1,721,121 research outputs found
Guarini e Roma
No full textsintesi critica sul complesso rapporto, intessuto di riprese e di antitesi, tra il linguaggio architettonico di Guarino Guarini, e quello dei creatori del barocco romano.critical synthesis of the complex relationship interwoven with footage and antithesis, between the architectural language of Guarino Guarini, and the creators of the Roman Baroque
Trasparenza verso i cittadini nell’informativa di bilancio dell'ente locale
No full textE’ possibile rafforzare la valenza informativa del bilancio dell’ente locale verso i cittadini? Il contributo si pone l'obiettivo di esplorare il potenziale informativo dei documenti di sintesi obbligatori, evidenziandone opportunità e limiti ai fini della trasparenza verso la comunità amministrata. Attraverso la riclassificazione del bilancio consuntivo del Comune di Milano si propongono alcuni principi di disclosure per informare i cittadini su come vengono utilizzate le risorse finanziarie della comunità
Supplementary material for: The day after: newly-elected politicians and the use of accounting information
No full textTheoretical framework and financial data associated with the article: Guarini E. (2016) "The day after: newly-elected politicians and the use of accounting information" published in Public Money & Management, 36(7), pp. 499-506THIS DATASET IS ARCHIVED AT DANS/EASY, BUT NOT ACCESSIBLE HERE. TO VIEW A LIST OF FILES AND ACCESS THE FILES IN THIS DATASET CLICK ON THE DOI-LINK ABOV
POSSIBILE RUOLO DELLA TERAPIA ORMONALE SOSTITUTIVA NELLA SINTOMATOLOGIA DEPRESSIVA IN MENOPAUSA
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Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
"Bononi e Scarsellino nelle case di musici e letterati: i casi di Giovan Battista Guarini e Lelio Guidiccioni"
No full textAlla luce di documenti inediti si intende trattare il tema di due importanti raccolte d'arte, quella del ferrarese Giovan Battista Guarini e del lucchese Lelio Guidiccioni. In queste collezioni sono presenti opere dei pittori Carlo Bononi e Ippolito Scarsella dimostrando un precoce apprezzamento dei dipinti dei due artisti sia a Ferrara che a Roma dove, dopo il 1598, si sviluppò una particolare predilezione per le opere provenienti dalla città legatizia
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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