114,034 research outputs found
Zeitschrift für Hypnotismus, Suggestionstherapie, Suggestionslehre und verwandte psychologische Forschungen. Redigiert v. Dr. Grossmann, Konitz, Westpr. Berlin, Hermann Brieger 1892
No full textZEITSCHRIFT FÜR HYPNOTISMUS, SUGGESTIONSTHERAPIE, SUGGESTIONSLEHRE UND VERWANDTE PSYCHOLOGISCHE FORSCHUNGEN. REDIGIERT V. DR. GROSSMANN, KONITZ, WESTPR. BERLIN, HERMANN BRIEGER 1892
Zeitschrift für Psychologie und Physiologie der Sinnesorgane (-)
Zeitschrift für Psychologie und Physiologie der Sinnesorgane (5) (a0001)
Zeitschrift für Hypnotismus, Suggestionstherapie, Suggestionslehre und verwandte psychologische Forschungen. Redigiert v. Dr. Grossmann, Konitz, Westpr. Berlin, Hermann Brieger 1892 (5) (p0301
author-bios-SRD-19-0063.R1 – Supplemental material for The Network Structure of Police Misconduct
No full textSupplemental material, author-bios-SRD-19-0063.R1 for The Network Structure of Police Misconduct by George Wood, Daria Roithmayr and Andrew V. Papachristos in Socius</p
P. Gercke, G. Hiesel ; D. et E. French ; P. Grossmann, J. Schâfer ; H. B. Sie- dentopf; W. Rudolph, Ed. Ph. von Zabern, Tiryns V. 1971.
No full textCourbin Paul. P. Gercke, G. Hiesel ; D. et E. French ; P. Grossmann, J. Schâfer ; H. B. Sie- dentopf; W. Rudolph, Ed. Ph. von Zabern, Tiryns V. 1971.. In: Syria. Tome 53 fascicule 1-2, 1976. pp. 161-166
Presentation and branding of Prlekija through the Grossmann fantastic film and wine festival
No full textNekateri turisti posebej načrtujejo potovanja za obisk filmskih festivalov, iščejo filmske izkušnje in priložnost za interakcijo s filmskimi ustvarjalci. Kulturni, filmski, vinski turizem, znamčenje destinacije in dogodki, kot je Grossmannov festival fantastičnega filma in vina v Ljutomeru, se prepletajo v ustvarjanju take turistične izkušnje. V nalogi smo raziskali, kako je mogoče kulturni, filmski in vinski turizem povezati za izboljšanje blagovne znamke destinacije. S kvalitativno in primerjalno analizo smo raziskovali vpliv Grossmannovega festivala fantastičnega filma in vina na krepitev turistične znamke Prlekija. Analizirali smo objave na Facebook in Instagram profilu Grossmannovega festivala ter pregledali spletne članke in objave o festivalu. Cilj analize je bil ugotoviti, v koliko objavah o Grossmannovem festivalu se omenja ali opisuje tudi Prlekija in njeni turistični atributi in kako se piše o Prlekiji v teh objavah. Od turističnih segmentov, prepoznanih ob Grossmannovem festivalu, je najbolj prepoznano vino, ki je že vključeno v festival in tudi v ime festivala. S svojim edinstvenim konceptom je festival postal prepoznaven na mednarodnem nivoju in privablja obiskovalce iz vsega sveta in s tem prispeva k promociji Prlekije kot turistične destinacije ter krepi njeno znamko na svetovnem zemljevidu.Some tourists specifically plan trips to attend film festivals, seeking film experiences and the opportunity to interact with filmmakers. Cultural, film, wine tourism, destination branding and events such as Grossmann\u27s fantastic film and wine festival in Ljutomer are intertwined in creating such a tourist experience. In the thesis, we investigated how cultural, film and wine tourism can be combined to improve the brand of the destination. Through a qualitative and comparative analysis, we investigated the impact of Grossmann\u27s fantastic film and wine festival on strengthening the tourism brand of Prlekija. We analyzed the posts on the Facebook and Instagram profiles of the Grossmann festival and reviewed online articles and posts about the festival. The goal of the analysis was to find out how many publications about the Grossmann festival also mention or describe Prlekija and its tourist attributes, and how Prlekija is written about in these publications. Of the tourism segments recognized at the Grossmann festival, the most recognized is wine, which is already included in the festival and also in the name of the festival. With its unique concept, the festival has become internationally recognized and attracts visitors from all over the world, thereby contributing to the promotion of Prlekija as a tourist destination and strengthening its brand on the world map
Os sítios arqueológicos de Judith Grossmann
No full textRevista Landa, v. 4, n. 1 (2015)Observamos neste trabalho a relação estabelecida entre ficção, arquivos pessoais e memória em Todos os Filhos da Ditadura Romance (2011), da escritora fluminense-baiana Judith Grossmann. Considerando-se a “guinada subjetiva” (SARLO, 2007) empreitada pelas produções artísticas contemporâneas, da qual decorre a aproximação do discurso ficcional aos discursos memorialístico e autobiográfico, analisamos a recriação de questões biográficas da escritora no romance, e a aproximação do texto literário às escritas do eu e suas “práticas de arquivamento” (ARTIÈRES, 1998)
Going Beyond Counting First Authors in Author Co-citation Analysis
No full textThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Peculiarities of Romanian Word-Formation
No full textRomanian has features which distinguish it from other Romance languages. These can be attributed to its geographical location on the periphery of the Romance area, and to its having evolved independently and through contact with different languages. Until the early decades of the 19th century, loans and calques based on Slav(on)ic, Hungarian, Turkish, and Greek models influenced Romanian in several respects, including its word-formation patterns. Subsequent enrichment by means of numerous loans and calques from French, Italian, and (Neo-)Latin has been an important force in the re-Romanization and modernization of Romanian. In recent decades English word-formation models have also exercised a strong influence. The wide range of etymological sources and their historical stratification have meant that Romanian has a much richer inventory of affixes and allomorphs than other Romance languages. The possibility of combining bases and affixes entering Romanian from different sources at different periods and related to different registers has been exploited to create nonce formations with ironic connotations and greater expressivity. Of all Romance languages, Romanian is certainly the most interesting for the study of borrowing of affixes and of word-formation patterns.
The most important characteristics distinguishing Romanian from other Romance languages are: the limited productivity of the V-N compounding pattern; the formation of compound numerals; the high number of prefixes, suffixes, and their allomorphs; the presence of a complex system of morphophonological alternations in suffixation; the many gender-marking suffixes; and the systematic and prevalent recourse to -re suffixation and to conversion of the supine to form action nouns, and to adjective conversion to form adverbs
Variations on the Author
No full text“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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