1,720,993 research outputs found
GAYA PENGARANG DALAM MENYAMPAIKAN LOKALITAS JAWA: STILISTIKA CERPEN-CERPEN KARYA GUNAWAN TRI ATDMOJO
Full text linkABSTRAK: Gaya kata dan gaya kalimat merupakan unsur penting dalam sebuah karya sastra khususnya cerpen. Penggunaan gaya kata dan gaya kalimat dalam karya sastra membuat pembaca memahami maksud dan tujuan penggarang dalam menulis karya sastra. Selain itu penggunaan diksi dan gaya kalimat digunakan agar pembaca mampu memahami unsur-unsur berkaitan dengan ciri khas penggarang. Terlebih dalam menggunakan aspek lokalitas dalam menulis cerita pendek. Selaras dengan pernyataan tersebut penelitian ini bertujuan untuk mendeskripsikan bentuk gaya kata dan gaya kalimat yang digunakan penggarang dalam menyampaikan lokalitas Jawa pada cerpen-cerpen karya Gunawan Tri Atdmojo. Serta mendeskripsikan gaya kata dan gaya kalimat dalam menyampaikan aspek lokalitas Jawa yang dominan digunakan dalam cerpen cerpen karya Gunawan Triadtmojo. Metode yang digunakan dalam penelitian ini yaitu metode kualitatif yang bersifat deskriptif. Teknik analisis data yang digunakan berupa teknik refrensial. Refrensi yang digunakan yaitu pendapat para ahli, serta penelitian yang relevan dengan penelitian ini. Teknik pengumpulan data menggunakan teknik baca dan catat. Penelitian ini menghasilkan data tertulis. Hasil penelitian menunjukkan bahwa gaya kata yang dominan digunakan oleh penggarang dalam menyampaikan lokalitas Jawa adalah gaya kata kolokial. Gaya kalimat yang dominan digunakan dalam menyampaikan lokalitas Jawa adalah kalimat deklaratif.KATA KUNCI: Leksikal; Gramatikal; Lokalitas Jawa; Cerpen; Gunawan Tri Atdmojo The Author's Style In Delivering Java Locality: Stilistics Of Short Stories By Gunawan Tri Atdmojo. ABSTRACT: Word style and sentence style are important elements in a literary work, especially short stories. The use of word style and sentence style in literary works makes the reader understand the intent and purpose of the author in writing literary works. In addition, the use of diction and sentence style is used so that the reader is able to understand the elements related to the characteristics of the author. Especially in using the locality aspect in writing short stories. In line with this statement, this study aims to describe the form of word style and sentence style used by the author in conveying Javanese locality in the short stories by Gunawan Tri Atdmojo. As well as describing the style of words and sentence styles in conveying aspects of Javanese locality which are dominantly used in short stories by Gunawan Triadtmojo. The method used in this research is a descriptive qualitative method. The data analysis technique used is a referential technique. The references used are the opinions of experts, as well as research relevant to this research. Data collection techniques used reading and note-taking techniques. This research produces written data. The results showed that the dominant style of words used by the author in writing short stories was colloquial. While the dominant sentence style used is declarative sentence.KEYWORDS: Lexical; Grammatical; Java Locality; Short story; Gunawan Tri Atdmoj
MEKANISME PERTAHANAN EGO TOKOH UTAMA DALAM KUMPULAN CERPEN TUHAN TIDAK MAKAN IKAN KARYA GUNAWAN TRI ATMODJO
Full text linkABSTRAK Penelitian ini membahas mekanisme pertahanan ego tokoh utama dalam kumpulan cerpen Tuhan Tidak Makan Ikan. Penelitian ini bersifat kualitatif dengan metode analisis deskriptif. Teori yang digunakan dalam penelitian ini adalah struktural, psikologi sastra dan psikoanalisis. Tujuan penelitian ini adalah mendeskripsikan mekanisme pertahanan ego yang digunakan oleh tokoh utama dalam menghadapi konflik batin pada tujuh cerita di kumpulan cerpen Tuhan Tidak Makan Ikan karya Gunawan Tri Atmodjo. Dengan menganalisis struktur pembangun cerita terutama penokohan, konflik batin yang dialami tokoh dihubungkan dengan cara tokoh mempertahankan diri. Hasil penelitian menunjukkan bahwa penokohan dalam struktur pembangun cerita paling memengaruhi kondisi kejiwaan serta tindak tutur tokoh. Kejiwaan tersebut memengaruhi cara tokoh menempatkan diri dan membangun pola interaksi dengan tokoh lain hingga menghasilkan tokoh yang didominasi konflik batin berupa rasa bersalah, rasa tidak rela, rasa cemburu dan gagal berkomunikasi. Jenis kelamin dan kemampuan tokoh mengatasi hal tersebut memengaruhi ragam mekanisme pertahanan ego yang digunakan. Kata kunci: psikoanalisis; mekanisme pertahanan ego; penokohan; konflik batin ABSTRACT This study discusses the ego defense mechanism of the main character in the collection of short stories Tuhan Tidak Makan Ikan. It is a qualitative research with analysis method. Theories used in this research are structural, literary psychology and psychoanalysis. The purpose of this study is to describe the defense mechanism of the ego used by the main character in dealing with their inner conflict in seven stories in the collection of short stories Tuhan Tidak Makan Ikan by Gunawan Tri Atmodjo. By analyzing the structure of story builders, especially characterizations, the inner conflicts experienced by the characters are related to the way the characters defend themselves. The results showed that characterizations in the structure of story builders are what influence the mental condition and character's speech acts the most. Psychiatric influences the way the character positions themself and builds patterns of interaction with other characters that produce characters that are dominated by inner conflict in the form of guilt, feelings of unwillingness, jealousy and failure to communicate. Sex and character's ability to overcome this affect the various ego defense mechanisms used. Keywords: psychoanalysis; ego defense mechanism; characterization; inner conflict
TIPE HUMOR DALAM CERITA-CERITA PENDEK GUNAWAN TRI ATMODJO
No full textGunawan Tri Atmodjo\u27s short stories are considered by many readers present humour. Many impressions are written by readers on the humorous aspect, but there is still no study that describes the humour aspect in these stories. Therefore, this study examines the types of humour in Atmodjo\u27s stories based on a number of humour theories in literary works as presented by Louis Hasley and Matthew Kotzen. From the results of the study, it was found that there are three types of humour in Atmodjo\u27s short stories, namely play, the formation of new words and expressions, and irony in the story. In compiling the story Atmodjo often uses the principle of deviation in normal situations. This can be seen from how he punctuates the names of the characters and the title of the work, the formation of words and expressions, and the irony in the story. These three things are built in conditions that are far from normal, both in terms of ethics (names and titles are messy and irony in the stories) and grammatical (on how words and expressions are formed). In this way, Atmodjo managed to free his readers from the emotional aspect that had been limited by ethics and grammar. Atmodjo thus consciously carried out the selection process (choosing characters and titles to play on), arranging (forming new words and expressions and arranging ironic plots), and using style (in summarizing these three things) so that the humour can be experienced and enjoyed by the reader. without leaving a message to be conveyed. The three types of humour in Atmodjo\u27s short stories are not separate, but they support each other to build humour in the minds of the readers
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
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