115 research outputs found
Analisis Stilistika Dalam Kumpulan Puisi Airmata Batu Karya Fakhrunnas Ma Jabbar
No full textLiterature is a work of art that produces beautiful creative works that can be poured or created by humans. The beauty of language is easily seen in literary works, especially by using stylistic analysis. Therefore, the author is interested in conducting a research entitled "Analysis of Stylistics in a Collection of Poetry Tears of Batu by Fakhrunnas Ma Jabbar". The problems in this study (1) how is the stylistic analysis of lexical elements in the poem Airmata Batu by Fakhrunnas Ma Jabbar? (2) how is the stylistic analysis of rhetorical means in the poem Airmata Batu by Fakhrunnas Ma Jabbar?. This study aims to find and analyze the lexical elements and rhetorical means contained in the poem Airmata Batu by Fakhrunnas Ma Jabbar. The theory used in this study is the theory of Nurgiantoro (2014) about stylistics, and several other supporting theories. The data of this research was taken from the collection of poetry Airmata Batu by Fakhrunnas Ma Jabbar. The method used in this research is descriptive method. The approach used in this research is a qualitative approach. This type of research is library research. Data collection techniques using hermeneutic techniques. The data analysis technique is that the data that has been obtained are grouped and presented, the grouped data is processed using the listed theories, text analysis, data interpretation, and concludes the data. The results of this study are as follows. First, the lexical elements contained in the poem Airmata batu are 7 data, the sound aspect is 7 data, and the meaning aspect is 7 data. Second, the means of rhetorical figurative language in simile comparisons contains 3 data, metaphor, 6 data, personification 17 data, allegory 2 data, figurative language linking metomini the author cannot find it, synecdoche 5 data. Rhetoric means visual imagery 5 data, auditory imagery 8 data, motion imagery 6 data, tactile imagery 4 data and olfactory imagery 4 data
Sistem pelayanan Masjid Raya Al Jabbar sebagai destinasi wisata religi dan pusat kegiatan keagamaan: Studi deskriptif di Masjid Raya Al Jabbar Provinsi Jawa Barat
No full textPenelitian ini berdasarkan asumsi dari sebuah model Manajemen Pelayanan merupakan kegiatan yang diteruskan oleh organisasi atau perseorangan kepada konsumen yang bersifat tidak berwujud dan tidak dapat dimiliki, konsumen yaitu masyarakat yang mendapat manfaat dan aktivitas yang dilakukan oleh organisasi yang memberikan pelayanan.
Metode penelitian yang digunakan dalam penelitian ini yaitu metode deskriptif dengan menggunakan pendekatan kualitatif yang memiliki tujuan untuk melukiskan secara sistematis fakta atau karakteristik populasi tertentu atau bidang tertentu secara faktual dan cermat. Adapun teknik yang dilakukan penulis yaitu dengan pengumpulan datanya melalui observasi, wawancara dan dokumentasi Hasil dari penelitian yang dilakukan menunjukkan bahwa dalam suatu Masjid atau organisasi memerlukan sistem pelayanan yang memadai, melalui pelayanan yang baik pada jamaah akan memberikan keberhasilan sesuai dengan target yang diinginkan. Wakil Masjid Raya Al Jabbar kebijakan tentang standar pelayanan yang mampu memaksimalkan pelayanan yang ada, standar pelayanan publik ini didesain untuk memberikan akses informasi seluas-luasnya kepada publik sehingga masyarakat dimudahkan menjangkau pelayanan dasar yang mengarah kepada kesejahteraan masyarakat. Masjid Raya Al Jabbar memiliki perencanaan terhadap permasalahan yang terjadi atau yang akan terjadi.
Pihak Masjid Raya Al Jabbar mendapatkan informasi dari berbagai pihak. Beberapa permasalahan terkait fasilitas yang disediakan saat ini. Hambatan dari biaya yang kurang memadai sehingga masih banyak fasilitas Masjid yang belum tersedia di Masjid Raya Al Jabbar, kepuasan Masjid Raya Al Jabbar sangat berperan penting dalam meningkatkan tingkat pelayanan yang diberikan. Kepuasan jamaah terhadap Masjid Raya Al Jabbar.
ENGLISH:
The research method used in this research is a descriptive method using a qualitative approach which aims to systematically describe the facts or characteristics of a particular population or a particular field factually and carefully. The technique used by the author is collecting data through observation, interviews and documentation. The results of the research conducted show that a mosque or organization requires an adequate service system, through which good service to the congregation will provide success in accordance with the desired targets. Good service will make the congregation feel safe and comfortable so that it can increase the reputation of the mosque and the level of satisfaction of the congregation who come will increase not only for traveling but carrying out other religious activities. Service Period, a policy on service standards that can maximize existing services, this public service standard is designed to provide the widest possible access to information to the public so that the public is facilitated in reaching basic services that lead to community welfare. The Al Jabbar Grand Mosque has a plan for problems that occur or will occur. The Al Jabbar Grand Mosque receives information from various parties, such as information from the Mosque security, from the local community or worshipers who visit the Mosque and then report to the information section and will be followed up by waiting for further direction from superiors. Several problems related to the facilities currently provided. Obstacles from inadequate costs so that there are still many Mosque facilities that are not yet available at the Al Jabbar Grand Mosque, the satisfaction of the Al Jabbar Grand Mosque plays a very important role in improving the level of service provided. Congregation satisfaction with the Al Jabbar Grand Mosque
Stylistic Analysis in a Collection of Poetry Tears of Batu by Fakhrunnas Ma Jabbar
No full textLiterature is a work of art that produces beautiful creative works that can be poured or created by humans. The beauty of language is easily seen in literary works, especially by using stylistic analysis. Therefore, the author is interested in conducting a research entitled "Analysis of Stylistics in a Collection of Poetry Tears of Batu by Fakhrunnas Ma Jabbar". The problems in this study (1) how is the stylistic analysis of lexical elements in the poem Airmata Batu by Fakhrunnas Ma Jabbar? (2) how is the stylistic analysis of rhetorical means in the poem Airmata Batu by Fakhrunnas Ma Jabbar?. This study aims to find and analyze the lexical elements and rhetorical means contained in the poem Airmata Batu by Fakhrunnas Ma Jabbar. The theory used in this study is the theory of Nurgiantoro (2014) about stylistics, and several other supporting theories. The data of this research was taken from the collection of poetry Airmata Batu by Fakhrunnas Ma Jabbar. The method used in this research is descriptive method. The approach used in this research is a qualitative approach. This type of research is library research. Data collection techniques using hermeneutic techniques. The data analysis technique is that the data that has been obtained are grouped and presented, the grouped data is processed using the listed theories, text analysis, data interpretation, and concludes the data. The results of this study are as follows. First, the lexical elements contained in the poem Airmata batu are 7 data, the sound aspect is 7 data, and the meaning aspect is 7 data. Second, the means of rhetorical figurative language in simile comparisons contains 3 data, metaphor, 6 data, personification 17 data, allegory 2 data, figurative language linking metomini the author cannot find it, synecdoche 5 data. Rhetoric means visual imagery 5 data, auditory imagery 8 data, motion imagery 6 data, tactile imagery 4 data and olfactory imagery 4 data.Sastra merupakan karya seni yang menghasilkan karya cipta yang indah sehingga dapat dituangkan atau dikreasikan oleh manusia. Keindahan bahasa terlihat dengan mudah di dalam karya sastra, khususnya dengan menggunakan analisis stilistika. Maka dari itu penulis tertarik melakukan penelitian yang berjudul “Analisis Stilistika dalam Kumpulan Puisi Airmata Batu Karya Fakhrunnas Ma Jabbar”. Masalah dalam penelitian ini (1) bagaimana analisis stilistika unsur leksikal pada puisi Airmata Batu karya Fakhrunnas Ma Jabbar? (2) bagaimana analisis stilistika sarana retorika pada puisi Airmata Batu karya Fakhrunnas Ma Jabbar?. Penelitian ini bertujuan untuk menemukan dan menganalisis unsur leksikal dan sarana retorika yang terdapat dalam puisi Airmata Batu karya Fakhrunnas Ma Jabbar. Teori yang digunakan dalam penelitian ini adalah teori Nurgiantoro (2014) tentang stilistika, dan beberapa teori pendukung lainnya. Data penelitian ini diambil dari kumpulan puisi Airmata Batu karya fakhrunnas Ma Jabbar. Metode yang digunakan dalam penelitian ini adalah metode deskriptif. Pendekatan yang digunakan dalam penelitin ini yaitu pendekatan kualitatif. Jenis penelitian ini yaitu penelitian perpustakaan (library research). Teknik pengumpulan data mengunakan tekni hermeneutik. Teknik analisis data yaitu data yang sudah didapat dikelompokan dan disajikan, data yang dikelompokan dioloah dengan menggunakan teori-teori yang tercantum, analisis teks, interpretasi data, dan menyimpulkan data. Hasil penelitian ini sebagai berikut. Pertama, unsur leksikal yang terdapat pada puisi Airmata batu yaitu , aspek bunyi 7 data, dan aspek makna 7 data. Kedua, Sarana retorika bahasa figuratif majas perbandingan simile terdapat 3 data, metafora, 6 data, personifikasi 17 data, alegori 2 data, majas pertautan metomini penulis tidak dapat menemukannya, sinekdoki 5 data. Sarana retorika citraan penglihatan 5 data, citra pendengaran 8 data, citraan gerak 6 data, citraan rabaan 4 data dan citraan penciuman 4 data
The early history of religion (dis)proving its truth: The historical argument in Theodore Abu Qurrah and Abd al-Jabbar
No full textThe first Church father writing in Arabic, Theodore Abu Qurrah, and the first Muslim author to compose a systematic refutation of Christianity, ʿAbd al-Jabbar, both apply the historical argument in order to prove or refute the truth of Christianity. Both agree that the first followers of a religion represent an ideal way of following their religion. Abu Qurrah argued that Christianity is the true religion because its first followers were persecuted, poor and non-violent; ʿAbd al-Jabbar argued to prove that Islam is the true religion because its first followers had the divine authority to conquer and plunder. However, he had to reconstruct the history of early Christendom thoroughly to prove that it is a violent, immoral and thus a false religion. At times, Abū Qurrah and ʿAbd al-Jabbār look at the same facts from opposing perspectives; at times, they appear to have a similar perspective, but to be looking at different facts
Analysis of Symbols and Meanings of the Anthology of Autumn Tears of Poetry by Fakhrunnas Ma Jabbar
No full textWords in poetry usually contain symbols and figurative meanings. Given the importance of symbols and figurative meanings in understanding the message in poetry, the authors are interested in conducting a research entitled "Analysis of symbols and figurative meanings of the Anthology of Autumn Tears by Fakhrunnas Ma Jabbar". The problem studied in this problem is how are the symbols contained in the Anthology of Autumn Tears by Fakhrunnas Ma Jabbar? What is the figurative meaning contained in the Anthology of Autumn Tears by Fakhrunnas Ma Jabbar? The purpose of this study is to describe, analyze, and conclude the problems that have been described in the formulation of the problem, namely: the symbols contained in the Anthology of Autumn Tears of Poetry by Fakhrunnas Ma Jabbar, the figurative meanings contained in the Anthology of Autumn Tears of Poetry by Fakhrunnas Ma Jabbar. The theory used to examine or analyze this research is the theory of Sobur (2009) about symbols and Pradopo (2012) about figurative meanings, as well as other supporting theories. The data of this study were taken from the collection of poems, Tears of Autumn by Fakhrunnas Ma Jabbar. The method used is descriptive method. The approach used in this research is a qualitative approach. This type of research is library research. Data collection techniques using hermeneutic techniques. The results of this study are that there are 17 data symbols in the Anthology of Autumn Tears Poetry by Fakhrunnas Ma Jabbar. Meanwhile, in the figurative meaning, the writer finds 33 data. The figurative meaning consists of the figurative meaning of comparison (simile) as much as 5 data, the figurative meaning of metaphor 3 data, the figurative meaning of epic 3 data, the figurative meaning of allegory 2 data, the figurative meaning of personification 20 data, as well as the figurative meaning of metonymy and synecdoc cannot be found in this study. . So the figurative meaning that is more dominant in this study is the figurative meaning of personification as much as 20 data, this is because this figurative meaning can give a shadow or wish to become a real picture. By using this figurative meaning, the author is easier to imagine in his work. Meanwhile, the least found aspect is the figurative meaning of metonymy and synecdoche because these figurative meanings are rarely used in a poem.Kata-kata dalam puisi biasanya mengandung simbol dan makna kiasan. Mengingat pentingnya simbol dan makna kiasan dalam memahami pesan dalam puisi, maka penulis tertarik melakukan penelitian dengan judul” Analisis simbol dan Makna Kiasan Antologi Puisi Air Mata Musim Gugur Karya Fakhrunnas Ma Jabbar”. Masalah yang diteliti dalam masalah ini adalah bagaimanakah simbol yang terdapat dalam Antologi Puisi Air Mata Musim Gugur Karya Fakhrunnas Ma Jabbar? bagaimanakah makna kiasan yang terdapat dalam Antologi Puisi Air Mata Musim Gugur Karya Fakhrunnas Ma Jabbar? Tujuan dalam penelitian ini untuk mendeskripsikan, menganalisis, dan menyimpulkan terhadap permasalahan yang telah diuraikan pada perumusan masalah, yakni: Simbol yang terdapat dalam Antologi Puisi Air Mata Musim Gugur Karya Fakhrunnas Ma Jabbar, makna kiasan yang terdapat dalam Antologi Puisi Air Mata Musim Gugur Karya Fakhrunnas Ma Jabbar. Teori yang digunakan untuk menelaah atau menganalis penelitian ini adalah teori Sobur (2009) tentang simbol dan Pradopo (2012) tentang makna kiasan, serta teori-teori pendukung lainnya. Data penelitian ini diambil dari kumpulan puisi Air Mata Musim Gugur Karya Fakhrunnas Ma Jabbar. Metode penelitian yang digunakan adalah metode deskriptif. Pendekatan yang digunakan dalam penelitian ini yaitu pendektan kualitatif. Jenis penelitian ini adalah penelitian kepustakaan. Teknik pengumpulan data menggunakan teknik hermeneutik. Hasil penelitian ini adalah terdapat simbol dalam Antologi Puisi Air Mata Musim Gugur Karya Fakhrunnas Ma Jabbar sebanyak 17 data Sedangkan pada makna kiasan penulis menemukan sebanyak 33 data. Makna kiasan terdiri dari makna kiasan perbandingan (simile) sebanyak 5 data, makna kiasan metafora 3 data, makna kiasan epos 3 data, makna kiasan alegori 2 data, makna kiasan personifikasi 20 data, serta makna kiasan metonomia dan sinekdok tidak dapat ditemukan dalam penelitian ini. Jadi makna kiasan yang lebih dominan dalam penelitian ini adalah makna kiasan personifikasi sebanyak 20 data, hal ini disebabkan makna kiasan ini dapat memberikan bayangan atau angan menjadi gambaran yang nyata. Dengan menggunakan makna kiasan ini, pengarang lebih mudah berimajinasi dalam karyanya. Sedangkan aspek yang paling sedikit ditemukan adalah makna kiasan metonimia dan sinekdoki karena makna kiasan ini lebih jarang dijumpai pemakaiannya dalam sebuah puisi
Le monde de l'enfance chez Jabbar Yassin Hussin et l'écriture de la vie chez Annie Ernaux.
No full textDeux auteurs sont présents dans mon travail : l'écrivaine française Annie Ernaux et l'écrivain irakien Jabbar Yassin Hussin, ce sont les deux piliers sur lesquels se base mon analyse. C'est la condition de la femme qui s'impose fortement dans les écrits d'Annie Emaux où le féminisme atteint un degré maximal et où se croisent deux facteurs : L'inégalité des rôles entre la femme et l'homme, d'un côté, et d'un autre côté l'injustice masculine pratiquée sur les femmes par les hommes ainsi que par la société. Ce travail présente le visage semi-caché de l'auteure française où se mêlent l'enfance et l'intime, l'avortement et la mort, la relation conflictuelle des parents et leur amour. L'écriture chez elle est une pratique qui lui permet de relire sa vie passée pour en déduire les douleurs possibles. Cette même pratique d'écriture permet à l'écrivain irakien de retrouver l'enfant perdu qui vit dans son intérieur. Cet enfant autobiographique pousse Jabbar Yassin Hussin à relire son pays, dont il ne cesse de boire l'eau et de sentir l'air, pour guérir sa douleur du dépaysement. Notre étude montre donc que l'écriture exprime une cicatrice transcendée. Les deux auteurs expriment et s'expriment à partir d'un enfant qui leur semble à la fois étrange et familier, mais en vérité autobiographique. Annie Emaux écrit et dissèque une enfance vécue tandis que Jabbar Yassin Hussin explore une enfance perdue. Les deux écrivains sont proche l'un à l'autre au stade de la perte, l'écrivaine française cherche à cicatriser ses blessures de femme blessée et (( gelée . L'irakien vise à remédier à la perte de son pays.Les deux auteurs cherchent, d'abord, à effacer les traces de cette perte et tiennent, ensuite, à réécrire des nouveaux traits de leur vie où la perte se transforme en mots. Annie Emaux raconte ses années à partir d'une mémoire riche et illustre ces années par des photos où apparaît d'abord une petite fille, puis une femme et finalement une vieille dame qui cherche à saisir le dernier fil d'espoir de son existence : l'écriture.Jabbar Yassin Hussin cherche, quant à lui, à raconter l'Irak, son pays d'origine, où l'enfant (auteur et narrateur) a passé des débuts d'existence tranquille et pour retrouver, de nouveau, beaucoup plus tard cette tranquillité première ; il prend l'écriture comme une solution indispensable et invulnérable. Notre étude se base donc sur trois notions : l'enfance, l'autobiographie et l'écriture comme solution pour échapper à une perte essentielle et existentielle chez nos deux auteurs.The two authors that presents my work are: the French writer Annie Emaux and the Iraqi writer Jabbar Yassin Hussin, they are the Two pillars which an: my analyses based on. It is the condition of the woman which imposes itself strongly in Annie Emaux's writings where the feminism reach a maximum degree and where two factors are intersects: inequality of roles between the women and man, in one side, and In the other side the male injustice which is practice on the woman from the men and also from the society. This work presents the semi hidden face of the French author where the childhood and intimacy, abortion and death, conflictual relations of parents and their love, are mixed. The writing for her is a practice which permits to her to re read her past life in order to reduce possible pains. It is the same writing practice which permits to the Iraqi writer to re find the lost child who is living inside him. This autobiographical child push Jabbar Yassin Hussin to re read his country which he could not stop himself from drinking from its water and breathing its air to heal his pain of exile. So our study shows that the writing express of an oppressive scar. The two writers expressed themselves through a child who seems to them strange and familiar at the same time, but he is in reality autobiographical. Annie Emaux writes and dissects living childhood while Jabbar Yassin Hussin is exploring a lost childhood. The two writers are close to each other on the field of loss. the French writer is searching for dressing her wound as an injury and frozen woman". The Iraqi one seeks to therapy his lost of his country. The two authors search at the beginning to erasure the traces of that loss and trying to re-write a new features of their life where the loss is transformed in words. Annie Emaux tells her years through a rich memory and she illustrate these years by pictures where firstly a small girl appears then a woman and finally an old lady who is look for holding the last hope thread of her existence: the writing. Jabbar Yassin Hussin search for narrating Iraq, bis origin country, where the child (author and narrator) spend the beginning of his tranquility existing and to re-find, once again, Later that first tranquility; he takes the writing as an indispensable and an invulnerable solution. Our study is based on three notions: the childhood, the autobiography and the writing as a solution to escape from the essential and existential loss for our two authors.TOURS-Bibl.électronique (372610011) / SudocSudocFranceF
The world of chilhood for Jabbar Yassin Hussin and the writing of life for Annie Ernaux
No full textDeux auteurs sont présents dans mon travail : l'écrivaine française Annie Ernaux et l'écrivain irakien Jabbar Yassin Hussin, ce sont les deux piliers sur lesquels se base mon analyse. C'est la condition de la femme qui s'impose fortement dans les écrits d'Annie Emaux où le féminisme atteint un degré maximal et où se croisent deux facteurs : L'inégalité des rôles entre la femme et l'homme, d'un côté, et d'un autre côté l'injustice masculine pratiquée sur les femmes par les hommes ainsi que par la société. Ce travail présente le visage semi-caché de l'auteure française où se mêlent l'enfance et l'intime, l'avortement et la mort, la relation conflictuelle des parents et leur amour. L'écriture chez elle est une pratique qui lui permet de relire sa vie passée pour en déduire les douleurs possibles. Cette même pratique d'écriture permet à l'écrivain irakien de retrouver l'enfant perdu qui vit dans son intérieur. Cet enfant autobiographique pousse Jabbar Yassin Hussin à relire son pays, dont il ne cesse de boire l'eau et de sentir l'air, pour guérir sa douleur du dépaysement. Notre étude montre donc que l'écriture exprime une cicatrice transcendée. Les deux auteurs expriment et s'expriment à partir d'un enfant qui leur semble à la fois étrange et familier, mais en vérité autobiographique. Annie Emaux écrit et dissèque une enfance vécue tandis que Jabbar Yassin Hussin explore une enfance perdue. Les deux écrivains sont proche l'un à l'autre au stade de la perte, l'écrivaine française cherche à cicatriser ses blessures de femme blessée et (( gelée ». L'irakien vise à remédier à la perte de son pays.Les deux auteurs cherchent, d'abord, à effacer les traces de cette perte et tiennent, ensuite, à réécrire des nouveaux traits de leur vie où la perte se transforme en mots. Annie Emaux raconte ses années à partir d'une mémoire riche et illustre ces années par des photos où apparaît d'abord une petite fille, puis une femme et finalement une vieille dame qui cherche à saisir le dernier fil d'espoir de son existence : l'écriture.Jabbar Yassin Hussin cherche, quant à lui, à raconter l'Irak, son pays d'origine, où l'enfant (auteur et narrateur) a passé des débuts d'existence tranquille et pour retrouver, de nouveau, beaucoup plus tard cette tranquillité première ; il prend l'écriture comme une solution indispensable et invulnérable. Notre étude se base donc sur trois notions : l'enfance, l'autobiographie et l'écriture comme solution pour échapper à une perte essentielle et existentielle chez nos deux auteurs.The two authors that presents my work are: the French writer Annie Emaux and the Iraqi writer Jabbar Yassin Hussin, they are the Two pillars which an: my analyses based on. It is the condition of the woman which imposes itself strongly in Annie Emaux's writings where the feminism reach a maximum degree and where two factors are intersects: inequality of roles between the women and man, in one side, and In the other side the male injustice which is practice on the woman from the men and also from the society. This work presents the semi hidden face of the French author where the childhood and intimacy, abortion and death, conflictual relations of parents and their love, are mixed. The writing for her is a practice which permits to her to re read her past life in order to reduce possible pains. It is the same writing practice which permits to the Iraqi writer to re find the lost child who is living inside him. This autobiographical child push Jabbar Yassin Hussin to re read his country which he could not stop himself from drinking from its water and breathing its air to heal his pain of exile. So our study shows that the writing express of an oppressive scar. The two writers expressed themselves through a child who seems to them strange and familiar at the same time, but he is in reality autobiographical. Annie Emaux writes and dissects living childhood while Jabbar Yassin Hussin is exploring a lost childhood. The two writers are close to each other on the field of loss. the French writer is searching for dressing her wound as an injury and «frozen woman". The Iraqi one seeks to therapy his lost of his country. The two authors search at the beginning to erasure the traces of that loss and trying to re-write a new features of their life where the loss is transformed in words. Annie Emaux tells her years through a rich memory and she illustrate these years by pictures where firstly a small girl appears then a woman and finally an old lady who is look for holding the last hope thread of her existence: the writing. Jabbar Yassin Hussin search for narrating Iraq, bis origin country, where the child (author and narrator) spend the beginning of his tranquility existing and to re-find, once again, Later that first tranquility; he takes the writing as an indispensable and an invulnerable solution. Our study is based on three notions: the childhood, the autobiography and the writing as a solution to escape from the essential and existential loss for our two authors
Dari Ushul Fiqh Menuju Filsafat Fiqh: Membaca Gagasan ‘Abd al-Jabbar ar-Rifa’i Tentang Filsafat Fiqh
No full textThis article intends to elaborate in depth on Abd al-Jabbar ar-Rifa'i's (AJR) thoughts about the philosophy of fiqh. This topic is particular because AJR explicitly uses the term the philosophy of fiqh as a new study in Islamic law, as a new branch of ushul fiqh. To deeply explain the concept of the philosophy of fiqh and its position in Islamic law studies, the author uses qualitative descriptive research with a philosophical approach, especially the philosophy of science. This research found that AJR limits the philosophy of fiqh in a loose definition, whereas a material object, fiqh, is approached with a philosophical and sociological perspective. The philosophy of fiqh is also compared with other traditions in Islamic law studies, such as ushul fiqh and maqashid asy-syari’ah. With these broad boundaries, the AJR concept of the philosophy of fiqh is flexible. It opens up opportunities for developing broad fiqh studies when faced with developments in modern science and responding to various contemporary problems the Muslim community faces. The philosophy of fiqh in this article also shows the shifting paradigm cycle in the study of fiqh or Islamic law
In vivo lung injury caused by Pseudomonas aeruginosa DNA
No full textAbstract Noticeable inflammatory reactions in rats lungs were caused by DNA isolated from Pseudomonas aeruginosa include infiltration of macrophages, neutrophiles and lymphocytes. Additionally, fibromuscular hypertrophy of smooth muscles in respiratory bronchiols was seen as well. Since lung homogenate shows no bacterial growth in all samples. Consequently, these inflammatory signs were attributed to DNA effect rather than any other cause. In conclusion, apart from live bacteria, P. aeruginosa DNA has the ability to cause inflammatory response in rat model airways
Un cielo scuro di stelle – Terra d’Oblio, (introduzione, traduzione dall'arabo, note e cura)
No full textHere the author leaves the task of recalling the Iraqi history to the writing; in fact he brings to mind two chronological tragic moments: the Karbala tragedy of 680 d.c. when the Shia were awfully massacred, and the 1991 revolt when again the Shia members were dreadfully slaughtered by Saddam.
As almost all his texts, this one too deals with the trauma of exile, loss of home and identity. Both home and exile are stripped of any mystique – and yet the author, by his own admission, can still not overcome either the sense of nostalgia or otherness he feels as a result of his experiences of exile. He writes to exist, to preserve the memory and to support the burden of déracinement
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