in Islamic educational institutions. This study uses a descriptive qualitative approach and includes library research, because in collecting the data the researcher uses Harun Ar-Rasyid Amir\u27s book The Caliphs and the Greatest King in the World as the primary source and journals or papers as a supporting source. The results show that: During the reign of Caliph Harun ar-Rashid, many progresses were made. And one indicator of the rapid development of education and teaching is marked by the expansion of Islamic educational institutions.Keywords: Values of Islamic Education; Leadership; Caliph Harun Al-Rasyi
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