1,721,005 research outputs found
Relations between the Aegean and Apulia in the Late Bronze Age: the evidence from an archaeometric study of the pottery at Roca (Lecce)
Full text linkGuglielmino has given a recent account of the pottery from Rocavecchia, highlighting its importance in understanding relations between the Aegean and southern Italy in the Late Bronze Age. Here we present the results of a complementary study looking at the same pottery but from an archaeometric viewpoint, focusing on issues of origin and technology
L’insediamento fortificato della media età del Bronzo di Scogli di Apani (BR): le campagne di scavo 2008, 2009, 2011
No full textThe investigations of coastal landscape archaeology in the State natural reserve and marine protected area of Torre Guaceto (Br) started in 2007. in 2008, 2009 and 2011 archaeological excavations took place at the greater islet of Scogli di apani; these two islands have a total extension of about 1,5 ha and they probably are what today still remains of a larger peninsula slowly eroded and partially submerged by the rising of the sea level during the last millennia. in the Sector a (about 30m2) the investigation allowed to provide the evidence of a small part of a dwelling structure (hut 1) de- stroyed by fire; many fragments of daub, the remains of a mud-hearth plate and some handmade impasto containers (mainly closed shapes) were found still in situ. in the Sector B (about 95m2) it was possible to recognize the remains of a large dwelling construction (hut 2) destroyed by fire too; the structural evidences are several postholes, some remains of stonework bases, 5 different mud-hearth plates and a large quantity of daub fragments. moreover many artefacts were found a good state of preservation and in their functional situation on the floor of the hut: numerous handmade impasto vessels, some bone and antler tools, many stone artefacts and some ornaments. The analysis of the handmade local pottery allows to date these evidences to the late protoapennine or to the ancient apennine
Effetti della carenza di selenio sulla risposta anticorpale alla vaccinazione contro la leptospirosi nel bovino
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Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Testa femminile di marmo nel Museo Guarnacci di Volterra
No full textSi pubblica una testa femminile di marmo databile alla fine del V sec. a.C. e attribuibile ad una bottega pisa-volterrana. La scultura rappresenta probabilmente una divinità
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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