1,721,255 research outputs found
Data for: Bioavailable 87Sr/86Sr in European soils: a baseline for provenancing studies
No full textThis data was used in the preparation of STOTEN-D-19-01624 "Bioavailable 87Sr/86Sr in European soils: a baseline for provenancing studies.Authors: Jurian A. Hoogewerff a,f,g,i,, Clemens Reimann b,i, Henriette Ueckermann c,g, Robert Frei d, Karin M. Frei e, Thalita van Aswegen f, Claudine Stirling f, Malcolm Reid f, Aaron Clayton g, Anna Ladenberger h,i and The Gemas Project Team i:a) National Centre for Forensic Studies, University of Canberra, Australia, b) Geological Survey of Norway, Trondheim, Norway, c) Dept. of Geology, University of Johannesburg, South Africa, d) Dept. of Geoscience and Natural Resource Management, University of Copenhagen, Denmark,e) The National Museum of Denmark, Denmark,f) Dept. of Chemistry, University of Otago, Dunedin, New Zealand, g) School of Chemistry, University of East Anglia, Norwich, UK, h) Geological Survey of Sweden, Uppsala, Sweden,i) EUROGEOSURVEYS, Brussels, BelgiumCorresponding author: Jurian Hoogewerff: email: [email protected] data allows the geographical provenancing of soil and related matters on the basis of their Sr isotope signature through the creation of likelihood ratio maps. The data and script provided are experimental and the authors are not liable for any misuse or unexpected outcomes of the data and scripts for legal applications or otherwise
Journal of Geochemical Exploration
No full textDe Vivo B. (con Hoogewerff J.) é Chief Editor di Journal of Geochemical Exploration e come tale é responsabile di tutti i lavori e dei volumi pubblicati dalla rivista
Le tombeau-autel du cardinal Philippe d'Alençon à Sainte-Marie du Trastevere
No full textHoogewerff G.-J. Le tombeau-autel du cardinal Philippe d'Alençon à Sainte-Marie du Trastevere. In: Mélanges d'archéologie et d'histoire, tome 43, 1926. pp. 43-60
Data for: Bioavailable 87Sr/86Sr in European soils: a baseline for provenancing studies
No full textThis data was used in the preparation of STOTEN-D-19-01624 "Bioavailable 87Sr/86Sr in European soils: a baseline for provenancing studies.Authors: Jurian A. Hoogewerff a,f,g,i,, Clemens Reimann b,i, Henriette Ueckermann c,g, Robert Frei d, Karin M. Frei e, Thalita van Aswegen f, Claudine Stirling f, Malcolm Reid f, Aaron Clayton g, Anna Ladenberger h,i and The Gemas Project Team i:a) National Centre for Forensic Studies, University of Canberra, Australia, b) Geological Survey of Norway, Trondheim, Norway, c) Dept. of Geology, University of Johannesburg, South Africa, d) Dept. of Geoscience and Natural Resource Management, University of Copenhagen, Denmark,e) The National Museum of Denmark, Denmark,f) Dept. of Chemistry, University of Otago, Dunedin, New Zealand, g) School of Chemistry, University of East Anglia, Norwich, UK, h) Geological Survey of Sweden, Uppsala, Sweden,i) EUROGEOSURVEYS, Brussels, BelgiumCorresponding author: Jurian Hoogewerff: email: [email protected] data allows the geographical provenancing of soil and related matters on the basis of their Sr isotope signature through the creation of likelihood ratio maps. The data and script provided are experimental and the authors are not liable for any misuse or unexpected outcomes of the data and scripts for legal applications or otherwise.THIS DATASET IS ARCHIVED AT DANS/EASY, BUT NOT ACCESSIBLE HERE. TO VIEW A LIST OF FILES AND ACCESS THE FILES IN THIS DATASET CLICK ON THE DOI-LINK ABOV
Introduction. G.J. Hoogewerff, Explorer in Art History
No full textG.J. Hoogewerff (1884-1963) was director of the Netherlands Historical Institute in Rome, professor at the University of Utrecht, and director of the Netherlands Art Historical Institute in Florence. In 2012, it was the 75th anniversary of the publication of his five-volume history of medieval painting in the northern Netherlands. In the introduction to the papers of the conference organized on this occasion, an overview is given of the art historian's life and career, with particular stress on his ideas on development in art history and iconology
Introduction. G.J. Hoogewerff, Explorer in Art History
No full textG.J. Hoogewerff (1884-1963) was director of the Netherlands Historical Institute in Rome, professor at the University of Utrecht, and director of the Netherlands Art Historical Institute in Florence. In 2012, it was the 75th anniversary of the publication of his five-volume history of medieval painting in the northern Netherlands. In the introduction to the papers of the conference organized on this occasion, an overview is given of the art historian's life and career, with particular stress on his ideas on development in art history and iconology
Going Beyond Counting First Authors in Author Co-citation Analysis
No full textThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
No full text“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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