22,195 research outputs found
Jan and Sheila
No full textDr. Jan Hills, on left and Sheila Forrest at the barbecue area, Grove Hill Heritage Hotel and Museum, Grove Hill, NT, December 1996.Unknown.Date:1996-1
Going Beyond Counting First Authors in Author Co-citation Analysis
No full textThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Pacific University students 1903
No full textThree women known as the 'Three Freshies' at Pacific University on January 8, 1903. They are identified as Wilhelmina (Minnie) Heidel, Lilla Irvin, and Esther Silverman.[Front] Pacific Forest Grove, OR.; [Back] Three Freshies Class '07 P.U. Jan. 8, 1903.; Minnie Heidle[sic] 07 Lilla Irvin 07 Esther Silverman 07; A. J. Paideaux[?]; Pacific University Museum
Music for classical guitar by South African composers : a historical survey, notes on selected works and a general catalogue
No full textIncludes abstract.Includes bibliographical references (leaves 296-309).This is the first comprehensive investigation of music for, or including, the classical guitar by South African composers. The focus of this research has been, firstly, to uncover as much of the repertoire as possible, and, secondly, to collate, study, catalogue and report on the information. A brief historical survey of the guitar in South Africa provides the context within which this study was conducted. The primary sources of quantitative data collection were through the archival catalogues of the South African Music Rights Organisation and through personal contact with guitarists, composers and guitar teachers. Other sources consulted were publishers, broadcasting corporations, recording companies, libraries and the internet. The body of the dissertation comprises biographical sketches, background notes, analyses and technical notes on 17 selected solo and chamber works dating from 1947 to 2007 by some of South Africa's most prominent composers and guitaristcomposers. The repertoire ranges in style from the traditional and ethnically inspired to the experimental and abstract. As this is an empirical survey, each selected entry includes details on instrumentation, duration, level of difficulty, number of pages, scordatura, commissions or requests, sources or publishers, premières and recordings. A biography of each composer is provided as well as background notes which offer an overview of the selected work. The notes discuss historical, cultural, musical and extra-musical influences, and frequently include references to interview material. The commentaries on the selected works, with musical examples, include an analytical component describing structure, form, stylistic and compositional elements, while the technical observations include performance suggestions and a grading for each work
Pine Grove Cemetery, Dresden, ME
No full textPlan of Pine Grove Cemetery, Dresden, ME, drawn Jan. 6, 1941.https://digitalmaine.com/arc_wpa-cemetery/1224/thumbnail.jp
Pine Grove Cemetery, Dresden, ME
No full textPlan of Pine Grove Cemetery, Dresden, ME, drawn Jan. 6, 1941.https://digitalmaine.com/arc_wpa-cemetery/1224/thumbnail.jp
Oak Grove Cemetery, Searsmont, ME
No full textPlan of Oak Grove Cemetery, Searsmont, ME, drawn Jan. 13, 1941.https://digitalmaine.com/arc_wpa-cemetery/1444/thumbnail.jp
Oak Grove Cemetery, Searsmont, ME
No full textPlan of Oak Grove Cemetery, Searsmont, ME, drawn Jan. 13, 1941.https://digitalmaine.com/arc_wpa-cemetery/1444/thumbnail.jp
Jan Kapr's contribution to contemporary music : an essay about a composer and teacher
No full textThis creative project is a treatise on a leading personality of Czechoslovakian musical life, the composer, Jan Kapr. The author discusses the following:1. The complicated development of Kapr's career and work, 2. Kapr's method of organization of musical material in a composition, as described in his book Constants,3. His former and current style which is demonstrated in two of his compositions, Concert Variations, for flute and string orchestra and Testimonies for four solo instruments,4. Two of his recent works, Exercises for Gydli and the Symphony No. 7, Country of Childhood.Thesis (M.A.
ELEVEN FACES OF JAN GOGOL, JR.
No full textAuthor Jan Rendl in his thesis attempts to look at the world of ideas and educator Jan
Gogola ml. through the eleven chapters in which each chapter somehow characterizes itself by Jan Gogola ml. and each of them somehow determines its creative ideas of it through the metaphor of a football match when Jan Gogola, with its characters, movies himself a teammate, as well as defensively. It gives goals with their situations as well as occasionally digging his opponents ankles.
Jan Gogola ml. thus embodies one stage of the Department of Documentary Film at FAMU, which often stands at the intersection between teaching activities and Karel Vachek among students who applied by them during their seminars psychological methods that work must be peculiarly associated with the author of the film
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