2,082 research outputs found
[[alternative]]the Land Use and the Agricultural Management in Chin-Sang Plain
No full text[[abstract]]The article is trying to research the land use and the
agricultural management in Chin-Sang Plain by the essence of
geography, that is man-land relation, spatial speciality and
regional characterization. From the spatial speciality on the
land use in Chin-Sang Plain, we know the speciality of the
agricultural management is that the differences of the land use
between average farmers and three main farms. So, this research
stsrts from the frameworkof rebuilding the land use. The second
chapter is to realize the beginning andthe process of its
cultivation. And the third, fourth, fifth chapters are touse the
spatial speciality as the basis to discover the speciality of
the land use and the agricultural management in Chin-Sang Plain
right now. The result of this research is the following:
Chin-Sang locates in the inner of Taitung longitud inal valley.
It devolped in the period of the Chin's governing and was call
"Shin-Kai-Weir" at that time. In the early period, people had an
eye to the prosperity of the land here. They cultivated the land
and chose the river terrace with higher land in back as their
villages. At that time, the villages sperated in lines along the
river terrace, and the paddy field were in the eastern side of
the plain. Howere, in the early period of Chin's governing,
itwas put "closure policy" under a ban. It developed slowly with
very small space. So that, there was a large piece of
uncultivated area used by Japanese later. During the Japanese
rulling period, the paddy field in "old land" developed rapidly.
And the emphasis of the development was on the margin, the
Japanese villages for migrants were set up first. Therefore, the
Shin-Kai-Weir was changed its name into "Chin-Sang" . Under the
Japanese migrating policy and the bad developing environment,
although the government took very active attitude, the effect
was still bad. In the late period of Japanese rulling, because
the western migrants rushed in, Chin-Sang had a new vision. The
clutivation was taken place rapidly. When Taiwan was recoveried,
the lands of the Japanese companies and the private in Chin-Sang
become the public lands. Most of them were cultivated by
farmers. When the Homestead Act was passed, the lands (about 160
ha) of Wahn-Chinau village for migrants was given to farmers.
And the hillside (about 1,800 ha) was rented to farmers by the
Land Bank. Almost 900 ha of the plain was planned to be the
cooperative farm, so the agricultural management in Chin-Sang
Plain is so complicated today. There are average farmers and
three main farms in Chin-Sang. The cultivation in Chin-Sang
is taken place from rice growing. However, Chin-Sang is formed
by three alluvial fans, but not a plain with equal qualities.
Moreover, the conditions of the irrigations are different, and
to cultivate different crops in different districts. But now,
they all grow rice. Farmers attend to produce excellent quality
of rice, and they also have the new technique to grow rice. The
hillside is another important district to farmers. Most of the
managers in the hillside have farms inplain. They cultivate the
hillside without care. Another import manager of the agriculture
is farms, and the relationship between farms and farmers is
changed with time. The most closed relationship with farmers is
the Land Bank. When the homesteade act was passed in 1992,
Taitung Farm broke its closure. Many people retired from army
rented their lands to farmers. And Taiwan Sugar Company changes
to manage pasture and loses the interaction with local farmers.
To conclude, the speciality of the agricultural management in
Chin-Sang Plain is because of the spatial speciality for the
land use -- that is the skeleton of the management by average
farmers and three main farms. Therefore, it is the product of
natural environment and the policy. It's the result of
historical development.
Gaya Kepemimpinan Dalam Novel Sang Guru Karya Kahlil Gibran
No full text Leadership style in the novel of Sang Guru by Kahlil Gibran as understanding about the character and development of the community or of the literary works of the critics and historians especially reveals about the author who is influenced by the status of society where it originated, and social, political ideology, economic conditions as well as its target audience. With sociology of literature, the researcher wants to see the extent to which the literary work has a style of leadership. Here some leadership style found (1) Supportive Leadership, for example: the behavior of the teacher figure who always motivate the student, being friendly to the student, being good example, making himself as role model. (2) Participate Leadership, the involvement of the teacher in pursuing the success of the student, solving problems faced by the pupil, not apathy in dealing with the student.
Abstrak
Gaya Kepemimpinan dalam Novel Sang Guru Karya Kahlil Gibran merupakan pengetahuan tentang sifat dan perkembangan masyarakat dari mengenai karya sastra para kritikus dan sejarawan yang terutama mengungkapkan pengarang yang dipengaruhi oleh status lapisan masyarakat tempat ia berasal, ideologi politik dan sosialnya, kondisi ekonimi serta khalayak yang ditujunya. Dengan pendekatan sosiologi sastra, peneliti hendak melihat sejauh mana karya sastra itu memiliki Gaya kepemimpinan. Adapun kategori gaya kepemimpinan (1) Supportive Leadership, misalnya: perilaku tokoh sang guru yang selalu memberi motivasi kepada sang murid, bersikap ramah terhadap sang murid, memberi contoh yang baik, menjadikan dirinya sebagai teladan. (2)Participate Leadership.adanya keterlibatan sang guru secara aktif dalam mengupayakan kesuksesan sang murid, ikut memecahkan masalah yang dihadapi sang murid, tidak apatis dalam menyikapi respon balik sang murid.Gaya Kepemimpinan dalam Novel Sang Guru Karya Kahlil Gibran merupakan pengetahuan tentang sifat dan perkembangan masyarakat dari atau mengenai sastra karya para kritikus dan sejarawan yang terutama mengungkapkan pengarang yang dipengaruhi oleh status lapisan masyarakat tempat ia berasal, ideologi politik dan soaialnya, kondisi ekonimi serta khalayak yang ditujunya. Dengan pendekatan sosiologi sastra, peneliti hendakmelihat sejauh mana karya sastra itu memiliki Gaya kepemimpinan.(1) Supportive Leadership, misalnya: perilaku tokoh sang guru yang selalu memberi motivasi kepada sang murid, bersikap ramah terhadap sang murid, memberi contoh yang baik, menjadikan dirinya sebagai teladan. (2)Participate Leadership.adanya keterlibatan sang guru secara aktif dalam mengupayakan kesuksesan sang murid, ikut memecahkan masalah yang dihadapi sang murid, tidak apatis dalam menyikapi respon balik sang murid
To Sang Fotostudio / "To Sang Fotostudio" : coda - Alicja - sense
No full textSequel lub koda artykułu poświęconego filmowi To Sang Fotostudio, który został opublikowany w setnym, jubileuszowym wydaniu "Kwartalnika Filmowego". Autor postanowił odwiedzić miejsce, gdzie nakręcono dokument Johana van der Keukena, nie tyle po to, by przeprowadzić tam śledztwo, ile by zrealizować rodzaj eksperymentu - wizyta miała stanowić okazję do otwarcia się na doświadczenie, z założenia niekompletne i zamknięte w obrębie kilku dni. Tekst jest nie tyle uzupełnieniem interpretacji zawartej w poprzednim artykule, ile raczej próbą zastanowienia się nad wartością poznawczą indywidualnego doświadczenia w kontekście rozpoznania możliwych znaczeń dzieła filmowego. Pitrus przyjmuje postawę skrajnie subiektywną, ale sugeruje, że i takie odczytania mogą mieć sens dla czytelnika. W wyprawie brali także udział bliski przyjaciel autora Artur Piskorz i Miłość Jego Życia - Alicja Helman. Ich obecność była wielce znacząca dla powodzenia przedsięwzięcia.A sequel or coda of the article devoted to the film "To Sang Fotostudio", which was published in the hundredth, jubilee edition of the "Kwartalnik Filmowy". The author decided to visit the place where Johan van der Keuken’s documentary was made. The purpose of the expedition was not so much to conduct an investigation, but an experiment - the visit was to be an opportunity to open up oneself to experience, that is by assumption incomplete and closed within a few days. The text is not so much a complement to the interpretation contained in the previous article, but rather an attempt to reflect on the cognitive value of individual experience in the context of recognizing the possible meanings of a film work. Andrzej Pitrus takes an extremely subjective attitude, but suggests that such readings may make sense for the reader. In the expedition, the close friend of the author Artur Piskorz and the Love of his Life - Alicja Helman also took part. Their presence was very significant for the success of the undertaking
KOMODIFIKASI BUDAYA MINUM KOPI DI KEDAI SANG PEJOANG LEMBANG
No full textABSTRAK
Budaya minum kopi sambil menyaksikan live music saat ini menjadi trend dan marak dimana-mana khusunya di kedai Kopi Sang Pejoang kota Lembang. Teori yang digunakan dalam penelitian ini adalah teori komodifikasi oleh Karl Marx dan Vincent Mosco. Teori ini digunakan untuk mendeskripsikan bagaimana budaya minum kopi di kedai Kopi Sang Pejoang Lembang dan pengaruhnya yang didapatkan melalui live music terhadap aktivitas yang terjadi serta menjelaskan perubahan setelah adanya komodifikasi. Penelitian ini menggunakan metode penelitian kualitatif di mana penulis disini mendeskripsikan hasil analisis data melalui observasi, wawancara, dan dokumentasi. Adapun hasil penelitian yang dihasilkan adalah 1) budaya minum kopi, 2) pengaruh live music, dan 3) gaya hidup yang terjadi di kedai kopi Sang Pejoang Lembang.
Kata Kunci : Kopi, Live music, Komodifikasi.
ABSTRACT
The culture of drinking coffee while watching live music is now trendy and rife everywhere, especially at the Sang Pejoang Coffee shop in Lembang. The theory used in this study is the theory of commodification by Karl Marx and Vincent Mosco. This theory is used to describe how the culture of drinking coffee at the Kopi Sang Pejoang Lembang shop and its influence through live music on the activities that occur and explain the changes after the commodification. This study uses qualitative research methods where the author here describes the results of data analysis through observation, interviews, and documentation. The results of the research are 1) the culture of drinking coffee, 2) the influence of live music, and 3) the lifestyle that occurs at the coffee shop Sang Pejoang Lembang.
Keywords: Coffee, Live music, Commodification
Smart garment for trunk posture monitoring : a preliminary study
No full textAuthor name used in this publication: Man Sang Wong2007-2008 > Academic research: refereed > Publication in refereed journalVersion of RecordPublishedC
SANG KURIANG UTUY T. SONTANI DAN MITOSNYA DALAM PERSPEKTIF SASTRA BANDINGAN
No full textAbstrakSang Kuriang karya Utuy Tatang Sontani dipandang sebagai drama fenomenal dalam sejarah sastra drama Sunda. Drama yang ditransformasi dari legenda Sangkuriang itu dikritisi sebagai drama yang paling inovatif jika dibandingkan dengan Sangkuriang pengarang lain. Artikel ini bertujuan menggali dan menelusuri makna drama Sang Kuriang karya Utuy Tatang Sontani dalam perspektif sastra bandingan. Topik utama dalam artikel ini berkaitan dengan pemikiran Sang Kuriang dengan mengangkat beberapa masalah (1) bagaimana pemikiran Sang Kuriang dalam menghadapi ketidakadilan? (2) bagaimana makna drama Sang Kuriang jika dibandingkan dengan mitosnya? Metode penelitian menerapkan teknik penelitian perbandingan. Hasil penelitian menunjukkan bahwa Utuy dalam drama Sang Kuriang telah berhasil “menghidupkan” kembali tokoh lama, Sang Kuriang yang telah menjiwainya dengan pikiran dan paham baru. Sang Kuriang karya Utuy tampil dengan versi dan makna baru yang berbeda dengan mitosnya. Sang Kuriang, drama dalam bentuk libretto karya Utuy Tatang Sontani dalam khazanah sastra drama Sunda ditempatkan sebagai drama Sunda pascakemerdekaan. Abstract The Kuriang works Utuy Tatang Sontani regarded as phenomenal drama in the history of Sundanese literature. The Drama which transformed from the Sangkuriang legend, was criticized as the most innovative drama than other Sangkuriang author. This article aims to explore and discover the meaning of the Kuriang drama works Utuy Tatang Sontani in the perspective of comparative literatur. The main topic in this article related to the Kuriang's thought to raise the issue of (1) how the Kuriang thinking in the face of injustice? (2) how to play the Kuriang significance when compared to the myth? This research used the techniques of comparative research. The results showed that the Kuriang Utuy drama has managed to "revive" the old figure back, the Kuriang that has been animating with new thoughts and understanding. The Kuriang Utuy works performed with the new versions and different meanings to the myth. Utuy Tatang Sontani's works, The Kuriang drama in the form of the libretto was the literary treasures of drama Sundanese post-independence .</jats:p
Analisis Pelaksanaan Pengelolaan Museum Daerah Sang Nila Utama Di Unit Pelaksana Teknis Dinas Kebudayaan Provinsi Riau
No full textThis study aims to determine the Analysis of Management of the Sang Nila Utama Museum by the Technical Implementation Unit of the Riau Provincial Culture Office, and what are the obstacles for the Riau Provincial Culture Office in managing the Sang Nila Utama Museum. The author uses the concept of management / management that has indicators of Planning, Implementation, Supervision and Control and Outcome. The location of this research is in the Sang Nila Utama Museum in Riau Province, Pekanbaru. In this study the authors used the research method descriptive survey using quantitative and qualitative methods. The technique of collecting data using observation, questionnaires, interviews, and instructions. The total number of respondents in this study were 5 respondents consisting of 5 people as informants who were considered the most knowledgeable and participated in supporting the smooth management of the Sang Nila Utama Museum, and 5 people who visited the museum using purposive sampling techniques. Based on the results of this study it can be concluded that the Management of the Sang Nila Utama Museum by the Culture Office carried out "Good Enough" The lack of public interest in visiting the museum is due to the facilities and museum collections provided and exhibited that are less attractive to visitors. The limited ability of qualified human resources and the lack of budget provided by the local government makes the Technical Implementation Unit of the Riau Province Cultural Service difficult to improve the management of the Sang Nila Utama Museum. Therefore, the Sang Nila Utama Regional Management Museum in the Technical Implementation Unit of the Riau Provincial Culture Office needs to be improved and improved again. So that people who want to travel are more interested in the Sang Nila Utama Regional Museum
Finding branch-decompositions and rank-decompositions
No full textAccepted to SIAM J. Comput., 2008.We present a new algorithm that can output the rank-decomposition of width at most k of a graph if such exists. For that we use an algorithm that, for an input matroid represented over a fixed finite field, outputs its branch-decomposition of width at most k if such exists. This algorithm works also for partitioned matroids. Both of these algorithms are fixed-parameter tractable, that is, they run in time O(n(3)) where n is the number of vertices / elements of the input, for each constant value of k and any fixed finite field. The previous best algorithm for construction of a branch-decomposition or a rank-decomposition of optimal width due to Oum and Seymour [J. Combin. Theory Ser. B, 97 (2007), pp. 385 - 393] is not fixed-parameter tractable.The first author: Supported by Czech research grant GAČR 201/08/0308 and by Research intent MSM0021622419 of the
Czech Ministry of Education.
The second author:
This research was done while the second author was at Georgia Institute of Technology and
University of Waterloo. Partially supported by NSF grant DMS 0354742 and the SRC Program
of Korea Science and Engineering Foundation (KOSEF) grant funded by the Korea government
(MOST) (No. R11-2007-035-01002-0)
ORNAMEN MASJID AGUNG SANG CIPTA RASA
No full textMasjid Agung Sang Cipta Rasa, dikenal juga sebagai Masjid Agung Kasepuhan atau Masjid Agung Cirebon merupakan masjid tua di kompleks Keraton Kasepuhan tepatnya di Jalan Keraton Kasepuhan 43, Kelurahan Kesepuhan, Kecamatan Lemahwungkuk, Kota Cirebon. Masjid Agung Sang Cipta Rasa merupakan salah satu masjid bersejarah di Indonesia yang dibangun oleh para Wali Sanga atas prakarsa Sunan Gunung Jati dengan pimpinan pembangunan adalah Sunan Kalijaga dan arsiteknya yaitu Raden Sepat. Penulis tertarik pada keunikan serta bentuk yang khas dari banyaknya ornamen yang terdapat pada Masjid Agung Sang Cipta Rasa, akulturasi budaya yang nampak dari bentuk visualnya menambah rasa keingintahuan penulis akan
makna dibaliknya. Ornamen-ornamen tersebut merupakan karya seni rupa bersejarah yang perlu dilestarikan. Tujuan penelitian ini yaitu untuk mengetahui visual dan makna
ornamen pada Masjid Agung Sang Cipta Rasa. Penelitian ini menggunakan metode deskriptif dengan pendekatan kualitatif. Teknik pengumpulan data yaitu dengan observasi, wawancara, dokumentasi, dan triangulasi. Metode analisis dalam penelitian ini menggunakan disiplin estetik. Berdasarkan hasil penelitian, Masjid Agung Sang Cipta Rasa Cirebon dibangun pada masa Kesultanan Islam, namun prinsip dan unsur
pembentuknya memiliki persamaan pada langgam tradisi pra-Islam. Terdapat 29 macam motif hias pada bangunan utama Masjid Agung Sang Cipta Rasa, antara lain motif geometri dan motif organis. Makna dari keseluruhan ornamen adalah hubungan antara manusia, Tuhan dan alam terkait Islam. Mayoritas bermakna tentang ketauhidan dan ibadah. Selain itu, ada pula ornamen-ornamen yang memiliki makna simbolik sebagai Wali Sanga dan berfungsi sebagai tolak bala.---------- Great Mosque Sang Cipta Rasa, also known as the Great Mosque Kasepuhan or the Great Mosque of Cirebon, an old mosque in the compound Kasepuhan precisely at Jalan Kasepuhan 43, Village Kesepuhan, Lemahwungkuk subdistrict, Cirebon. Great Mosque of Cirebon is one of the historic
mosque in Indonesia built by the Wali Sanga on the initiative of Sunan Gunung Jati with leadership development is Sunan Kalijaga and architect Raden Sepat. Authors interested in unique and distinctive form of the many ornaments contained in the Great Mosque of Cirebon, acculturation appears from the visual form author adds to the curiosity of the meaning behind it. Ornaments is a work of art to be preserved historic purpose of this
study is to determine the meaning of the ornaments on the visual and Great Mosque of Cirebon. This research uses descriptive method with qualitative approach. Data collection techniques are observation, interview, documentation, and triangulation. The method of
analysis in this study uses an aesthetic discipline. Based on the research results, Great Mosque of Cirebon built in the Sultanate of Islam, but the principles and constituent
elements similar in style pre-Islamic traditions. There are 29 kinds of ornamental motifs in the main building Great Mosque of Cirebon, among other geometric motifs and
organic motifs. The meaning of the whole ornament is the relationship between man, God and nature related to Islam. A significant majority of monotheism and worship. In
addition, there are also ornaments that have a symbolic meaning as the Wali Sanga and serves as a starting reinforcements
Penggunaan Kata Roh Sang Hyang Pengardi Sebagai Terjemahan Kata Roh Kudus Dalam Alkitab Bahasa Bali
No full textIn the process of translating the word Holy Spirit into the Balinese Bible, there are differences in concepts with the understanding of balinese people in general. Therefore it is necessary to put forward the proper concept of the Holy Spirit in accordance with the correct meaning as the concept of the Bible itself. Thus the author conducted research on the meaning of the word about the Holy Spirit that can be used in the context of the Balinese language so that the meaning in question is actually understood as intended by the Bible itself, so that the translation of the Bible into Balinese does not deviate from the original meaning. The research approach that the authors use is qualitative research. After conducting the analysis, the author found the word Roh Sang Pengardi as a relevant word for the word Holy Spirit. The word Roh Sang Pengardi can actually provide an understanding that is more in accordance with the concept of the Bible. The word describes the creator person, of which the Holy Spirit is the third person of the Trinity who is the creator of the universe. AbstrakDalam proses penerjemahan kata Roh Kudus ke Alkitab bahasa Bali, terdapat perbedaan konsep dengan pemahaman masyarakat Bali pada umumnya. Oleh sebab itu perlu dikemukakan konsep yang tepat tentang Roh kudus sesuai dengan makna yang benar seperti konsep Alkitab itu sendiri. Dengan demikian penulis mengadakan penelitian makna kata tentang Roh Kudus yang dapat dipakai dalam konteks bahasa Bali agar makna yang dimaksud benar-benar dipahami seperti yang dimaksudkan oleh Alkitab itu sendiri, sehingga penerjemahan Alkitab ke dalam bahasa Bali tidak menyimpang dari makna yang asli. Pendekatan penelitian yang penulis gunakan adalah penelitian kualitatif. Setelah melakukan analisis, penulis menemukan kata Roh Sang Hyang Pengardi sebagai kata yang relevan untuk kata Roh Kudus. Kata Roh Sang Hyang Pengardi justru dapat memberikan pemahaman yang lebih sesuai dengan konsep Alkitab. Kata tersebut menggambarkan tentang pribadi pencipta, dimana Roh Kudus adalah pribadi ketiga Tritunggal yang pencipta semesta
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