1,721,475 research outputs found
FIGURE 4 in A new species of the genus Fernandezina Birabén, 1951 (Araneae: Palpimanidae Otiothopinae) from Colombia
FIGURE 4. Distribution of the Fernandezina species in Colombia.Published as part of Martínez, Leonel & Gutierrez, Luis Carlos, 2021, A new species of the genus Fernandezina Birabén, 1951 (Araneae: Palpimanidae Otiothopinae) from Colombia, pp. 596-600 in Zootaxa 4949 (3) on page 600, DOI: 10.11646/zootaxa.4949.3.12, http://zenodo.org/record/464036
Fernandezina Biraben 1951
Genus <i>Fernandezina</i> Birabén, 1951 <p> <i>Fernandezina</i> Birabén, 1951: 545. Type species by original designation <i>Fernandezina pulchra</i> Birabén, 1951.</p>Published as part of <i>Martínez, Leonel & Gutierrez, Luis Carlos, 2021, A new species of the genus Fernandezina Birabén, 1951 (Araneae: Palpimanidae Otiothopinae) from Colombia, pp. 596-600 in Zootaxa 4949 (3)</i> on page 596, DOI: 10.11646/zootaxa.4949.3.12, <a href="http://zenodo.org/record/4640367">http://zenodo.org/record/4640367</a>
FIGURE 1 in A new species of the genus Fernandezina Birabén, 1951 (Araneae: Palpimanidae Otiothopinae) from Colombia
FIGURE 1. Fernandezina grismadoi sp. nov., male holotype (IAvH-I-3752). A–C. Habitus. A. Dorsal view. B. Lateral view. C. Ventral view. D–F. Left palp. D. Prolateral view. E. Ventral view. F. Retrolateral view. Scale bars: A–C: 1mm; D–F: 0.2mm.Published as part of Martínez, Leonel & Gutierrez, Luis Carlos, 2021, A new species of the genus Fernandezina Birabén, 1951 (Araneae: Palpimanidae Otiothopinae) from Colombia, pp. 596-600 in Zootaxa 4949 (3) on page 597, DOI: 10.11646/zootaxa.4949.3.12, http://zenodo.org/record/464036
A new species and new records of Pachychernes Beier, 1932 from Colombia (Pseudoscorpiones, Chernetidae)
Marimon, Karla, Villarreal-Blanco, Eduardo, Romero-Ortiz, Catalina, Gutierrez, Luis C. (2021): A new species and new records of Pachychernes Beier, 1932 from Colombia (Pseudoscorpiones, Chernetidae). Zootaxa 4999 (4): 363-376, DOI: https://doi.org/10.11646/zootaxa.4999.4.
La gestión del tiempo en obras de edificación para optimizar el plazo contractual
La presente investigación está enmarcada en el uso de herramientas tecnológicas que nos permitan un uso eficiente de la gestión de obras de edificaciones. Por ello, tiene como objetivo principal determinar mejoras de gestión del tiempo en obras de edificación con la finalidad de optimizar el plazo contractual mediante herramientas de gestión. Esta tesis de acuerdo a la metodología de investigación es de enfoque cuantitativo, según la finalidad es aplicada, de nivel correlacional, tipo de diseño es no experimental y por la prolongación en el tiempo es transversal. Asimismo, se ha aplicado el método del caso utilizando la data del proyecto 'Excavación masiva y muro pantalla' del edificio multifamiliar Arica'. Las herramientas y metodologías utilizadas son Lean Construction, BIM y el valor ganado del PMI. En la presente investigación se analizó la situación de un proyecto planificado de la manera tradicional y se comparó la línea base utilizando las metodologías señaladas en las etapas de planificación, ejecución y seguimiento y control. La conclusión principal fue que con la aplicación tecnológica de herramientas y metodologías actuales el plazo de la obra de edificación se optimiza en un 8.70% respecto a realizarlo de la manera tradicional.Submitted by Hidalgo Alvarez Jofre ([email protected]) on 2022-05-02T03:31:38Z
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Previous issue date: 2021Tesi
FIGURE 7 in A new species and new records of Pachychernes Beier, 1932 from Colombia (Pseudoscorpiones, Chernetidae)
FIGURE 7. Schematic representation. of spermathecae. A. Pachychernes florezi sp. n. B. Pachychernes zehorum.Published as part of Marimon, Karla, Villarreal-Blanco, Eduardo, Romero-Ortiz, Catalina & Gutierrez, Luis C., 2021, A new species and new records of Pachychernes Beier, 1932 from Colombia (Pseudoscorpiones, Chernetidae), pp. 363-376 in Zootaxa 4999 (4) on page 373, DOI: 10.11646/zootaxa.4999.4.6, http://zenodo.org/record/511930
FIGURE 9 in A new species and new records of Pachychernes Beier, 1932 from Colombia (Pseudoscorpiones, Chernetidae)
FIGURE 9. Known distribution of extant species of Pachychernes.Published as part of Marimon, Karla, Villarreal-Blanco, Eduardo, Romero-Ortiz, Catalina & Gutierrez, Luis C., 2021, A new species and new records of Pachychernes Beier, 1932 from Colombia (Pseudoscorpiones, Chernetidae), pp. 363-376 in Zootaxa 4999 (4) on page 374, DOI: 10.11646/zootaxa.4999.4.6, http://zenodo.org/record/511930
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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