1,721,301 research outputs found
La scrittura filosofica di Guido D. Neri
Full text linkIl percorso filosofico di Guido D. Neri è ricostruito attraverso lo stile filosofico di scrittura, con una particolare attenzione agli ultimi saggi dedicati alla fenomenologia e alla pittura di Caravaggi
L'estetico, la pittura e l' "evento-Caravaggio". A proposito di alcuni scritti di Guido D. Neri
No full textInterpretazioni di Caravaggio. Guido D. Neri. Il sensibile e la pittur
Guido D. Neri ovvero lo studio nella bonarietà
Full text linkGetting acquainted with a Philosopher as a Neighbour can be a very delicate experience. Relatedness, closeness, friendship became interwined with political and professional opinions: a non philosopher can grasp some of Guido D. Neri’s work through his living experience. Tolerance and strictness in his thinking could became a good nature experience in everyday life. Some episodes and vignette give a rendering of his person as a thinker , and viceversa. Guido is still an excellent Neighbour.
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Schola Guido D´arezzo, coro (Colombia)
No full textConcierto interpretado por el coro de Canto Gregoriano Schola Guido D’arezzo. El Canto Gregoriano, es la fuente de la música europea. Se le denomina también canto llano, para diferenciarlo del canto rítmicamente mesurado. A San Gregario Magno (Papa entre 590-604) se le debe la codificación del canto romano, conocido luego como canto gregoriano. Carlomagno, al consolidar la Iglesia Romana en el norte europeo (a partir del 800) declaró el canto gregoriano como el canto religioso oficial del Sacro Imperio Romano. Este canto se empleó en la liturgia correspondiente a la misa y los oficios. Es un canto sin acompañamiento instrumental cuyo objetivo principal es el de transmitir fielmente el espíritu y el significado del texto musicalizado
Modular covariance, PCT, spin and statistics
Full text linkThe notion of modular covariance is reviewed and the reconstruction of the Poincare group extended to the low-dimensional case. The relations with the PCT symmetry and the Spin and Statistics theorem are described
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