4,580 research outputs found

    The British ‘Bluesman’ Paul Oliver and the Nature of Transatlantic Blues Scholarship

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    Recent revisionist studies have argued that much of what is known about music known as the blues’ has been 'invented' by the writing of enthusiasts far removed from the African American culture that created the music. Elijah Wald and Marybeth Hamilton in particular have attempted to sift through the clouds of romanticism, and tried to unveil more empirical histories that were previously obscured by the fallacious genre distinctions conjured up during the 1960s blues revival. While this revisionist scholarship has shed light on some previously ignored historical facts, writers have tended to concentrate on the romanticism of blues writing strictly from an American perspective, failing to acknowledge the genesis and influence of transatlantic scholarship, and therefore ignoring the work of the most prolific and influential blues scholar of the twentieth century, British writer Paul Oliver. By examining the core of Oliver’s research and writing during the 1950s and 1960s, this study aims to place Oliver in his rightful place at the centre of blues historiography. His scholarship allows a more detailed appreciation of the manner in which the blues was studied, through lyrics, recordings, oral histories, photography and African American literature. These historical sources were interpreted in accordance with the author’s attitudes to the commercial popular music, which allowed the ‘reconstruction’ of an African American ‘folk’ culture in which the blues became the antithesis of pop. Importantly, this study seeks to transcend dominant discourses of national cultural ownership or ethnocentrism, and demonstrate that representations of African American music and culture were constructed within a transatlantic context. The blues is music with roots in the African American experience within the United States; however, as Paul Oliver’s writing shows, its reception and representation were not limited by the same national, cultural or racial boundaries

    Software and example data for error grid analysis

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    Supplement of the article Grothe O, Kaplan A, Kouz K, Saugel B. "Computer program for error grid analysis in arterial blood pressure method comparison studies" to provide the error grid analysis suggested in Saugel B, Grothe O, Nicklas JY. "Error Grid Analysis for Arterial Pressure Method Comparison Studies. Anesthesia and analgesia 2018;126:1177-85.Detailed information for usage is provided in the article

    A Reading By Poet Mary Oliver

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    Mary Oliver\u27s poetry, with her lyrical connection to the natural world, has firmly established her in the highest realm of American poets. She is renowned for her evocative and precise imagery, which brings nature into clear focus, transforming the everyday world into a place of magic and discovery. As poet Stanley Kunitz has said, Mary Oliver\u27s poetry is fine and deep; it reads like a blessing. Her special gift is to connect us with our sources in the natural world, its beauties and terrors and mysteries and consolations. Please join Pulitzer Prize-winning poet Mary Oliver as she shares her joyous, accessible, and intimate observations of the natural world. Mary Oliver is the celebrated author of more than a dozen books of poetry and prose. With her lyrical connection to the natural world, Oliver\u27s poetry has firmly established her in the highest realm of American poets. Oliver has been honored with the National Book Award for Poetry, the Pulitzer Prize for Poetry, and a Guggenheim Foundation Fellowship, among others

    Software and example data for error grid analysis

    No full text
    Supplement of the article Grothe O, Kaplan A, Kouz K, Saugel B. "Computer program for error grid analysis in arterial blood pressure method comparison studies" to provide the error grid analysis suggested in Saugel B, Grothe O, Nicklas JY. "Error Grid Analysis for Arterial Pressure Method Comparison Studies. Anesthesia and analgesia 2018;126:1177-85

    "Hi, fellas. come on in." Norman Carlson, the Federal Bureau of Prisons, and the Rise of Prison Fellowship

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    This is a pre-copyedited, author-produced version of an article accepted for publication in the Journal of Church and State following peer review. The version of record - Kendrick Oliver; “Hi, Fellas. Come on in.” Norman Carlson, the Federal Bureau of Prisons, and the Rise of Prison Fellowship, Journal of Church and State, Volume 55, Issue 4, 1 December 2013, Pages 740–757 - is available online at: https://doi.org/10.1093/jcs/css05

    Biography of Mary Jane Oliver

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    Typescript of a sketch biography about Mary Jane (Oliver) Barlow, who came came from England around 1851 and with her husband, Oswald Barlow, helped to settle Saint George. Author unknown, but copied on January 13, 1937 by Virginia M. Lee of the Federal Writers Project, WPA, at Ogden, Uta

    Interaural time difference processing in the mammalian medial superior olive

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    The dominant cue for localization of low-frequency sounds are microsecond differences in the time-of-arrival of sounds at the two ears [interaural time difference (ITD)]. In mammals, ITD sensitivity is established in the medial superior olive (MSO) by coincidence detection of excitatory inputs from both ears. Hence the relative delay of the binaural inputs is crucial for adjusting ITD sensitivity in MSO cells. How these delays are constructed is, however, still unknown. Specifically, the question of whether inhibitory inputs are involved in timing the net excitation in MSO cells, and if so how, is controversial. These inhibitory inputs derive from the nuclei of the trapezoid body, which have physiological and structural specializations for high-fidelity temporal transmission, raising the possibility that well timed inhibition is involved in tuning ITD sensitivity. Here, we present physiological and pharmacological data from in vivo extracellular MSO recordings in anesthetized gerbils. Reversible blockade of synaptic inhibition by iontophoretic application of the glycine antagonist strychnine increased firing rates and significantly shifted ITD sensitivity of MSO neurons. This indicates that glycinergic inhibition plays a major role in tuning the delays of binaural excitation. We also tonically applied glycine, which lowered firing rates but also shifted ITD sensitivity in a way analogous to strychnine. Hence tonic glycine application experimentally decoupled the effect of inhibition from the timing of its inputs. We conclude that, for proper ITD processing, not only is inhibition necessary, but it must also be precisely timed

    A conversation between Sandy Oliver of Isleboro, cookery author and columnist, a

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    A conversation between Sandy Oliver of Isleboro, cookery author and columnist, and Melissa Kelly, author, chef, and founder of Primo restaurants in Rockland, Tucson, and Orlando. Oliver is updating Marjorie Mosser\u27s Good Maine Food, and Kelly is updating Marjorie Standish\u27s Cooking Down East . They share their thoughts on traditional Maine food, vegetable gardening, using local and seasonal food, and raising livestock for food

    Rehearsing the Mirror: The Gaze as Thought in “Capadocia”, by Mariana Oliver

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    El ensayo “Capadocia”, de Mariana Oliver, propone una reflexión sobre la mirada como forma de pensamiento. A partir de una poética de la observación, Oliver convierte la imagen en un dispositivo de conocimiento que vincula percepción y lenguaje. Este artículo examina cómo, en Aves migratorias, la autora desarrolla una escritura híbrida que conjuga elementos narrativos, cronísticos y reflexivos para explorar la tensión entre superficie y profundidad, tanto en el plano espacial como en el epistemológico. La mirada, entendida no solo como acto físico sino como proceso intelectual, permite a Oliver contrastar la visión del pasado con la del presente y articular una crítica a la superficialidad de la mirada contemporánea, representada por el turismo performativo y la fotografía como simulacro. En este marco, “Capadocia” se configura como un ensayo que piensa desde lo visible, donde la observación se convierte en un modo de conocimiento y en una ética del mirar.  Mariana Oliver’s essay “Capadocia” offers a reflection on vision as a form of thought. Through a poetics of observation, Oliver transforms the image into a cognitive device that links perception and language. This article analyzes how, in Aves migratorias, the author develops a hybrid form of writing that combines narrative, chronicle, and reflective elements to explore the tension between surface and depth, both spatially and epistemologically. Vision, understood not only as a physical act but also as an intellectual process, enables Oliver to contrast past and present ways of seeing, articulating a critique of contemporary superficiality embodied in performative tourism and photography as simulacrum. Within this framework, “Capadocia” emerges as an essay that thinks through the visible, where observation becomes both a mode of knowledge and an ethics of seeing

    Socially Engaged: The Author\u27s Guide to Social Media

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    Today\u27s successful author needs a strong online presence, but how do you choose which social media platforms work best for your books while building your readership? Marketing professor Tyra Burton and international bestselling author Jana Oliver tackle tough Social Media questions with real-world examples and insights to help you build your brand and expand your fanbase.https://digitalcommons.kennesaw.edu/facbooks2014/1009/thumbnail.jp
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