1,199 research outputs found
Étude odontologique
No full textRousset Guillaume. Étude odontologique. In: Gallia préhistoire, tome 33, 1991. p. 200
Fables, Vol. I
No full textEighteen months ago I thought that purchasing a set of Rousset for about 300 may have been another mistake. But it has been a fascinating mistake! Why? First, this set of four volumes is signed by the author. Secondly, there is a surprising pattern: though some images overlap in the two sets, images missing in that set are in this set and vice versa. Thus this copy lacks the decorative title-page, an image of an inscribed log with surrounding leafage. On that page we find In this deep impression "Imp. Dantzell. Lyon," about as close as either version comes to announcing a publisher. Our new volume has a title-page beginning Livre I with a cherub. Our new volume does not have for the first fable the full-page image of a figure (Poesie?) looking over the shoulder of another figure (Sagesse?). But fable II in the new-bought copy has an image of a narcissus and a butterfly. It has full-page images for Fables III and VI but none for VII, which has an image in the earlier copy. And so it goes, apparently throughout the volume. How strange! At last in Book II Fable III both have the identical full-page illustration. There is a third anomaly here. The printer or bookbinder botched his job! This volume is missing 121 to 172. It skips from III 5 to IV 6. That segment is found in the middle of an even greater lapse in the second volume (120 to 240). My! In this volume, a particularly good image portrays a group of rats abandoning a house for Book II Fable VIII, an illustration not present in the other version. Another is "Lion and Ass" facing 280 (also not in the earlier copy). My favorite printer's device is on 58: A lion plays piano. Many of these devices are lively! The illustration facing 52 has a fine moral: "Les bons et les méchants pursuivent le Bonheur. Mais les bons seuls peuvent l'atteindre." 285 pages, followed by a T of C for the five books here. The illustrated interior title-page pays homage to Aesop and La Fontaine. I am not so sure the fables do. 5.5" x 8.5".This is a hardbound book (hard cover)Language note: FrenchAlexis Rousse
Claudio Moreschini et Enrico Norelli, Histoire de la littérature chrétienne ancienne grecque et latine 1. De Paul à l'ère de Constantin. Traduction de l'italien par Madeleine Rousset
No full textTestard Maurice. Claudio Moreschini et Enrico Norelli, Histoire de la littérature chrétienne ancienne grecque et latine 1. De Paul à l'ère de Constantin. Traduction de l'italien par Madeleine Rousset. In: Bulletin de l'Association Guillaume Budé, n°1, mars 2001. pp. 121-124
Bonnet père, maire de Cubjac, ancien notaire et Bonnet fils jeune, ancien filateur de coton, demeurant tous deux à Cubjac ; contre la Société Rousset et Laparre, banquiers à Périgueux [dont la ruine lèse leurs intérêts et avec laquelle ils étaient en procès depuis 1846 / Signé : Bonnet]
No full text[Factum. Bonnet, René-Philibert-Jacques. 1849][Factum. Bonnet, Jacques-Guillaume-Paulin (fils). 1849][Factum. Société Rousset et Laparre, banquiers à Périgueux. 1849]Appartient à l’ensemble documentaire : Aquit
Claudio Moreschini et Enrico Norelli, Histoire de la littérature chrétienne ancienne grecque et latine 1. De Paul à l'ère de Constantin. Traduction de l'italien par Madeleine Rousset
No full textTestard Maurice. Claudio Moreschini et Enrico Norelli, Histoire de la littérature chrétienne ancienne grecque et latine 1. De Paul à l'ère de Constantin. Traduction de l'italien par Madeleine Rousset. In: Bulletin de l'Association Guillaume Budé, n°1, mars 2001. pp. 121-124
Italie : une approche constitutionnelle et libérale
No full textLa contribuzione ha ad oggetto la ratio, le condizioni di validità e di termine, nonché le modalità e la prassi della legge 194/1978 recante "Norme per la tutela sociale della maternità e sull'interruzione volontaria della gravidanza". Emblematica di un approccio multidisciplinare, la legge che comprende 22 articoli, formalizza un processo giuridico sviluppato attorno agli artt. 31 e 32 Cost. Nonostante l'enfasi sull'obbiezione di coscienza, la legge adotta una visione liberale. La sua relativa scarsa applicazione va letta alla luce del crollo del tasso di natalità
« Soudaines clartés et ombres sanglantes » : Jean Rousset éditeur de La Ceppède
No full textCet article se propose d’étudier l’édition par Jean Rousset en 1947, chez l’éditeur Guy Lévis Mano (GLM), d’une sélection de sonnets tirés des Théorèmes spirituels. Cette édition est importante pour deux raisons. La première, c’est qu’elle est la première réédition moderne de Jean de La Ceppède. La seconde, c’est qu’elle constitue dans la trajectoire de Jean Rousset un événement qui s’inscrit dans la constitution de sa définition d’un baroque poétique français. Le choix des sonnets, la matérialité du recueil ainsi que la préface signée par Rousset sont autant d’éléments qui témoignent des débuts de la constitution d’un corpus poétique baroquiste. Le geste anthologique traduit également la lecture spécifique qu’il a faite de La Ceppède (dont il édite les Théorèmes en 1966), auteur duquel il a tiré des éléments d’une poétique baroque, en sélectionnant certains sonnets dont les caractéristiques stylistiques ou thématiques l’ont attiré et qu’il a agencés d’une façon qui annonce déjà ses travaux ultérieurs.This article proposes to study Jean Rousset’s 1947 edition, by the publisher Guy Lévis Mano (GLM), of a selection of sonnets drawn from Théorèmes spirituels. The edition is noteworthy for two reasons: first, it is the first modern re-edition of Jean de La Ceppède and second, it marks an event in Jean Rousset’s trajectory that falls within his definition of a French Baroque poetics. The choice of sonnets, the materiality of the collection and the preface signed by Rousset are all elements pointing to the start of the constitution of a Baroque poetic corpus. The anthological gesture also reflects his specific reading of La Ceppède (whose Théorèmes he edited in 1966), an author from whom he drew elements of a Baroque poetics by selecting certain sonnets whose stylistic or thematic characteristics appealed to him and which he arranged in a way that foreshadowed his subsequent work
“Soudaines clartés et ombres sanglantes”: Jean Rousset, editor of La Ceppède
No full textCet article se propose d’étudier l’édition par Jean Rousset en 1947, chez l’éditeur Guy Lévis Mano (GLM), d’une sélection de sonnets tirés des Théorèmes spirituels. Cette édition est importante pour deux raisons. La première, c’est qu’elle est la première réédition moderne de Jean de La Ceppède. La seconde, c’est qu’elle constitue dans la trajectoire de Jean Rousset un événement qui s’inscrit dans la constitution de sa définition d’un baroque poétique français. Le choix des sonnets, la matérialité du recueil ainsi que la préface signée par Rousset sont autant d’éléments qui témoignent des débuts de la constitution d’un corpus poétique baroquiste. Le geste anthologique traduit également la lecture spécifique qu’il a faite de La Ceppède (dont il édite les Théorèmes en 1966), auteur duquel il a tiré des éléments d’une poétique baroque, en sélectionnant certains sonnets dont les caractéristiques stylistiques ou thématiques l’ont attiré et qu’il a agencés d’une façon qui annonce déjà ses travaux ultérieurs.This article proposes to study Jean Rousset’s 1947 edition, by the publisher Guy Lévis Mano (GLM), of a selection of sonnets drawn from Théorèmes spirituels. The edition is noteworthy for two reasons: first, it is the first modern re-edition of Jean de La Ceppède and second, it marks an event in Jean Rousset’s trajectory that falls within his definition of a French Baroque poetics. The choice of sonnets, the materiality of the collection and the preface signed by Rousset are all elements pointing to the start of the constitution of a Baroque poetic corpus. The anthological gesture also reflects his specific reading of La Ceppède (whose Théorèmes he edited in 1966), an author from whom he drew elements of a Baroque poetics by selecting certain sonnets whose stylistic or thematic characteristics appealed to him and which he arranged in a way that foreshadowed his subsequent work
Slow Dynamics in turbulent Helium flows
No full textThe presence of slow dynamics is a recurrent feature of many turbulent flows. This behaviour can be created by instabilities of the mean flow or by other mechanisms. In this work we analyze the behavior of a highly turbulent Helium flow (maximum Reynolds number Re=10^8, with a Reynolds based on the Taylor microscale Re_\lambda=2000). We have performed velocity measurements using home-made Pitot tubes. The analysis of the data series reveals that below the injection frequencies there are different dynamical regimes with time scales two orders of magnitude below the injection scale
DATASET - Biogeomorphic assessment of stable natural streambank structures in the Alps
No full textThis dataset comprises the data gathered in the field for Juliette Rousset's PhD thesis. It encompasses all the measured and observed variables during the field campaign in June 2022, which aims to describe the biogeomorphological components of natural vegetation-stabilised streambanks in the Alps.
The 21 sites visited in the Massif de la Vanoise were characterised by topographic surveys (cross section and slope), granulometric surveys and vegetation surveys.</p
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