1,486,404 research outputs found
Guy coming to the south, parents (talking)
No full textGuy Carawan and his wife, Candie, talk to a group of high school students from Paideia school in Atlanta. The group is led by John Sundale. Guy was an employee of Highlander school where this interview takes place
Oral History Interview with Guy Owensby
No full textThe National Museum of the Pacific War presents an oral interview with Guy Owensby. Owensby joined the Navy in 1943 and trained at Great Lakes. After boot training, Owensby was trained in radar and radio countermeasures. He was stationed at Pearl Harbor for three months instructing on the use of radar before being assigned to USS El Dorado (AGC-11). On one occasion, he rode in a B-29 from Saipan scouting the route to Iwo Jima prior to the invasion. When the invasion came, Owensby was back aboard the El Dorado just off the coast of Iwo Jima. He was also at Okinawa and recalls experiences witnessing kamikazes. He was discharged in April 1946
McKhann, Guy -- 1989-93 -- Correspondence, Individual -- letter, 1989-04-14
No full textLetter from McKhann, Guy M. to Sabin, Albert B. dated 1989-04-14.Sabin Collection Fair Use Policy</a
Maupassant contista traduzido em analogias brasileiras: paratextos
No full textTese (doutorado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Estudos da Tradução, Florianópolis, 2014O presente trabalho tem como objetivo principal analisar os elementos paratextuais presentes em doze antologias, dos séculos XX e XXI, traduzidas no Brasil, de Guy de Maupassant, autor francês do século XIX, pretendendo revelar como o autor e sua obra são apresentados ao leitor brasileiro, através dos paratextos. Foram analisadas somente as antologias traduzidas com contos do autor francês, não considerando as publicações mistas. O principal referencial teórico abordado foi fundamentado nas reflexões de Gérard Genette (2009) e Marie-Hèléne C. Torres (2011).Abstract: The main objective of this work is to examine the paratextual elements in twelve anthologies of the French author Guy de Maupassant's short stories, translated and published in the 20th and 21st centuries in Brazil, in order to disclose how the writer and his oeuvre are presented to the Brazilian reader, through the use of paratexts. I analysed only the translated anthologies with short stories from the author himself; anthologies that had other authors as well were not considered. The main theoretical framework was based on the reflections of Gérard Genette (2009) and Marie-Hèléne C. Torres (2011)
Spectacular Developments: Guy Debord's Parapolitical Turn
No full textFollowing the attacks of September 11th, 2001, Guy Debord’s concept of ‘the
spectacle’ re-emerged in the work of a variety of theorists as a critical prism through
which the attacks and subsequent ‘War on Terror’ could be approached. Debord’s
first book on the spectacle (1967) was written in the context of France’s post-war
boom; his later reflections, contained in a series of minor works written throughout
the seventies and eighties, are heavily influenced by Italy’s ‘Years of Lead’ and a
broader geopolitical climate of armed struggle, terrorism, counter-insurgency and
espionage. Nearly all post-9/11 invocations of Debord’s concept draw on the version
elucidated in Debord’s 1967 book, with its emphasis on commodity fetishism,
ideology, and alienation, and fail to engage his later work and its focus on terrorism,
secrecy, and conspiracy. Among those that do in fact reference Debord’s later work
are several writers whose work could pejoratively be labelled ‘conspiracy theory’.
Looking at Debord’s oeuvre as whole, and investigating how it combines a critique of
late capitalism in its totality with parapolitcal concerns of ‘systemic clandestinity’,
Spectacular Developments: Guy Debord’s Parapolitical Turn provides a bolstered
conception of the spectacle that aims to reconfigure the conceptual foundations of this
debate. This conception of the spectacle allows one to approach the 9/11 attacks and
all that followed in their wake with both a precision and a breadth lacking in these
other works, demonstrating the superficiality of readings that make the concept
synonymous with the mass media or that attempt to unravel nefarious conspiracies of
power. Simultaneously, this approach foregrounds the epistemological and strategic
challenges faced by researchers, politicians and activists working in and on the
society of the spectacle
Guy Bruit
No full textBruit Guy. Guy Bruit. In: Raison présente, n°89, 1er trimestre 1989. Question a la philosophie. pp. 23-24
Guy Axworthy
No full textGuy Axworthy, 1902-1933. Black and white photograph of the life-size bronze statue of Harness Racing Hall of Fame stallion Guy Axworthy near the cemetery entrance at Walnut Hall Farm, Lexington, Kentucky. Born into the stables of John Shults of Brooklyn, N.Y. in 1902, by Axworthy out of Lillian Wilks by Guy Wilks, Guy Axworthy failed to turn in a stellar racing career but once retired to stud in 1908, Guy Axworthy proved to be a sire of so many futurity winners, his bloodline nearly dominated the field. According to race cards in the Guy Kendall collection, starting in 1924 through 1938, Guy Axworthy is noted as siring approximately 41 horses housed in stables throughout New England. In 1916, Guy Axworthy was acquired by Walnut Hall Farm where he spent the balance of his life as a prized stud. He died at the farm in 1933. Movie footage of the September 23, 1934 unveiling of the statue is available in the University of South Carolina archives: http://mirc.sc.edu/islandora/object/usc%3A26506https://digitalcommons.library.umaine.edu/kendall_images/3296/thumbnail.jp
Oral History Interview with Guy Stayton, August 9, 2001
No full textThe National Museum of the Pacific War presents an interview with Guy Stayton. Stayton joined the Navy in December of 1942. He worked as an Electrician’s Mate aboard a Landing Craft Infantry, the USS USS LCI-400. Stayton provides some details of the ship. He worked in the engine room and shares details of his work aboard the ship. They traveled to England, and he shares his experiences there prior to the invasion of France. They served with the first wave participating in the Normandy Invasion. They delivered the 45th Infantry Division into southern France. Stayton contracted Hepatitis with infectious Jaundice and remained in a Naval Hospital for 5 months. He was then sent back to the US. After recovery he was assigned to the USS LST-387 and the war ended shortly thereafter. He was discharged in March of 1946
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A note from Guy Burch to Dr. Hector P. Garcia.
No full textA note of thanks for remembrance from Guy Burch to Dr. Hector P. Garcia
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